Would this also work for adding effects to existing audio? A simple reverb and pitch bend on a recorded vocal would make me a lot more excited than experimental synth effects.
That said, guessing a bunch of those are meant to be concise examples.
For what its worth my quick take on a lot of the text-based sound coding environments [1] is that they provide a relatively quick way to approach creating audio programmatically differently compared to a more traditional spatial / grid-based daw.
One nice thing about Cracked is that you can treat it as an audio input in Ableton, Logic, etc. and so you could use it to generate a sound to sample / process further in a daw arrangement. I had stumbled across it originally from the author's Wikipedia page which mentions that he uses it to create longer albums / pieces
https://en.wikipedia.org/wiki/Bill_Orcutt
I think i-dropped-my-phone-in-the-toilet-and-the-audio-stopped-working-and-yes-i-checked-the-mute-switch because it does not seem to generate any sound on iOS Safari, not supported?
cool app. maybe its already possible but i'm missing how but would be awesome if dragging a new node between an existing connection it would automatically insert it between the nodes to avoid the steps to disconnect / reconnect
This provides ID + class based selection of nodes with a syntax which allows combining multiple filters. It's more akin to the methodology of selecting nodes in the DOM than just providing a name alone.
27 comments
[ 4.9 ms ] story [ 74.3 ms ] threadDesktop wrapper: https://github.com/billorcutt/Cracked
Cat examples: https://idroppedmyphonethescreencracked.tumblr.com/
https://idroppedmyphonethescreencracked.tumblr.com/
That said, guessing a bunch of those are meant to be concise examples.
For what its worth my quick take on a lot of the text-based sound coding environments [1] is that they provide a relatively quick way to approach creating audio programmatically differently compared to a more traditional spatial / grid-based daw.
One nice thing about Cracked is that you can treat it as an audio input in Ableton, Logic, etc. and so you could use it to generate a sound to sample / process further in a daw arrangement. I had stumbled across it originally from the author's Wikipedia page which mentions that he uses it to create longer albums / pieces https://en.wikipedia.org/wiki/Bill_Orcutt
Interview with him about it https://www.thewire.co.uk/news/41540/bill-orcutt-releases-op...
[1] https://tidalcycles.org/ https://sonic-pi.net/ https://chuck.stanford.edu/ https://supercollider.github.io/
Edit: with a bit pure data flavor mixed in... super nice!
I'm thinking of time stretch effects like mine https://github.com/bungee-audio-stretch/bungee
love the demo https://bungee.parabolaresearch.com/change-audio-speed-pitch
have you thought about wrapping it as an audio unit or vst via juce/clap/iplug so its usable in a daw?
https://juce.com/ https://cleveraudio.org/developers-getting-started/ https://github.com/iPlug2/iPlug2
const whatever = ...
I would rather refer to them by these names than by strings. It's both faster and safer to do so.
https://glicol.js.org/
it's ported from Rust