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A sentence I wouldn't have expected to encounter today:

  "A failure to really dig in to the buttcrack creates a bold spot, but even worse, it de-emphasizes the B-ness."
Sites like this are fun. I don't have the actual knowledge to tell if the commentary is insightful or informative but it's usually a good time when you get to look closely at something you take for granted.
It's a very colorful way to describe the phenomenon, but it is a real problem with the "Y" part of the B.
you're not even mentioning the "can't get a finger in there!" text with the arrow that comes in above. i love it. it feels like humor is finally coming back again in the public discourse, and i'm here for it.
> What we want is a balance between the top and bottom negative spaces.

One thing I never understand is why they say "negative spaces" instead of just "spaces".

Not too long ago there was a submission of a font-editor[1] and I gave it a shot trying things out, just to realize, that my creations looked off and ugly, not really understanding why. This helps a lot. So much nuance to so many things....

[1] https://news.ycombinator.com/item?id=45347072

As someone who has designed multiple type families, I might be biased, but this is wonderful. I'm going to send this to any aspiring type designers I meet, or anyone who's curious about what goes into shaping letters.
This is pretty great. Might have been better to see before my typeface layperson's implementation of these guys: https://letterspractice.com/dbg/lp

(note: root site not actually ready for publish. don't click too many things or you could ruin my life (mostly a joke about the ruination))

Did not expect Sesame Street for fonts. Excellent.
The designer obviously knows a thing or two. I enjoyed the fun presentation that others seem to dislike.

Where I ran into trouble was the readability of the annotations on the visuals. The tiny font combined with the low contrast was too much for me. I found myself squinting and trying to get close to my monitor. Eventually I had to move on, even though I was enjoying the content.

Also by this guy: Futurefonts.com Lots of great cheap in-progress fonts with documentation of the process of creating them.
Not the type theory we wanted, but the type theory we needed.
Ooh, recognize this domain!

Oh No created the official typeface for one of my favorite bands, Vulfpeck

https://ohnotype.co/fonts/vulf

There's some great lyrics animations in a lot of their music videos[1] done by Rob Stenson using an open-source library he authored called Coldtype[2]. I played around with it a few years ago, it's quite neat. You can animate variable fonts with python, and even hook it into midi tracks and a lot more.

[1] https://www.youtube.com/watch?v=b2_CJ_nx-l4

[2] https://github.com/coldtype/coldtype

Bonus link, Rob also did the visual for this video, hooking into midi tracks to visualize a synth cover of a Bach fugue

https://www.youtube.com/watch?v=vJfiOuDdetg

[stub for offtopicness]

All: please note this from https://news.ycombinator.com/newsguidelines.html:

"Please don't complain about tangential annoyances—e.g. article or website formats, name collisions, or back-button breakage. They're too common to be interesting."

Yes, sites that don't work on your device are annoying—but uninteresting, offtopic, irritable threads are the closer-to-home annoyance here.