Is Netflix recommendation engine the best there is?
1. It shows movies that I already saw as recommendations. I personally rarely rewatch movies, and definitely do not want them to be top recommendations. Pretty sure, that many people are the same. Why it does that, I don't know. Also, there is no way to indicate to the system that you watched the movie but did not particularly liked it or hated it.
2. One of the top movies that I should like, according to Netflix is Uncut Gems, which I really hated, because it has an extremely unpleasant protagonist and a boring, uneventful story. There were only three original things in the film: cinematography, music and random "bad luck" events that had profound impact on the protagonist. Netflix thought that I should like it because I like Dark Thrillers, which is true, but I like Dark Thrillers that come with a good story. So if I like Fargo, does not mean that I will like Uncut Gems.
3. This leads to probably the biggest issue, which is: not enough dimensions on which to make a judgement. I would love to watch all movies with a strong original plot, but it is not one of selection criteria. I love watching most movies of my favorite directors, so (say) Tarantino, Lynch, Cronenberg, Nolan, Boyle, Villeneuve, and many more would be a 100% match, and the algorithm should be able to perceive it. I love good foreign and sci-fi movies, but I do not see them in the list, most probably because my taste is a bit more esoteric than the tastes of the crowd.
8 comments
[ 3.7 ms ] story [ 27.8 ms ] thread5. Finally, an issue that becomes apparent after some time, is just a really tiny library of movie content. If the info on the Internet is correct, there are no more than 5-10k movies in the Netflix library, this is nothing compared to how many movies are out there. Whole genres are not represented, where are the hardboiled Hong Kong action, foreign Sci-Fi, classic oldies, etc. It is not a direct problem of Netflix recommendation engine, but a limitation still. Again, if I compare Spotify and Netflix coverage, Spotify fares much better, with no more than 10% of artists that I listed to no listed. Of course, Netflix tries to switch everyone to watching just more of their own content which they can distribute without issues or additional cost worldwide. But if the market becomes fragmented, the movie discovery function diminishes in value.
Isn't the problem that they game the recommendations too much? They obviously emphasize NF "Originals" and probably content they are getting on better deals. Regarding point 1, they very often plug watched titles again and again (I'd prefer them just being hidden), I think this is because of their rather crappy catalogue (probably also the reason they show you different posters for the same title). I've never gotten the impression they actually have 5888[0] titles.
[0] https://unogs.com/countrydetail (USA)
Back then Netflix was buying retail DVDs so they also had an unlimited catalog: they could start stocking a movie just by buying a few disks.
They negotiated with Hollywood for the rights to run a streaming service which was structured something like "Netflix pays Disney $0.80 a month per subscriber."
At this point the "Netflix optimization problem" is: "buy content that will keep our customers coming back for the minimum amount of money." Netflix withheld data about which movies customers watched from the studios because they didn't want studios to know what they thought the movies were worth.
Then Netflix started to make its own movies because, once the number of subscribers is large, it is cheaper to buy then to rent.
The new optimization problem is still "minimize costs" but now Netflix is involved with the production of movies from the very beginning and will produce movies based on what plays well (or they imagine plays well) with the Netflix audience.
Is it good?
I don't think so. I saw cable channels become fat but disconnected from the consumer because they had a business model where they got paid whether or not you watched. In the "GAME PASS" future you can play any Assassin's Creed game you want for $10 a month -- I'd rather decide which games I buy myself instead of have it be done by some insiders in a smoke-free room.
DVD-by-mail is gangster in terms of intellectual property, but the studios could do nothing about it (e.g. it is like a book)
What Netflix gets for it is a huge and loyal customer base.
The studios are then willing to license the streaming rights because they get more that way then they get in DVD-by-mail.
Netflix is busy making streaming delivery work.
As the scale changes Netflix goes from rent to buy, from David to Goliath. So far Reed Hastings has been thinking a step ahead of others in the industry at each juncture.