> At the last count, in 1984, the BBC had a staff of almost 30,000. We have discovered that all current affairs appointees, together with many of those involved in the actual making of programmes - including directors and film editors - are vetted.
> We have also established who runs the system. It operates, unknown to almost all BBC staff, from Room 105 in an out-of-the way corridor on the first floor of Broadcasting House - a part of that labyrinth on which George Orwell modelled his Ministry of Truth in 'Nineteen Eighty-Four.'
> The names of outside applicants are submitted to F Branch 'domestic' subversion desks at MI5, which is headed by the diplomat Sir Antony Duff. They are fed into a computer containing the details of 500,000 'subversives'.
> MI5 probably got their toe-hold in the BBC during the war when staff running the external services broadcasting to occupied Europe were vetted. Sir Hugh Greene, later to become director-general of the BBC, remembers: 'I was vetted in 1940. MI5 thought I was a Communist, but it turned out to be a mistake .' During the Cold War, Attlee's Government openly announced that civil servants who were Communists (or Fascists) would not be allowed access to classified material. But the BBC were keeping a secret blacklist. Hugh Greene recalls a case in the external services: 'He wasn't a security risk at all. It turned out he had worked for MI6,the rival secret service, and there had been an internal quarrel.'
edit: the BBC coverage of the Scottish independence referendum, Corbyn, and Brexit was embarrassing. The Prescott memo is just the latest observation of how the BBC has been used as a tool to propagate elite opinions and accomplish intelligence objectives. Of course you like it, it's for you.
I always understood that Broadcasting House was inspiration for Room 101 (Ministry of Love) rather than the MoT.
It's well-known that the University of London Senate House building was the inspiration for the Ministry of Truth. Both the interior and exterior have appeared in many films and TV shows. Seems to come out of the visual creative toolbox when there's a need to evoke oppression or technocratic stultification through architecture, which is a shame as it's rather nice to visit!
When the Soviet Union fell apart BBC opened a number of journalism schools in Russia. The schools were sponsored by George Soros. My dad attended one of those and then was called into FSB office (former KGB) to be questioned.
My suspicion to this day is that these schools were both a spy front and long-game propaganda, where they were teaching how to make news more western-aligned.
Why would BBC want to teach their methods in Russia? How do they benefit from that? How does Soros benefit from that?
>>Why would BBC want to teach their methods in Russia?
Why does US benefit from every kid on the planet being able to name the avengers and instantly recognize Coca-Cola cans?
I'm not saying this is some grand conspiracy orchestrated by the elites - but projecting your power by making sure everyone is aligned with you ideologically and culturally helps long term, both in making allies and in avoiding wars.
Two things are both true: the Soros Open Society foundation and BBC activities were pro-Western propaganda, and that does not make them bad or wrong or false. If they had succeeded in turning Russia into a pluralist liberal democracy, that would have been better for millions of Russians and everyone else. Instead Russia turned into a petro-state oligarchy, sponsored a number of wars, and finally threw hundreds of thousands of young Russians into a meatgrinder war in Ukraine.
The BBC gets to say what history is because it documents the now. Farage does not have the popular support tha Corbyn had (has?) but you'd never believe it counting the number of interviews Farage gets with the BeeB. The game, as with Wikipedia, is to convince everyone you're unbiased and truthful and then sell us something. The question really is the relationship between the people's will (assuming you think democracy is a good idea) and the BBC's agenda setting.
Not mentioned is that there are _many_ BBC's which became clear when watching the difference in coverage between the local and national broadcasts during Covid. The national editorial team spared the government's blushes at every turn, whereas the local teams reported what was actually happening in their communities, to the point where you were getting more real news from a smaller, underfunded news service.
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[ 3.9 ms ] story [ 32.0 ms ] thread> At the last count, in 1984, the BBC had a staff of almost 30,000. We have discovered that all current affairs appointees, together with many of those involved in the actual making of programmes - including directors and film editors - are vetted.
> We have also established who runs the system. It operates, unknown to almost all BBC staff, from Room 105 in an out-of-the way corridor on the first floor of Broadcasting House - a part of that labyrinth on which George Orwell modelled his Ministry of Truth in 'Nineteen Eighty-Four.'
> The names of outside applicants are submitted to F Branch 'domestic' subversion desks at MI5, which is headed by the diplomat Sir Antony Duff. They are fed into a computer containing the details of 500,000 'subversives'.
https://www.cambridgeclarion.org/press_cuttings/mi5.bbc.page...
> MI5 probably got their toe-hold in the BBC during the war when staff running the external services broadcasting to occupied Europe were vetted. Sir Hugh Greene, later to become director-general of the BBC, remembers: 'I was vetted in 1940. MI5 thought I was a Communist, but it turned out to be a mistake .' During the Cold War, Attlee's Government openly announced that civil servants who were Communists (or Fascists) would not be allowed access to classified material. But the BBC were keeping a secret blacklist. Hugh Greene recalls a case in the external services: 'He wasn't a security risk at all. It turned out he had worked for MI6,the rival secret service, and there had been an internal quarrel.'
https://en.wikipedia.org/wiki/%22Christmas_tree%22_files
edit: the BBC coverage of the Scottish independence referendum, Corbyn, and Brexit was embarrassing. The Prescott memo is just the latest observation of how the BBC has been used as a tool to propagate elite opinions and accomplish intelligence objectives. Of course you like it, it's for you.
I always understood that Broadcasting House was inspiration for Room 101 (Ministry of Love) rather than the MoT.
It's well-known that the University of London Senate House building was the inspiration for the Ministry of Truth. Both the interior and exterior have appeared in many films and TV shows. Seems to come out of the visual creative toolbox when there's a need to evoke oppression or technocratic stultification through architecture, which is a shame as it's rather nice to visit!
My suspicion to this day is that these schools were both a spy front and long-game propaganda, where they were teaching how to make news more western-aligned.
Why would BBC want to teach their methods in Russia? How do they benefit from that? How does Soros benefit from that?
Why does US benefit from every kid on the planet being able to name the avengers and instantly recognize Coca-Cola cans?
I'm not saying this is some grand conspiracy orchestrated by the elites - but projecting your power by making sure everyone is aligned with you ideologically and culturally helps long term, both in making allies and in avoiding wars.
They each have their own agendas.