OP here. I wrote an analysis on the divergence between streaming saturation and physical media growth. Physical media has shifted from an audio format to a "token of identity" or a support mechanism for artists in an era where streaming payouts (marginal value) approach zero.
I am one of these people. I buy to support the artist (usually $40-$50 for an album), but listen to the digital versions via Jellyfin and Plex (to avoid Spotify). I’ll also donate directly to artists, or buy tickets to their shows even if I cannot attend. Great analysis.
My dad grew up in the 50s & 60s. During COVID he purchased my daughters' the, I quote, "shittiest briefcase record players" he could find. Both girls listen to their music on their devices, but also buy vinyl. The other day, my eldest came down from her room complaining that her vinyl "sounded awful". I told her to bring it up with their Grampy. His response: "you can't appreciate good playback until you've heard awful playback on shitty record players like I had to.". My eldest is now plotting a complete hifi system, and is learning all about how to transfer "vinyl" to "digital" without losing the parts of the vinyl she likes.
Physical media collecting is about a lot of things but one of them is to have a physical artifact representing your relationship with an artist and the art to have in your home to touch, hold, pick up, and display. Makes sense to me.
I was in this demographic for a log time. I wanted to support small artists in ways past just going to their shows. This seemed like a nice way to do that (not a big shirt guy for bands). It also helps that you are not only getting music but a large(ish) art piece as well with the vinyl covers. It also feels good to physically have and own something. I recently bought a Portable CD player as well. I think a lot of the Gen Z folks I talk to are starting to (if just wishfully) drift back towards physicality in some ways.
Yup, sold my turntable a while ago but kept my favorite ~20 albums. I rotate through them, displaying them on my bookshelf. They look great. They're art, they're vibe, they're decoration.
(Ultimately I went all-in on smart speakers, so I couldn't just hook up the turntable anymore, and getting a turntable/adapter that digitizes the audio to send over Bluetooth, just no...)
Makes sense. Most kids I know put records up on their wall as art. or as a way to pay artists directly by purchasing their album at a concert
If you want to listen to music then Spotify runs circles around vinyl as a medium. Records really suck for music quality which is why everyone dumped them when tapes came along and then even more so when cd's became a thing.
If Vinyl was a good medium to listen to music then no one would have bought cd's or had a Spotify subscriptions.
I can't imagine people going back to old school crt televisions to watch sports or movies either, but I do see people
Seems relevant to bring up that I'm currently working on a device that I hope will bridge the gap between vinyl and digital for some people: https://sleevenote.com
I've been on a physical media craze lately. It's been quite a few years since I stopped using Spotify, and I've been rebuilding my collection. Usually by hunting CDs at thrift stores to rip in iTunes to Apple Lossless. I own a bunch of vinyl records, and I've also ripped several of them.
After buying one vinyl album from a niche artist (djpoolboi), he actually then sent me a link to download the same tracks on flac, which I appreciated.
Lately I've found myself buying the same album both on vinyl for listening to at home, and on CD to rip for my digital music collection.
I work from home a lot so having to get up to flip the record gives me an excuse not to stare at my screen all day too.
Guilty party, here. I feel I can explain myself though, or at least offer context about why I own about a dozen records and no way whatsoever to play them.
I’m a recovering audiophile. I got into the hobby because I enjoy technology in its myriad aspects, and had discovered that good speakers can make things sound better. As I began accruing CDs and re-ripping into lossless audio, I also began collecting vinyls via Record Store Day events of bands or artists I found interesting at the time, or the odd Collector’s Edition bundles of albums or games. The thinking was that when I finally settled into my own place, I could invest into some Hi-Fi kit to play them back.
Well, I fell out of the audiophile sphere when I got into data analysis, physics, human biology, and psychology: I had become inoculated against the bullshit that permeates the space, but still recognized the value of my album collection. I’d also pivoted into preservation, and so I began accepting relatives’ collections of older formats, like 78s. I still lacked playback mechanisms, though I now had the space and budget - just more pressing projects than a record playback setup.
And so here I am in 2025, in an apartment that transmits energy between units, with an upstairs neighbor that does somersaults and tumbles all day (thus shaking the space slightly). The cost of everything has skyrocketed, but it’s no longer a matter of a turntable and a phono stage to get going (need isolation as well, and that ain’t cheap). I’ve also - shockingly - got other, more pressing projects in front of me, one of which is a bedroom Hi-Fi setup that has physical controls for music streaming instead of smartphone apps - again, not remotely cheap.
Right now, my meager collection sits in a crate under the sofa, languishing. One day I’ll get to enjoy them, but today is sadly not that day.
You are not a recovering audiophile at all, you are still fully in that rabbithole. Instead of enjoying music you ramble about your neighbor shaking and isolation etc.
You also didn't pivoted into preservation, it just happened because of whatever 'audiophile' thinking you think you have.
At the end you just stream music as everyone else.
Analog purchases have become much more of a signaling mechanism than for direct consumption.
In my family group there were a good numbers of vinyls gifted this past christmas and none of them are going to be regularly listened to as the majority of music consumption they do is "on the go" in the car or mobile.
Similarly, I'm seeing them make more purchases of "trophy books" where they read the book on their phone or listened to the audiobook but liked the book so much that they want to have it on their shelf (there are also special editions with elaborate edge decorations, etc. that seem to feed into this).
I think a lot of people in the comments here are missing the point in a lot of ways.
The first is that even if people don't own a record player at the moment doesn't mean that they don't plan on getting one. I have multiple nieces/nephews who got record players (at their request!) this year for Christmas. Briefcase record players are becoming ridiculously more popular. The thing is there's no point in buying a record player if you don't already have some records, and artists are doing a lot more limited prints so sometimes you need to buy immediately to be sure you're going to get one.
My wife and I bought a new sound system in 2024, and we decided to include a record player. We have used it way more we had expected to. We still have streaming services (Tidal) but listening to a record has a ton of benefits. There's the fact that the entire album itself is an organized experience, not just random tracks, and the tactile nature of it is really appealing. The albums themselves are like pieces of artwork in a way that a CD or screensaver would never be.
It's also nice knowing that the artist I'm buying from is getting real money from the purchase, unlike the pennies they get from streaming.
Artist make no money off streaming. This is a real artifact I get to own, keep sealed and maybe get signed.
I did have the unfortunate experience of buying a D12 Devil's Night vinyl to find the cover image quality to look like some intern copied it off Google images.
I buy vinyl for one reason - it forces me to actively listen to the music. My teen daughter does the same.
I have many happy memories of getting a new record as kid, laying in the floor and listening from start to finish while poring over liner notes and album art. There was a level of connection with the music that I just don’t get from listening to Spotify while I’m washing the dishes or something.
I know it’s sentimental, but I get so much joy out of watching my daughter do the same thing now. She has a blast going to our local record store, finding records from her favorite bands old and new and then coming home and just listening. No devices, no distractions, just her and the music she loves. In a sometimes horrible and depressing world, it’s a sweet escape.
It gives me hope for the future to see the young'uns recognizing instances where progress isn't necessarily progress. If you oversimplify audio history as 70s=vinyl, 80s=cassettes, 90s=CDs, 00s=MP3s, and 10s=streaming, they've parted ways somewhat with the current moment and gone all the way back to the 70s. Ironically as an older fart myself, who once owned numerous records ("vinyls" is a newer term), and later cassettes, and later CDs, I guess I eventually decided I'd had enough authenticity and converted the whole lot to MP3s and stuck with that when streaming came around. So when I parted ways with the now, I only went back to the 00s, and that was mainly to retain control/ownership rather than having yet another damn algorithm mediating my experience. It's a sweet spot for me - maximum convenience while not giving up intentionality.
Not too surprising. Most vinyl records come with a digital download code. So you can still listen to it on your phone or wheverever else, and have a nice collectable to go with it.
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[ 4.4 ms ] story [ 71.5 ms ] threadI support artists I like by going to their shows and buying lossless digital copies where possible (even if I listen to their music elsewhere).
But I don't want or need more physical "stuff".
This was a 5 year play by my dad. Shout out.
https://www.gq-magazine.co.uk/culture/article/booktok-tiktok...
(Ultimately I went all-in on smart speakers, so I couldn't just hook up the turntable anymore, and getting a turntable/adapter that digitizes the audio to send over Bluetooth, just no...)
If you want to listen to music then Spotify runs circles around vinyl as a medium. Records really suck for music quality which is why everyone dumped them when tapes came along and then even more so when cd's became a thing.
If Vinyl was a good medium to listen to music then no one would have bought cd's or had a Spotify subscriptions.
I can't imagine people going back to old school crt televisions to watch sports or movies either, but I do see people
After buying one vinyl album from a niche artist (djpoolboi), he actually then sent me a link to download the same tracks on flac, which I appreciated.
Lately I've found myself buying the same album both on vinyl for listening to at home, and on CD to rip for my digital music collection.
I work from home a lot so having to get up to flip the record gives me an excuse not to stare at my screen all day too.
I’m a recovering audiophile. I got into the hobby because I enjoy technology in its myriad aspects, and had discovered that good speakers can make things sound better. As I began accruing CDs and re-ripping into lossless audio, I also began collecting vinyls via Record Store Day events of bands or artists I found interesting at the time, or the odd Collector’s Edition bundles of albums or games. The thinking was that when I finally settled into my own place, I could invest into some Hi-Fi kit to play them back.
Well, I fell out of the audiophile sphere when I got into data analysis, physics, human biology, and psychology: I had become inoculated against the bullshit that permeates the space, but still recognized the value of my album collection. I’d also pivoted into preservation, and so I began accepting relatives’ collections of older formats, like 78s. I still lacked playback mechanisms, though I now had the space and budget - just more pressing projects than a record playback setup.
And so here I am in 2025, in an apartment that transmits energy between units, with an upstairs neighbor that does somersaults and tumbles all day (thus shaking the space slightly). The cost of everything has skyrocketed, but it’s no longer a matter of a turntable and a phono stage to get going (need isolation as well, and that ain’t cheap). I’ve also - shockingly - got other, more pressing projects in front of me, one of which is a bedroom Hi-Fi setup that has physical controls for music streaming instead of smartphone apps - again, not remotely cheap.
Right now, my meager collection sits in a crate under the sofa, languishing. One day I’ll get to enjoy them, but today is sadly not that day.
You also didn't pivoted into preservation, it just happened because of whatever 'audiophile' thinking you think you have.
At the end you just stream music as everyone else.
Which is fine.
In my family group there were a good numbers of vinyls gifted this past christmas and none of them are going to be regularly listened to as the majority of music consumption they do is "on the go" in the car or mobile.
Similarly, I'm seeing them make more purchases of "trophy books" where they read the book on their phone or listened to the audiobook but liked the book so much that they want to have it on their shelf (there are also special editions with elaborate edge decorations, etc. that seem to feed into this).
The first is that even if people don't own a record player at the moment doesn't mean that they don't plan on getting one. I have multiple nieces/nephews who got record players (at their request!) this year for Christmas. Briefcase record players are becoming ridiculously more popular. The thing is there's no point in buying a record player if you don't already have some records, and artists are doing a lot more limited prints so sometimes you need to buy immediately to be sure you're going to get one.
My wife and I bought a new sound system in 2024, and we decided to include a record player. We have used it way more we had expected to. We still have streaming services (Tidal) but listening to a record has a ton of benefits. There's the fact that the entire album itself is an organized experience, not just random tracks, and the tactile nature of it is really appealing. The albums themselves are like pieces of artwork in a way that a CD or screensaver would never be.
It's also nice knowing that the artist I'm buying from is getting real money from the purchase, unlike the pennies they get from streaming.
And these were all artists and albums I know and love through CDs or streaming, so it's not like I'm buying them blind.
Artist make no money off streaming. This is a real artifact I get to own, keep sealed and maybe get signed.
I did have the unfortunate experience of buying a D12 Devil's Night vinyl to find the cover image quality to look like some intern copied it off Google images.
I have many happy memories of getting a new record as kid, laying in the floor and listening from start to finish while poring over liner notes and album art. There was a level of connection with the music that I just don’t get from listening to Spotify while I’m washing the dishes or something.
I know it’s sentimental, but I get so much joy out of watching my daughter do the same thing now. She has a blast going to our local record store, finding records from her favorite bands old and new and then coming home and just listening. No devices, no distractions, just her and the music she loves. In a sometimes horrible and depressing world, it’s a sweet escape.