> It has been suggested that the thieves knew their art history: the method of the theft was an ironic homage to the 1911 theft of the Mona Lisa from the Louvre.
In both cases, the thieves unscrewed the painting and took it. Feels a bit over the top to call it an homage, let alone an ironic one.
I laughed out loud at this part, perfect Aussie humour:
“Chilean Australian artist Juan Davila painted a work titled Picasso Theft and offered to donate it to the National Gallery of Victoria in place of the stolen painting. Davila wrote that "mine is a real one".[25] Davila's Picasso Theft was exhibited in the Sydney Avago Gallery, and then itself was stolen.”
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[ 2.4 ms ] story [ 33.9 ms ] threadIn both cases, the thieves unscrewed the painting and took it. Feels a bit over the top to call it an homage, let alone an ironic one.
https://abcnews.go.com/International/password-louvres-video-...
Given the circumstances, it probably should have been...
But then again, this has a happy ending. The painting was returned undamaged, nobody's hurt. Cool read.
Why bother with measures such as alarms and security cameras when you have the Super Secret Screws!
> In 1911, Picasso and his contemporary Guillaume Apollinaire were both suspects in the Mona Lisa theft
> but were cleared of any association with the crime
being dead is quite a good alibi
“Chilean Australian artist Juan Davila painted a work titled Picasso Theft and offered to donate it to the National Gallery of Victoria in place of the stolen painting. Davila wrote that "mine is a real one".[25] Davila's Picasso Theft was exhibited in the Sydney Avago Gallery, and then itself was stolen.”