The Program 2025 annual review: How much money does an audio drama podcast make? (programaudioseries.com)
Hi, I'm the author of The Program audio series, a fairly successful fiction podcast that launched on HackerNews in 2018. Seven years later, this little sci-fi anthology is still ongoing, having released 37 (soon 38) episodes and surpasaing 1 million downloads.
I chronicle the ups and downs of creating a niche artistic product such as this in annual reports, the latest of which I just released last week. It offers a transparent view into what goes into making a creative project such as this, and also what you get out of it, because I share all the financial data down to specific revenue streams.
As such, I hope it can be of use to others who are undertaking a similar endeavour. Feel free to ask questions should you have any!
Cheers
7 comments
[ 2.9 ms ] story [ 25.6 ms ] threadTo the author: do you use AI at all in the creative aspects of the production? I assume that AI assistance in creative writing is now mainstream, and an accepted tool for most writers. I am interested to know your thoughts on this subject and if you use AI then what sort of methods do you use?
Note: Google Gemini reports that "the most successful writers in 2025 use me as a "distillation machine." They write 1,000 words of raw emotion, then ask me to help them find the "300 words that actually matter"
As someone who subscribes to numerous Patreons including those which are podcasts… Patreon is horrible from a user perspective. It’s UX makes it so I hate when I have to use it. The less I need to use it, the better.
Couple that with the god awful pod casting apps that currently exist, it’s amazing podcasting is still so strong. It’s a testament to the creators that people will wade through such horrible UX to support the people and creators they do.
I think it comes at an advantage for building a loyal fan base in audio drama podcasts though. The kind of fan base that may want to support you financially.