Launch HN: Mosaic (YC W25) – Agentic Video Editing (mosaic.so)

148 points by adishj ↗ HN
Hey HN! We’re Adish & Kyle from Mosaic (https://edit.mosaic.so, https://docs.mosaic.so/, https://mosaic.so). Mosaic lets you create and run your own multimodal video editing agents in a node-based canvas. It’s different from traditional video editing tools in two ways: (1) the user interface and (2) the visual intelligence built into our agent.

We were engineers at Tesla and one day had a fun idea to make a YouTube video of Cybertrucks in Palo Alto. We recorded hours of cars driving by, but got stuck on how to scrub through all this raw footage to edit it down to just the Cybertrucks.

We got frustrated trying to accomplish simple tasks in video editors like DaVinci Resolve and Adobe Premiere Pro. Features are hidden behind menus, buttons, and icons, and we often found ourselves Googling or asking ChatGPT how to do certain edits.

We thought that surely now, with multimodal AI, we could accelerate this process. Better yet, an AI video editor could automatically apply edits based off what it sees and hears in your video. The idea quickly snowballed and we began our side quest to build “Cursor for Video Editing”.

We put together a prototype and to our amazement, it was able to analyze and add text overlays based on what it saw or heard in the video. We could now automate our Cybertruck counting with a single chat prompt. That prototype is shown here: https://www.youtube.com/watch?v=GXr7q7Dl9X0.

After that, we spent a chunk of time building our own timeline-based video editor and making our multimodal copilot powerful and stateful. In natural language, we could now ask chat to help with AI asset generation, enhancements, searching through assets, and automatically applying edits like dynamic text overlays. That version is shown here: https://youtu.be/X4ki-QEwN40.

After talking to users though, we realized that the chat UX has limitations for video: (1) the longer the video, the more time it takes to process. Users have to wait too long between chat responses. (2) Users have set workflows that they use across video projects. Especially for people who have to produce a lot of content, the chat interface is a bottleneck rather than an accelerant.

That took us back to first principles to rethink what a “non-linear editor” really means. The result: a node-based canvas which enables you to create and run your own multimodal video editing agents. https://screen.studio/share/SP7DItVD.

Each tile in the canvas represents a video editing operation and is configurable, so you still have creative control. You can also branch and run edits in parallel, creating multiple variants from the same raw footage to A/B test different prompts, models, and workflows. In the canvas, you can see inline how your content evolves as the agent goes through each step.

The idea is that canvas will run your video editing on autopilot, and get you 80-90% of the way there. Then you can adjust and modify it in an inline timeline editor. We support exporting your timeline state out to traditional editing tools like DaVinci Resolve, Adobe Premiere Pro, and Final Cut Pro.

We’ve also used multimodal AI to build in visual understanding and intelligence. This gives our system a deep understanding of video concepts, emotions, actions, spoken word, light levels, shot types.

We’re doing a ton of additional processing in our pipeline, such as saliency analysis, audio analysis, and determining objects of significance—all to help guide the best edit. These are things that we as human editors internalize so deeply we may not think twice about it, but reverse...

36 comments

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This is so cool. Good luck with your venture.
Hey, good luck with Mosaic.

Some feedback initially on the landing page, looks great but I thought that there is, for me, too much motion going on on the homepage and the use cases page. May be an unpopular opinion!

I think this is a great endeavor. I was thinking about a channel that I like watching on YouTube. They travel to exotic places by boat and film themselves, nature documentary style. To make good videos requires going to these places, a ton of filming, AND a ton of editing. They put out a video every 2 weeks or so on their trips. I imagine the editing is the hard part.

This is a long winded way of saying that I think creators need what you're making! People who have hours of awesome footage but have to spend dozens of hours cutting it down need this. Then also people who have awesome footage but aren't good at editing or hiring an editor, same thing. I'd love to see someone solve this so that 90th percentile editing is available to all, and then it can be more about who has the interesting content, rather than who has the interesting content and editing skills.

Very cool. It definitely feels to me that the power of pro tools should be available to more people with AI.

Would have been nice if there was a killer demo on your landing page of a video made with Mosaic.

> We got frustrated trying to accomplish simple tasks in video editors like DaVinci Resolve and Adobe Premiere Pro. Features are hidden behind menus, buttons, and icons, and we often found ourselves Googling or asking ChatGPT how to do certain edits.

Hidden behind a UI? Most of the major tools like blade, trim, etc. are right there on the toolbars.

> We recorded hours of cars driving by, but got stuck on how to scrub through all this raw footage to edit it down to just the Cybertrucks.

Scrubbing is the easiest part. Mouse over the clip, it starts scrubbing!

I’m being a bit tongue in cheek and I totally agree there is a learning curve to NLE’s but those complaints were also a bit striking to me.

Not related to NCSA Mosaic (RIP).
Mosaic team dev here Hanging in the comments all day and pushing updates as fast as we can -really appreciate the feedback!
Good luck. I've dabbled with this myself and ultimately decided that DaVinci Resolve would end up doing this natively. But then again they haven't yet so who knows!

Good luck with it, sincerely.

I just clicked the link and encountered a non-scrollable, dark, fixed content pane with loads of flickering images and scrolling text with random font sizes without much meaning. I felt imprisoned, subjected to unexpected suffering, can't scroll away, got scared and raced for the window close button, and then breathed easy.
I just signed up for a Creator plan, but it looks like the automated "Thank you for being a Mosaic Creator" email going out is not configured correctly. Instead of having my company name, it referenced a different business name and description (that seems to exist/be accurate, so not a placeholder).
Move fast, break things... like privacy regulations.
Can you make this a desktop app?

I'm really tired of editing videos in the cloud. I'm also also tired of all these AI image and video tools that make you work over a browser. Your workflow seems so second class buried amongst all the other browser tabs.

I understand that this is how to deploy quickly to customers, but it feels so gross working on "heavy" media in a browser.

I’ve had a lot of fun with Remotion and Claude Code for CLI video editing. I’ve been impressed with how much traditional video editing I can manage.

I will be checking this out!

Interested in your workflow @sails
Posted a video in the thread, it’s pretty rudimentary (Claude code does everything) at the moment but I think this has a lot of possibilities.
Really interesting direction. The node-based canvas feels like a more scalable abstraction for video automation than the usual chat-only interface. I’m curious how you’re handling long-form content where temporal context matters (e.g., emotional shifts, pacing, narrative cues).

Multimodal models are good at frame-level recognition, but editing requires understanding relationships between scenes, have you found any methods that work reliably there?

Side note, just for context, since there seem to be primarily video hobbyists responding to the OP:

Node based workflows are typical in NLE software. See Fusion & Color panels in Davinci Resole, Fusion (color grading), etc. Industry folks will take to this node based canvas with ease.

Great question @danishSuri1994

Hey, this is super cool. congrats on the product and the launch!

I'm building something exactly similar and couldn't believe my eyes when I saw the HN post. What i'm building (chatoctopus.com) is more like a chat-first agent for video editing, only at a prototype stage. But what you guys have achieved is insane. Wishing you lots of success.

to healthy competition!

this is going to save me so much time, hell yeah guys!
I absolutely love your approach of "expert tools". If I understand your approach, you aren't just feeding a video into a multimodal LLM and asking it "what is the bounding box of the optimal caption region?" -- you have built tools with discrete algorithms (using traditional CV techniques) that use things like object detection boxes + traditional motion analysis techniques to give "expert opinions" to the LLM in the form of tool calls -- such as finding the regions of minimal saliency + minimal movement to be the best places for caption placement.

If the LLM needs to place captions, it calls one of these expert discrete-algorithm tools to determine the best place to put the captions -- you aren't just asking the LLM to do it on its own.

If I'm correct about that, then I absolutely applaud you -- it feels like THIS is a fantastic model for how agentic tools should be built, and this is absolutely the opposite of AI slop.

Kudos!

Can we stop with the overloaded names? "Mosaic" is a well-known web browser.
Last year, I made a YouTube documentary series showcasing the prolific corruption in a small city government. I downloaded all the city government meetings, used Whisper to transcribe them, and then set up a basic RAG so I could query across a decade of committee meetings (around 1 TB of video). Once I got the timestamps that I'm interested in, I then have to embark on a tedious manual process of locating the file, cutting out a few seconds/minutes from a multi-hour video, and then order all the clips into a cohesive narrative.

These seem like problems that LLMs are especially well-suited for. I might have spent a fraction of the time if there was some system that could "index" my content library, and intelligently pull relevant clips into a cohesive storyline.

I also spent an ungodly amount of time on animations - it felt like "1 hour of work for 1 minute of animation". I would gladly pay for a tool which reduces the time investment required to be a citizen documentarian.

you should check mixedbread out. we support indexing multimodal data and making data ready for ai. we are adding video and audio support by the end of the year. might be interesting for the OP as well.

we have couple investigative journalists and lawyers using us for a similar usecase.

curious how does this compare to something like Memories.ai when it comes to video in particular?
Gemini 3 would rip through that problem, but equally you could slice the video with existing open source tooling such as FFMPEG then combine with blender for the video curation. Gemini 3 could probably write you the workflow as well.
Can it work for this use-case? I have lots of 15 seconds to 1 min duration videos) of my kids and want to upload them all (let's say 10 videos) and have the agent make a single video with all the best bits of them?
Have y'all talked with Max and the Ozone team? Suppose you would have lots to learn from them as you take on this space. Best of luck, video is hard!
did not get this part "After talking to users though, we realized that the chat UX has limitations for video: (1) the longer the video, the more time it takes to process. Users have to wait too long between chat responses. (2) Users have set workflows that they use across video projects. Especially for people who have to produce a lot of content, the chat interface is a bottleneck rather than an accelerant." what are you processing? frame by frame images?
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