Show HN: See chords as flags – Visual harmony of top composers on musescore (rawl.rocks)
All chords are flags of three to four colors. Minor mode is darker, major mode is lighter. Colors are arranged in thirds.
I sorted the pieces from simple complex harmony. I also wrote a bit of text to explain what you may see. There's also a corpus of structures: hyperlinks of tags that allow you to find similar patterns throughout my corpus of 3000+ popular pieces.
My method makes chord progressions memorizable and instantly visible in the scores. No preparation of Roman numeral analysis / chord symbols analysis is required. After a bit of training the chords will stare right in your eyes.
It's not synesthesia, it's a missing script for tonal music which makes harmonically identical things look the same (or similar).
I've also recorded lectures on my method in Russian (https://www.youtube.com/playlist?list=PLzQrZe3EemP5pVPYMwBJG...). I'm sorry I haven't yet found time to re-record in English.
I've also sketched a friendlier intro: https://vpavlenko.github.io/d/
Sorry, but this thing won't make any sense if you're color-blind.
It's open-source: https://github.com/vpavlenko/rawl
Earlier context: https://news.ycombinator.com/item?id=39165596
(Back then colors were less logical, and there was no corpus of 3000+ piece annotated yet)
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[ 2.6 ms ] story [ 29.3 ms ] thread[1]: https://www.hooktheory.com/theorytab
Also makes me jump right into strudel.cc and experiment with chords, progressions and melodies.
As now, there's no relationship between colors beyond different notes, different colors
Perhaps choosing similar colors by distance on the circle of fifths or similar
Not sure what did there but it could either be profitable or annoying for you.
There's multiple different approaches with both 4-shape and 7-shape systems being common. But the point is that your color system seems largely correlated to it, and there has been research done on the shape note system.
https://en.wikipedia.org/wiki/Shape_note
The colors are hard-coded to pitches, and so change upon transpositions. For instance a V-I cadence in different keys is functionally the same, but will be colored differently.
It does help highlight common tones between nearby chords.
Other than that, it's not doing anything for me in terms of seeing function.
https://youtu.be/Eq3bUFgEcb4?si=lcjA8fF4e3dINvmX
The only useful head's up I can give is the current position marker on your playback is quite a long way behind the audio, around 1-2 beats on the one piece I tried.