Yes. Ergonomics and work-life balance are in worse situation than we could imagine a year or two ago. And some anticipate this appalling situation to be "a new normal" for years to come.
Thought workers coming out of their dens in 2022 are hardly mobile and have anxiety for the rest of their lives. Young people's relationships are ruined for good.
In general, USB mics are assumed to be a little more featureful (e.g. they have an on-board sound card). This is mostly an assumption, though. For super low end microphones, it's kind of difficult to compare specifications, so I'd just rely on user reviews on YouTube and the like.
This is the advice I got. It essentially boils down to what capeterson said, but also because the 3.5mm mic jacks can be noisy, and laptops/computers don't have very good ADCs.
I run the production for a livestream and I use a Sony a6400 with a 50mm f1.4 plus a Shure SM7B. IMO this is about as high quality as you should go without real studio soundproofing and lighting. I chose the a6400 because it's not crazy expensive and has some of the best/fastest autofocus around, which is extremely important when you can't touch the camera. Here's a list anyways, though:
Mandatory: Ring light and/or cheap amazon LED panels, proper placement and setup of lighting+mic+cam. Minor attempts at soundproofing are also encouraged.
Low end: Logitech c920, random USB mic from Amazon
Mid end: Sony a6000* (up to a6400* OK) with kit lens (or go body only and get a vintage manual lens for cheap), Shure SM7B (or Rode NT1/NT1-A). Blue Yetis are also okay but require moderate soundproofing. If you're getting a mic better than a Blue Yeti, you should also get mixing equipment of some sort. You can also just stick with a cheap microphone at this level as long as it doesn't sound awful.
High end: Blackmagic pocket cinema*, Shure SM7B
Highest end: Hire a production company, this is the big leagues now
* = Requires capture card
For lighting setups, soundproofing, and optimal cam+mic usage, you can maybe check out YouTube in order to learn a bit. You will probably need more than is just on this list, but this is just the bare minimum.
Interesting to see BMPC for the high end - I've heard it's not great as a set it and leave it option (also bad battery life).
For the capture card: elgato camlink 4k works well.
Is the Sony software any good? I've hard that people still say to use the capture card with that anyway. I have a decent mic, but I'm still using the kind of crappy logitech webcam because I couldn't decide between all the camera options that all seemed to have tradeoffs (lumix gh5, lumix g100, sony a7siii, sony zv1, etc.)
If you'd be willing to break some of those down in a comment I'd really appreciate it. Why is the a6400 the right choice? what lens is best for remote work and why? Is the ring light better than key lights? Why prefer one of the other?
IMO the blackmagic pocket cinema is perfectly fine undisturbed if you're just standing/sitting at a desk, but I was thinking more like you'd pair it with something like ATEM in order to have more control. As for battery life, you're probably going to have it plugged into a dummy battery and then a converter and then into the wall. That's kind of the funny thing with nicer cameras though, they usually require a little bit more interaction because they have so many capabilities.
And for capture cards, yeah the elgato camlink is all you really need- the small form factor is a plus, too.
Sony's interface on their camera is pretty awful, it can be hard to navigate and some things need a ton of button presses just to change simple things. However, this clunky interface comes with the benefit of a staggering amount of features that (in general) work better than its competitors. They just have a really good price:performance ratio, a good form factor, best in class autofocus on the a6400+, and a good selection of compatible lenses. It's just a really solid generalist that isn't missing any important features.
I would still recommend a capture card because I feel like it would reduce the potential for overheating- however, I have not tried using the Sony camera link software yet, so maybe it's fine.
For lenses, it depends on what type of look you want. IMO a lens upgrade is probably the last thing to purchase since you're usually looking at a $300+ price tag. For that amount of money, you could have your lighting down pat which will give you a more immediate bonus in quality than a nicer lens would. A basic 16-50 kit lens will perform fabulously with proper lighting, however it will lack significant background blurring and bokeh.
If you're looking for bokeh and background blurring (as most people are), you want a fast lens with a wider aperture and a longer focal length. However, the more towards that end that you go, the harder it will be to focus on the subject, so you must pair it with good lighting and decent autofocus. For a good idea of what to look for in the mid-low range, a 50mm f1.4 (or f1.8) prime lens should do well.
You can slightly modify a single pole monitor mount and use it as a way to hold cameras, lighting, audio, etc. Here's what I have at home: https://i.imgur.com/ix7xSc1.jpg
You can also purchase those twin VESA mount arms on Amazon for like $20, so you can mount a ton of things for relatively cheap.
I already have a separate boom arm for audio, but you can see there's all sorts of good stuff like a (sort of hidden) camera ball mount and jury-rigged LED panels. I made some reflectors and diffusers in order to make sure I'm not sending tons of light out behind me, which helps exaggerate that nice background blur and makes me stand out. I also have a light behind me over my head, which lights up the hair and provides a nice effect. Something to light up my room could be useful, but I have big windows with a good amount of indirect natural light.
As far as what specific lighting you want- it really just depends. If you're willing to spend a little extra time, I would probably avoid ring lights because you can achieve a better effect with LED panels and creative use of diffusers/reflectors. Ring lights are a good plug-and-play budget solution, though.
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Now for choosing a specific camera- this is a good thing to google since there's a ton of specs and most cameras are pretty similar. IMO you don't need in-body image stabilization, so I would leave out the A6500. The A6100-A6300 are so close in price to the A6400 that I'd prefer the A6400 and say it's a choice between the Sony A6000 and the Sony A6400. The ...
Hey, papercups looks like something I was searching for the other night but never managed to stumble upon. I just checked my search history and maybe that will be useful for you to see.
'intercom',
'intercom alternative',
'intercom alternative producthunt',
'slack live chat integration'
I remember that the majority of the producthunt recommendations were dead projects and the 'Top 5 intercom alternatives'(etc.) articles didn't seem to mention you.
21 comments
[ 2.9 ms ] story [ 44.8 ms ] threadThought workers coming out of their dens in 2022 are hardly mobile and have anxiety for the rest of their lives. Young people's relationships are ruined for good.
But it was way cooler than that—a dataset of zoom workstations! Thanks for putting this together.
Definitely going to share with a lot of people that are always hacking on their zoom setups.
"When I was a kid" we used to do our demo days in person, and showed a lot less creativity than the new batches. Well done!
Mic: a <$100 USB mic, I don't remember the exact model, but it's by FIFINE
Headphones: just standard ones
Do everyone a favour and buy a good webcame and a USB mic. :)
Mandatory: Ring light and/or cheap amazon LED panels, proper placement and setup of lighting+mic+cam. Minor attempts at soundproofing are also encouraged.
Low end: Logitech c920, random USB mic from Amazon
Mid end: Sony a6000* (up to a6400* OK) with kit lens (or go body only and get a vintage manual lens for cheap), Shure SM7B (or Rode NT1/NT1-A). Blue Yetis are also okay but require moderate soundproofing. If you're getting a mic better than a Blue Yeti, you should also get mixing equipment of some sort. You can also just stick with a cheap microphone at this level as long as it doesn't sound awful.
High end: Blackmagic pocket cinema*, Shure SM7B
Highest end: Hire a production company, this is the big leagues now
* = Requires capture card
For lighting setups, soundproofing, and optimal cam+mic usage, you can maybe check out YouTube in order to learn a bit. You will probably need more than is just on this list, but this is just the bare minimum.
For the capture card: elgato camlink 4k works well.
Is the Sony software any good? I've hard that people still say to use the capture card with that anyway. I have a decent mic, but I'm still using the kind of crappy logitech webcam because I couldn't decide between all the camera options that all seemed to have tradeoffs (lumix gh5, lumix g100, sony a7siii, sony zv1, etc.)
If you'd be willing to break some of those down in a comment I'd really appreciate it. Why is the a6400 the right choice? what lens is best for remote work and why? Is the ring light better than key lights? Why prefer one of the other?
Thanks!
And for capture cards, yeah the elgato camlink is all you really need- the small form factor is a plus, too.
Sony's interface on their camera is pretty awful, it can be hard to navigate and some things need a ton of button presses just to change simple things. However, this clunky interface comes with the benefit of a staggering amount of features that (in general) work better than its competitors. They just have a really good price:performance ratio, a good form factor, best in class autofocus on the a6400+, and a good selection of compatible lenses. It's just a really solid generalist that isn't missing any important features.
I would still recommend a capture card because I feel like it would reduce the potential for overheating- however, I have not tried using the Sony camera link software yet, so maybe it's fine.
For lenses, it depends on what type of look you want. IMO a lens upgrade is probably the last thing to purchase since you're usually looking at a $300+ price tag. For that amount of money, you could have your lighting down pat which will give you a more immediate bonus in quality than a nicer lens would. A basic 16-50 kit lens will perform fabulously with proper lighting, however it will lack significant background blurring and bokeh.
If you're looking for bokeh and background blurring (as most people are), you want a fast lens with a wider aperture and a longer focal length. However, the more towards that end that you go, the harder it will be to focus on the subject, so you must pair it with good lighting and decent autofocus. For a good idea of what to look for in the mid-low range, a 50mm f1.4 (or f1.8) prime lens should do well.
Also a big tip for desktop setups: https://www.youtube.com/watch?v=7RZeivVQaiM
You can slightly modify a single pole monitor mount and use it as a way to hold cameras, lighting, audio, etc. Here's what I have at home: https://i.imgur.com/ix7xSc1.jpg
You can also purchase those twin VESA mount arms on Amazon for like $20, so you can mount a ton of things for relatively cheap.
I already have a separate boom arm for audio, but you can see there's all sorts of good stuff like a (sort of hidden) camera ball mount and jury-rigged LED panels. I made some reflectors and diffusers in order to make sure I'm not sending tons of light out behind me, which helps exaggerate that nice background blur and makes me stand out. I also have a light behind me over my head, which lights up the hair and provides a nice effect. Something to light up my room could be useful, but I have big windows with a good amount of indirect natural light.
As far as what specific lighting you want- it really just depends. If you're willing to spend a little extra time, I would probably avoid ring lights because you can achieve a better effect with LED panels and creative use of diffusers/reflectors. Ring lights are a good plug-and-play budget solution, though.
-------
Now for choosing a specific camera- this is a good thing to google since there's a ton of specs and most cameras are pretty similar. IMO you don't need in-body image stabilization, so I would leave out the A6500. The A6100-A6300 are so close in price to the A6400 that I'd prefer the A6400 and say it's a choice between the Sony A6000 and the Sony A6400. The ...
'intercom', 'intercom alternative', 'intercom alternative producthunt', 'slack live chat integration'
I remember that the majority of the producthunt recommendations were dead projects and the 'Top 5 intercom alternatives'(etc.) articles didn't seem to mention you.
Hopefully this will help in some small way :)