That makes me really really sad :( Pandora is one of the rare services which just scream quality. The service itself is great, the web interface is slick, the ads are slick, the iPhone app is amazing.
yeah I have OpenPandora running all the time(its the program to run Pandora w/o going to the site), it made me stop listening to my mp3s since with the pandora after you fine tune your preferences almost all the songs you hear are the ones you like.
"Our artists and copyright owners deserve to be fairly compensated for the blood and sweat that forms the core product of these businesses," said Mike Huppe, general counsel for SoundExchange."
Keeping in mind that traditional radio does not pay any fees for playing music, Mike Huppe is in for a treat if Pandora is shut down. Tons of infuriated, tech savvy users will have his name and an axe to grind. I don't think SoundExchange aka the _RIAA_ (nice try Suit factory) fully understands what they're getting in to.
Also related: This is not about the artists; the majority of those fees go to the labels - not the talent. Besides what does Mike Huppe know about blood and sweat? He shuffles papers around all day.
Not sure what you read, but traditional radio does not pay fees to the record industry. Zero. They do pay ASCAP/BMI fees, however. Those are just for the performance, and the artists actually do tend to get the money from that. (That's as opposed to the money the RIAA gets from CD sales, etc., which the artists almost never see.)
I read something about this "They do pay ASCAP/BMI fees" - my original post was too general. I should have specified exactly what type of fees each medium paid (internet vs FM/AM vs satellite).
Conversely, radio stations are often paid by major labels to repeatedly play/promote certain artists. If you've ever listened to a "popular" music station and wondered why certain songs seem to get played again and again -- sometimes as much as every hour -- that's why. There's actually some kind of psychology thing involved; the more times a person hears a song, the more likely that person is to end up liking it.
This whole thing reeks because it's basically the RIAA and major labels getting into a big huff because they are losing control over the outlets that they used to control.
An irony of this kind of business is that if someone isn't going to buy, it's still to the benefit of the vendor if she has it. The only issue is that it's almost impossible to distinguish between a give-away that cannibalises a sale & one that does not.
Presumably, terrestrial radio is not seen as a potential replacement for CDs while internet/satellite is. It's all rubbish of course.
In a way, 'stars' might be a lot worse off without piracy. Consumers might be drawn to free music given away by weird artists (Radiohead, NIN). Presumably a lot of those would be artists with 0 sales & nothing to cannibalise.
Take, software as an analogy. How many users of pirated MS Office would otherwise use Open Office? In the south, these might have become the standard if not for piracy.
Id say it makes a lot of people angry. It's also another step in making people reconsider the concept of copyright for music.
I think someone's mentioned it here in the discussion: Copyright protection is not an inalienable right (like the right to remain silent), it's an instrument designed to have some desirable result (like tax deductions). Copyright in this case is preventing innovative products & services, and very probably harmful to the art itself. 'Small' artists & genres have the most to gain from the potential of free music.
Pandora is flat-out one of the best marketing opportunities for the music industry. If they were smart, they'd be harnessing that, not trying to kill it.
Among other things Pandora is good at is getting good PR when needed to help in it's Washington Lobbying.
This is at least the second time they've threatened to pull the plug to get positive legislation passed.
I agree they are a great service. It's nice to see even small tech companies take the fight to Washington (instead of ignoring them ala Intel, Microsoft and Google)
...and you've just made the comment that makes me highly doubt that this is anything but a PR coup for the company, in their efforts to lobby the bureaucrats.
With millions of active users, I don't think Pandora would just fold up their tent and go home. Like the story says, there are lots of potential ways to monetize the service.
I can't for the life of me understand why SoundExchange thinks that charging exorbitant rates that force all web streaming music sites out of business will help its artists make more money. 8/100 of a cent x millions of songs played is infinitely better than 19/100 of a cent x ZERO songs played. Are they stupid or stubborn?
I think it comes back to not really wanting the internet to happen. And not necessarily irrationally.
The recording industry world has been in a pretty sweat spot. The current (& past) world creates a substantial income built on 1. selling albums, 2. strict adherance to a 90/10 rule (revenue/artists), 3. Periphery industries that support 1 & 2 (eg: movie soundtracks, radio).
Almost any step is a step away from that cushy world. So any slowing of change is good.
I remain confused by why people believe that "the community" should be able to set price caps on artwork owned by corporations. If Warner Music wants to charge $5 a play for Mylie Cyrus, I'm certainly not going to pay it, but how is it "wrong"?
I'm surprised and happy that Pandora and Last.fm can exist at all, but I don't understand what entitles them to exist. We don't have a "right" to consume major label music.
"...should be able to set price caps on artwork owned by corporations"
Because copyright protection is not a right, but a limited privilege granted by the United States Constitution and intended to "promote the Progress of Science and useful Arts", not to make a sure $ for some corporation.
Hence the idea of compulsory licensing, for example. If the cost of the license, though, is prohibitive, it has the same effect of refusing a license, which (one could argue) would interfere with the progress of science and useful arts.
That's one of the limits, yeah. You also get things like "fair use". You're correct that price is not currently a restriction in every case, but there's a good case to be made for compulsory licensing (which is partially a price limit).
Copyright law creates artificial monopolies. Market based pricing breaks down in the face of a monopoly. Given that we're dealing with state enabled monopolies, it seems reasonable that we should clamor for changes to the framework they operate under.
"The "limit" on copyright is duration. The market owns price. You haven't answered my question."
Yes, I did. See the other comments on compulsory licensing as being state-sanctioned price limit, if my own answer was not clear enough.
Also, a reasonable counter-question is, what gives someone the right to prevent me from making a copy of a digital entity?
Intellectual "property" is quite different from physical goods, and the fact that the Constitution has a special clause for copyright suggests that IP was not meant to be equated with, say, land or other material things.
Perhaps copying is the real right, with government offering to restrict that right for a period of time so as to offer incentives to people to make their creations public.
Go the route of a two-tier system, where users who listen to ad-supported music get to listen to music whose label doesn't demand more than $X, and to listen to music whose label demands too much you have to pay $Y per month, where Y must be calculated to cover the costs of the royalties. Pandora needs to realize that it's the future, and be confident about that. Relegate the music owned by extorting labels to the digital ghetto and be done with it. Eventually the great artists that are under a label will go independent, so you won't necessarily be killing off the best artists, in the long run. The important thing is that Pandora and it's investors have some balls.
This would work great for me, because the majority of the time, I don't really care all that much who I'm listening to, really; I'm after particular styles and sounds. Our current "system" of fan-dom is really just a way to keep track of what you like. If the Genome project is capable of keeping track of what I like for me,then I don't have to worry about who it is. This won't kill "fandom" either, because there will still be a handful of artists that I'll really like, and best of all, I'll discover them through the Genome's recommendations instead of ridiculous label promotions.
This reminded me of an essay in last week's New Yorker about "The Permission Problem" (http://www.newyorker.com/talk/financial/2008/08/11/080811ta_...). In summary, when too many stakeholders are involved in a deal, the deal tends to fall through, because any one of the stakeholders is likely to demand nearly the entire value of the deal (since they can kill it by denying their permission).
Radio (Internet and other) doesn't exactly fit that, since you could still have a viable radio station without playing, say, any Beatles songs, but it is similar. If, in order to have an Internet radio station, you needed to negotiate with the owner of every song you wanted to play, running such a station would be prohibitively expensive. Having an organization such as SoundExchange with the authority to collect royalties for copyright holders is one solution to that problem.
That doesn't answer your question, though. One answer is that such fees are so high that they make SoundExchange useless, at least as far as Internet radio goes (as opposed to Satellite), because no one can afford it, so such fees effectively kill Internet radio. If we were talking about a free market, an appropriate response to this could be, "let them die out, and some other competitor can take their place and make a better deal with Internet radio stations". However, we're not. SoundExchange is granted monopoly power by the US Copyright Office. If, in exchange for that power, it does not grant a fair deal to Internet radio stations, then US citizens should have the ability to act through their government to change that.
Note also that individual copyright holders are granted monopolies to those works by the government. A reasonable stance, I think, is - if the government gives you a monopoly on something, you have a responsibility to charge fair prices for that thing. Prices that prevent a new industry, for which there is much demand, from growing are probably not fair.
If, in order to have an Internet radio station, you needed to negotiate with the owner of every song you wanted to play, running such a station would be prohibitively expensive.
I think this can be solved using technology and micropayments. The artists could register their songs in some sort of online database, with the price they are willing to accept. This would make a free market where the artists could decide what their songs are worth.
I don't think the artists in RIAA would be the first users of this database, but independent labels might be interested. An unknown artist could set a lower price to make their music more attractive for radio stations.
I wonder if it is not also the artists "fault": they chose to be represented by the music industry. Apparently alternative channels have not yet attracted sufficient talent to create a radio service based on it.
This is basically my thought as well. Pandora is upset because without major-label artists, most of their clientele will vanish. But that's really not our problem, is it? If WMG (or their trade reps) are a bunch of bitches, Pandora should just do business with Matador.
It feels like what Pandora really wants is for their business model to be handed to them on a platter.
Besides the fact that there is no provision in the US constitution for treating ideas as property, it's wrong because webcasters are being treated wildly unfairly than other outlets. There is only one reason for this: the RIAA is afraid of them and wants to drive them out of business. That's actually illegal. And wrong.
Whatever you want to call it -- I use the word idea -- a song is certainly not a tangible thing. (If you can hand me a song, I'll recant. No, not that, that's sheet music, not the song itself. No, not that CD, that's a copy of the recording of the song.)
The constitution says -- I'm paraphrasing -- that 1) congress can't make laws that limit the freedom of expression (including my ability to use someone else's work to express myself), and 2) that the exception to that is for artists, who are granted a monopoly on their own work for a limited time, to encourage them to make more art.
There is NO provision for "owning" a song. And the 1st amendment trumps any law that says you can.
BTW I think you ought to look up what the straw-man argument, because I don't think it means what you think it does.
BMI was invented to license artists to radio stations when ASCAP's fees were too high. ASCAP refused to lower their prices at first, they'd assume that nobody would want to listen to the unproven artists that BMI was signing. Fortunately for BMI and the world, people liked the upstarts just fine.
The time is ripe for another market entrant to modernize music distribution.
This seems to me like a far better solution than attempting to legislate that businesses ignore the market. Of course, it implies that we should blame the artists, not the labels; I'm already on that page, but many aren't.
Musicians go to the major labels because the major labels own the distribution channel and the prestige that goes with it. But ten years from now, that channel is going to be meaningless. What's the business that fixes the RIAA problem?
By the way, BMI employs a regular gestapo who go around hitting venues of all sizes for licenses. I'm being facetious, but it does suck when a little coffeeshop has to stop having open mic night because of it...
You aren't being that facetious. My father was a restaurant manager in the 70s and he had to catalogue every record he had, how many times each song was played, and then cut a check to the appropriate record companies to avoid getting sued by them. This wasn't a chain restaurant or anything either, just a small little one. They are really assholes about playing your own music, luckily you are allowed to play internet, terrestrial, and satellite radio for free (they have yet to impose a fee on that I guess) and Pandora counts as internet radio so it makes a great solution for businesses.
Actually now that I think of it, Pandora should offer a business or premium plan. Because businesses have to display the name of the song/artist playing when they play the radio, Pandora should offer a simple, ad-free song title display that businesses can use when playing their songs. There's some revenue! Yay! Stay in existence please!
Although I can't access Pandora anymore (wrong continent!) it sucks to see how the greedy bastards are managing to squeeze out of existence yet another genuinely innovative service. I'm also afraid of the other US-based indie web radios going under, sort of bizarre as they're NOT even playing any major label content, yet the same deals through SoundExchange / Copyright board apply :-o
Though keep in mind, US != world, and webcasters elsewhere can have fairer licensing deals so perhaps this will give a chance for innovation to flourish elsewhere (damn well hope so!)
They should do an independent artists and non-RIAA version. Now that they have people's musical taste profiles and an established user base, the next step is to profile many more said tracks.
Sounds like SoundExchange are not only passing-off but should be subject to anti-trust laws.
Other solution: Pandora opens-source its software and open-content its listener profiles to allow overseas based clones, and then find a different business model.
It seems that all the parties involved have something to lose and nothing to gain by Pandora shutting down.
Surely it's in everyones interest to keep it going. If the royalties gained aren't as much right now does it really matter? Surely getting something is better than nothing at all.
Pandora is arguably the best known service and keeping it going might offer further opportunities for everyone in the long term.
55 comments
[ 2.9 ms ] story [ 118 ms ] threadKeeping in mind that traditional radio does not pay any fees for playing music, Mike Huppe is in for a treat if Pandora is shut down. Tons of infuriated, tech savvy users will have his name and an axe to grind. I don't think SoundExchange aka the _RIAA_ (nice try Suit factory) fully understands what they're getting in to.
Also related: This is not about the artists; the majority of those fees go to the labels - not the talent. Besides what does Mike Huppe know about blood and sweat? He shuffles papers around all day.
http://pview.findlaw.com/view/1570397_1?noconfirm=1
Edit: I've been reading traditional radio still pays fees. Regardless, they are a fraction of what Pandora may have to pay.
I want to help find out.
Sadly that is about as much power as I seem to have without actually making an effort.
Time Warner: 21 million USD in loss EMI: 260 million GBP loss (~ 520M USD)
There is no info on the others, but it would be hard for them to make big bucks while Warner Music Group's stock drops 74%.
http://finance.google.com/finance?chdnp=1&chdd=1&chd...;
This whole thing reeks because it's basically the RIAA and major labels getting into a big huff because they are losing control over the outlets that they used to control.
Presumably, terrestrial radio is not seen as a potential replacement for CDs while internet/satellite is. It's all rubbish of course.
In a way, 'stars' might be a lot worse off without piracy. Consumers might be drawn to free music given away by weird artists (Radiohead, NIN). Presumably a lot of those would be artists with 0 sales & nothing to cannibalise.
Take, software as an analogy. How many users of pirated MS Office would otherwise use Open Office? In the south, these might have become the standard if not for piracy.
Id say it makes a lot of people angry. It's also another step in making people reconsider the concept of copyright for music.
I think someone's mentioned it here in the discussion: Copyright protection is not an inalienable right (like the right to remain silent), it's an instrument designed to have some desirable result (like tax deductions). Copyright in this case is preventing innovative products & services, and very probably harmful to the art itself. 'Small' artists & genres have the most to gain from the potential of free music.
This is at least the second time they've threatened to pull the plug to get positive legislation passed.
I agree they are a great service. It's nice to see even small tech companies take the fight to Washington (instead of ignoring them ala Intel, Microsoft and Google)
With millions of active users, I don't think Pandora would just fold up their tent and go home. Like the story says, there are lots of potential ways to monetize the service.
And if web radio won't, then they see it as giving away songs too cheaply that they want to artificially keep high-priced.
The recording industry world has been in a pretty sweat spot. The current (& past) world creates a substantial income built on 1. selling albums, 2. strict adherance to a 90/10 rule (revenue/artists), 3. Periphery industries that support 1 & 2 (eg: movie soundtracks, radio).
Almost any step is a step away from that cushy world. So any slowing of change is good.
I'm surprised and happy that Pandora and Last.fm can exist at all, but I don't understand what entitles them to exist. We don't have a "right" to consume major label music.
Because copyright protection is not a right, but a limited privilege granted by the United States Constitution and intended to "promote the Progress of Science and useful Arts", not to make a sure $ for some corporation.
Hence the idea of compulsory licensing, for example. If the cost of the license, though, is prohibitive, it has the same effect of refusing a license, which (one could argue) would interfere with the progress of science and useful arts.
"... the same effect of refusing a license, which (one could argue) would interfere with the progress of science and useful arts."
So does that mean that Google or Coca-Cola should (must?) license their algorithm/recipe for the progress of science and useful arts?
Copyright law creates artificial monopolies. Market based pricing breaks down in the face of a monopoly. Given that we're dealing with state enabled monopolies, it seems reasonable that we should clamor for changes to the framework they operate under.
Yes, I did. See the other comments on compulsory licensing as being state-sanctioned price limit, if my own answer was not clear enough.
Also, a reasonable counter-question is, what gives someone the right to prevent me from making a copy of a digital entity?
Intellectual "property" is quite different from physical goods, and the fact that the Constitution has a special clause for copyright suggests that IP was not meant to be equated with, say, land or other material things.
Perhaps copying is the real right, with government offering to restrict that right for a period of time so as to offer incentives to people to make their creations public.
Go the route of a two-tier system, where users who listen to ad-supported music get to listen to music whose label doesn't demand more than $X, and to listen to music whose label demands too much you have to pay $Y per month, where Y must be calculated to cover the costs of the royalties. Pandora needs to realize that it's the future, and be confident about that. Relegate the music owned by extorting labels to the digital ghetto and be done with it. Eventually the great artists that are under a label will go independent, so you won't necessarily be killing off the best artists, in the long run. The important thing is that Pandora and it's investors have some balls.
This would work great for me, because the majority of the time, I don't really care all that much who I'm listening to, really; I'm after particular styles and sounds. Our current "system" of fan-dom is really just a way to keep track of what you like. If the Genome project is capable of keeping track of what I like for me,then I don't have to worry about who it is. This won't kill "fandom" either, because there will still be a handful of artists that I'll really like, and best of all, I'll discover them through the Genome's recommendations instead of ridiculous label promotions.
Radio (Internet and other) doesn't exactly fit that, since you could still have a viable radio station without playing, say, any Beatles songs, but it is similar. If, in order to have an Internet radio station, you needed to negotiate with the owner of every song you wanted to play, running such a station would be prohibitively expensive. Having an organization such as SoundExchange with the authority to collect royalties for copyright holders is one solution to that problem.
That doesn't answer your question, though. One answer is that such fees are so high that they make SoundExchange useless, at least as far as Internet radio goes (as opposed to Satellite), because no one can afford it, so such fees effectively kill Internet radio. If we were talking about a free market, an appropriate response to this could be, "let them die out, and some other competitor can take their place and make a better deal with Internet radio stations". However, we're not. SoundExchange is granted monopoly power by the US Copyright Office. If, in exchange for that power, it does not grant a fair deal to Internet radio stations, then US citizens should have the ability to act through their government to change that.
Note also that individual copyright holders are granted monopolies to those works by the government. A reasonable stance, I think, is - if the government gives you a monopoly on something, you have a responsibility to charge fair prices for that thing. Prices that prevent a new industry, for which there is much demand, from growing are probably not fair.
I think this can be solved using technology and micropayments. The artists could register their songs in some sort of online database, with the price they are willing to accept. This would make a free market where the artists could decide what their songs are worth.
I don't think the artists in RIAA would be the first users of this database, but independent labels might be interested. An unknown artist could set a lower price to make their music more attractive for radio stations.
It feels like what Pandora really wants is for their business model to be handed to them on a platter.
The constitution says -- I'm paraphrasing -- that 1) congress can't make laws that limit the freedom of expression (including my ability to use someone else's work to express myself), and 2) that the exception to that is for artists, who are granted a monopoly on their own work for a limited time, to encourage them to make more art.
There is NO provision for "owning" a song. And the 1st amendment trumps any law that says you can.
BTW I think you ought to look up what the straw-man argument, because I don't think it means what you think it does.
The time is ripe for another market entrant to modernize music distribution.
Musicians go to the major labels because the major labels own the distribution channel and the prestige that goes with it. But ten years from now, that channel is going to be meaningless. What's the business that fixes the RIAA problem?
??? Like hell they don't.
http://www.bmi.com/career/entry/C1519
By the way, BMI employs a regular gestapo who go around hitting venues of all sizes for licenses. I'm being facetious, but it does suck when a little coffeeshop has to stop having open mic night because of it...
Actually now that I think of it, Pandora should offer a business or premium plan. Because businesses have to display the name of the song/artist playing when they play the radio, Pandora should offer a simple, ad-free song title display that businesses can use when playing their songs. There's some revenue! Yay! Stay in existence please!
Though keep in mind, US != world, and webcasters elsewhere can have fairer licensing deals so perhaps this will give a chance for innovation to flourish elsewhere (damn well hope so!)
Other solution: Pandora opens-source its software and open-content its listener profiles to allow overseas based clones, and then find a different business model.
Can MusicBrainz start sound-profiling tracks?
Surely it's in everyones interest to keep it going. If the royalties gained aren't as much right now does it really matter? Surely getting something is better than nothing at all.
Pandora is arguably the best known service and keeping it going might offer further opportunities for everyone in the long term.