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dimatura
Certainly an improvement on the ol' "cat /dev/urandom > /dev/audio"!
bertman
Or (from the readme):

  cat /dev/urandom | hexdump -v -e '/1 "%u\n"' | awk '{ split("0,2,4,5,7,9,11,12",a,","); for (i = 0; i < 1; i+= 0.0001) printf("%08X\n", 100*sin(1382*exp((a[$1%8+1]/12)*log(2))*i)) }' | xxd -r -p | aplay -c 2 -f S32_LE -r 16000
FeepingCreature
"sudo mplayer -demuxer rawaudio -ao alsa:device=hw=0.0 /dev/sd* /dev/nvme*"

Hard drive is more fun than urandom because it actually contains audibly structured data.

Note: You may have to stop Pulseaudio or Pipewire if you have it running.

Note: May create very loud noises or even break your headphones.

prohobo
I took on a similar project recently, and realized the data sounds boring (as anyone would), but I wonder if instead of generating notes from data you could map to a scale of motifs.

If you write the motifs to seamlessly transition then you can get musical data without any manual steps (besides the definition of the motifs).

ace2358
I always thought Zelda: Breath of the Wild did this really well. The game generally doesn’t have music during world traversal. Slight piano motifs here and there. You could get the music change and the scenario was changing, either a town or an enemy or a secret. Becomes sort of another sense.

I know other games have done this very well.

yellowapple
Groovy! Took a bit of finagling¹ to get it to build under Zig master², and it looks like my machine doesn't like playing some of the "presets" with sample rates below 4000Hz, but it's certainly a fun little gadget.

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¹: https://github.com/orhun/linuxwave/pull/8

²: I could've just did an "asdf install zig 0.10" and plopped in a corresponding ".tool-versions", or just used the Dockerfile, but what's the fun in that?

Jeff_Brown
I was hoping for something less sanitized, that gives more insight into what the processor is doing, like this: https://m.youtube.com/watch?v=kPRA0W1kECg

This, though, falls into the enormous genre of algorithms that take some cool phenomenon (often pi) and then quantize it to some tempo, and some scale, and some set of samples, thereby killing everything that was interesting about the original phenomenon.