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I liked it a ton. Its nice to see hollywood take a chance on new IP. Not exactly the same comparison but The Silo series by Apple also comes to mind.
The Silo is a book adaptation, not a new IP.
It was so weird and visceral. Wish they didn’t cancel it.
I'm still pissed off about this one. People call it a mystery box but that's a bit unfair, the story, motivations and worldbuilding do make sense it's just extremely weird.

Did end on a hell of a cliffhanger though.

I remember when the pilot had Ridley Scott’s name attached to it in some way and I couldn’t help but wonder: What is it with that man and pregnancy in space?
Absolutely love the title sequence of this show. Maybe my favourite part about it. :/
The first season was excellent, and then in the 2nd season they did ruin lots of the story lines with just lame choices, and then the ending went completely downhill for me. It pissed me off, just like GoT.

There was this other series called Murderbot which had some similarities in the setting of the story. It was not that great compared to the 1st season of Raised by Wolves, but it was consistent throughout the whole series (so far) in quality, and it is much more satisfying.

Anyways if you like scifi and haven't checked out The Expanse yet, that is a masterpiece.

Really? it was dumb as a brick imo.. Also they did that slimy practice of having a busy and intriguing 1st episode, then a whole season of bland filler, concluding in an action packed final episode. I honestly felt scammed after watching S1 of that.
I loved it, it was so weird and different to anything else I was watching at the time. I was sad-but-not-shocked to see it get cancelled. Would love to see it finished via a book.
"Ridley Scott directed the first two episodes of the series, and using his name as part of the marketing is a fair move (even if it was created by Aaron Guzikowski, who wrote Prisoners.)"

Interesting observation made by Nick on www.rogerebert.com

Ridley Scott can be terrible with stories (or picks projects with poor stories), as long as individual scenes are great.

I've had trouble watching some of his work to their end, there was just so much WTF and random stuff.

His name on a project is for me a signal to carefully check some reviews before committing.

Very good show, got cancelled sadly.
This is one I really didn't like. It's just too weird for me. It thrns my stomach to even think about it. Really dusgusting somehow.

I say this as a big fan of horror and sci-fi and Alien* in particular.

I have only one problem w/ the S1: the creators just not have the guts to kill Mother or Father. Don't get me wrong, I like them but it could make the whole series more distant and cold.

on S2: a total disaster.

I liked it. It was strangely hypnotic viewing. Travis Himmel looked like he was stoned in it (his acting style?) and the plain weirdness of it reminded me of old Heavy Metal comics of the seventies. The nearest I have had to that was reading the Prophet series. Themes of religion and general human weirdness https://imagecomics.com/comics/series/prophet
Excellent title sequence too (both visually and the music).
I never thought I would weep for a psychotic, hallucinatory, pregnant weapon of mass destruction. Yet here I am.
I believe it was an ancient AI trapped on a planet, sending signals into space in hopes someone would come and set it free.
What I wanted from "Raised by Wolves" was out there, big concept Sci-Fi

What I would have settled for was a decent Space opera.

What I got was a Shaggy God Story, a wild hallucinated fever dream, a wooly, baggy technicolour Biblical riff, that promised a lot but made little actual sense. I slogged through season 1, and then gave it up.

No love for “Lost in Space” (2018–2021)?
This is the best show I’ve seen since Game of Thrones. It’s so unique and mind expanding.

The problem with the modern data driven approach to TV production is that it optimizes for the shows that are just good enough to get people to keep their subscriptions, and the truly visionary stuff gets cancelled.

The best shows always take a while to build up popularity because they’re so new that people aren’t willing to give them a chance at first. Breaking Bad and Mad Men didn’t become popular until season 2 or 3. TV execs have no vision anymore, it’s all run by hill climbing algorithms that look for the nearest maximum now.

The golden age of TV is behind us now. It’s just yet another example of enshittification.

Cool show, weird plot, but what totally ruined for me was... Travis Fimmel. IMO this guy has zero range. Always the same lazy, drunk-ish style since, I don't know, Vikings. Ragnar in Kattegat, Ragnar in Azeroth, Ragnar in space, Ragnar in Dune.
Agreed. I think the overacting suited his character, but it got old very fast. Then I tried to watch Vikings, and was put off in the same way. I think he could have potential if directed correctly, but so far he has been overacting with the same kind of psychotic swagger in every role I've seen him in.
I thought it was one of the most original sci-fi shows ever made for TV. But it was also constantly frustrating, dragging out the central mystery while filling the time with too many standard tropes (rhe scenery-chewing bad acting of Travis Fimmel, the annoying kid that keeps disobeying the androids).

If the first season had been reduced by half and followed up with some answers, it would have been fantastic. The second season was frustrating because it kept adding new mysteries and conflicts rather than filling out the world building and backstory. It was well made enough that it could have gotten somewhere, but it was apparent that the second season had a lower budget, and I was not surprised to see it get canceled in the midst of the HBO cost cutting. (I've been waiting for an interview with Aaron Guzikowski where someone asks him what the ending would have been if they'd have time to tell the whole story. Sadly, no such interview seems to have happened, and Guzikowski hasn't done anything since that show.)

While mystery shows are intriguing, it's gotten a bit much. I feel we need to get back to stories where we don't go several seasons waiting for a real answer and resolution, while constantly under the threat of cancellation.