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It's interesting to me that those fonts seem to include ink traps: curious if this has anything to do with the display tech that's used in the cockpit
Seems like Page 8 in the PDF/leaflet from the repository talks about it:

> The principle of ‘ink traps’ has existed as long as typography has: it is a small indentation at the junction of letter strokes which ‘traps’ the ink on small characters, so that it doesn't block the junction and affect the legibility. In the case of B612, the ‘light traps’ accentuate the counterforms 7, particularly for the sharp angles� The indentations are always well distinguished, even at a small size, and the contrast between the different strokes of the character is reinforced.

> An incise is a small serif which interrupts the regularity of the vertical line: here it allows to accentuate the clarity of the leading stroke (top part) of the vertical stem 8 to avoid it being rounded off when antialiasing.

I don't understand why 0 and O look nearly identical.
Looks like a worse version of Fira Sans
The cockpit? What is it?
It's the little room in the front of the plane where the pilots sit, but that's not important right now.
B612 is the of the asteroid in The Little Prince from Antoine de Saint-Exupéry. Seemed strange that they used a name starting with B for an Airbus ;)
I've been using B612 as my main font in Obsidian for years and it's been awesome. Very legible and easy to pickup on a note just with a glance.
Just in case anyone is wondering about the name: B612 is Saint-Exupery's "Little Prince"'s planet (asteroid). A real-life asteroid has then been named B612, but its number is actually 46610.
This seems as good a thread as any to post this in:

If you're fond of aviation aesthetics, I was recently looking for a workshop cart to occupy a 60x40 cm space and couldn't find any, until I realized that (a) standard issue half-size ATLAS airplane galley trolleys are 30x40 cm and (b) they can be bought by regular people and are very price-competitive with professional grade workshop and office furniture.

Now I own these and they're amazing:

https://mero.ng/i/xnZNqouw.jpg

I especially like the little pull-out tables at the top (they're right next to https://eikehein.com/assets/images/makercorner.jpg).

It's also nice to have a constant reminder to stow them in case I take off or land my office.

While this font looks kind of weird up close, I found it great for creating plots. It’s my default choice in matplotlib rcParams.
How about the flight manuals?
I want to love B612 more than I do, but the ohs and zeroes look identical, which ruins it as a terminal/editor font.
Needs a tweak for programming: () looks like []. Otherwise, I like it.
Does the font change based on what the aircraft is doing?

I kid …

That's actually a rather interesting proposition for any application. Hmm..
Something I have never been able to find an explanation for with B612: why is the final sigma character (ς) vertically offset downward from every other Greek character? It makes for very jarring text, and there doesn't seem to be any explanation anywhere.
It looks similar to Carlito, which is an OFI font similar to MS Calibri
I put B612 on my kindles a few months ago and it's my favorite reading font. Very legible from tiny to huge, no serifs to slow things down.

I'm not sure I'd use it for written documents, although the monospace version is a very welcome replacement for courier.