"The economic model that supported most of the ancient masters was patronage, whether endowed by a wealthy individual, a religious institution, a university, a corporation, or - through the instrument of governmental support - by society as a whole....Think of how the emerging digital conveniences will empower musicians, photographers, filmmakers, and writers when you can click on an icon, upload a cyber-dime into their accounts, and download their latest songs, images, films, or chapters - all without the barbaric inconvenience currently imposed by the entertainment industry."
I guess we didn't quite get to that, but all things considered, we're not too far off? At least when compared to 20 years ago.
Oh, and this was, (I think?) a follow up from his "The Economy of Ideas" from back in '94.
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[ 3.1 ms ] story [ 19.1 ms ] thread"The economic model that supported most of the ancient masters was patronage, whether endowed by a wealthy individual, a religious institution, a university, a corporation, or - through the instrument of governmental support - by society as a whole....Think of how the emerging digital conveniences will empower musicians, photographers, filmmakers, and writers when you can click on an icon, upload a cyber-dime into their accounts, and download their latest songs, images, films, or chapters - all without the barbaric inconvenience currently imposed by the entertainment industry."
I guess we didn't quite get to that, but all things considered, we're not too far off? At least when compared to 20 years ago.
Oh, and this was, (I think?) a follow up from his "The Economy of Ideas" from back in '94.
https://www.wired.com/1994/03/economy-ideas/