> however hard you look into the history of electronic music, there is one name you'll struggle to find – that of Daphne Oram.
Maybe I live in some kind of Oramic-centric bubble, but I'm pretty sure she's better known than most of the other non-rockstar names mentioned. Her name gets 58,000 hits on google, and last time I went to the London Science Museum there were bits of her kit displayed there. She's not a household name, but I think the article's claims of her obscurity are exaggerated.
The Internet gave her cult status, so she's much less obscure now than she was in the 80s and 90s, when the only people who had heard of her were extreme synth nerds.
The Science Museum exhibit would never have happened without that revival in interest.
She's still very obscure though. Most people who use sequencer automation don't have any idea who she was.
Raymond Scott is probably more well known, particularly because of having been sampled by Dilla. Oram and certainly also Delia Derbyshire deserve all their due... I can't imagine how exciting it must have been to be creating these sounds that no one had heard before.
The BBC Radiophonic Workshop is more influential than they're ever given credit for, even now that the story is somewhat well known. And they were at the time too... If you're looking for 'pop' musicians who were influenced by those experiments in early electronics, check An Electric Storm by White Noise (band that featured Delia and Brian from BBC RWS), as well as United States of America's self-titled 1968 record. Both radical and timeless.
For those who are interested in those early days of electronic music, the roles Daphne Oram and Delia Derbyshire played in the BBC Radiophonic Workshop's history, and their respective lasting contributions to electronic music, are fascinating. This is a good starting point.
8 comments
[ 2.7 ms ] story [ 15.2 ms ] threadhttp://jumblequeen.tumblr.com/post/68644500028/daphne-oram-a...
https://vimeo.com/21675394
https://daphneoram.bandcamp.com/releases
Maybe I live in some kind of Oramic-centric bubble, but I'm pretty sure she's better known than most of the other non-rockstar names mentioned. Her name gets 58,000 hits on google, and last time I went to the London Science Museum there were bits of her kit displayed there. She's not a household name, but I think the article's claims of her obscurity are exaggerated.
The Science Museum exhibit would never have happened without that revival in interest.
She's still very obscure though. Most people who use sequencer automation don't have any idea who she was.
The BBC Radiophonic Workshop is more influential than they're ever given credit for, even now that the story is somewhat well known. And they were at the time too... If you're looking for 'pop' musicians who were influenced by those experiments in early electronics, check An Electric Storm by White Noise (band that featured Delia and Brian from BBC RWS), as well as United States of America's self-titled 1968 record. Both radical and timeless.
Not so pioneering, but Broadcast did some awesome stuff in a similar vein in the '00s, eg. https://www.youtube.com/watch?v=Og7m71xuFbA
https://www.soundonsound.com/sos/apr08/articles/radiophonic....