In case you wondered what the point of the federal (i.e. states not totally controlled by federal government) system is, here's a good example. If only the federal government were allowed to pursue this case, it would have ended when the administration changed. 30 states chose to keep the case alive, and good on them.
The question should be did Live Nation knowingly allow scalpers (aka ticket brokers) to corner the market on highest demand events AND create artificial scarcity by only posting a small handful of the tickets they controlled at extreme inflated prices increasing the percentage fees collected by Live Nation and Ticketmaster on every ticket sold.
The horizontal control of venues is only one issue. A perhaps bigger issue is the vertical integration (if that's the right term) of first-party ticket sales and resale in one company. Ticketmaster has no real incentive to try to prevent resellers from buying up all the tickets on first sale, because it gets to charge fees on all the resales through its platform. The more times a ticket is resold, the better.
I don't believe a court would ever mandate this, but I'd like to see tickets sold by dutch auction: All tickets start off for sale at some very high price, like $10000, and the price declines by some amount every day until it reaches a reserve price on the day of the concert. Buyers can purchase as many tickets as they want, but professional resellers would have to guess the price that would let them clear their inventory at a profit. Under a system like this the best seats would go earliest (at the highest prices) while the nosebleed seats might still be available on day of the show, or not depending on demand.
They never should've been allowed to merge. Funnily enough Ticketmaster has the only free API I've found for concert data and it has a ton of results because it is a monopoly.
I feel like we had a golden opportunity, years ago, to do something about Ticketmaster. In 1994 Pearl Jam, one of the biggest bands in the world at that point, boycotted and sued Ticketmaster. I wished at the time more bands had stood up and said, “Enough.” It would have worked.
But it’s easy to scare an individual artist, or make them feel like they’re locked into a contract, and fame is such a precipice. I suppose that makes it hard for them to work together for their own good.
Ironically sometimes artists complain about Ticketmaster and their stranglehold, but again, it takes some special bravery to actually do something about it.
Great, so now they will have to repay the illegal profits and get some measures forced onto them to bring the inflated ticket prices back down, right? Right? Guys?
A monopoly with competition: "Shares of rival ticket brokers jumped on the news, with StubHub Holding Inc. climbing as much as 5% and Vivid Seats Inc. rising as much as 9.1%."
> In May 1994, the grunge band Pearl Jam filed a complaint with the U.S. Department of Justice claiming Ticketmaster had cut the group out of venue bookings in a dispute over fees.[50] The investigation was closed without action in 1995, though the Justice Department stated it would continue to monitor the developments in the ticket industry.[51][52]
> By 1994, Pearl Jam was "fighting on all fronts" as its manager described the band at the time.[43] Reporter Chuck Philips broke a series of stories showing that Ticketmaster was gouging Pearl Jam's customers.[44] Pearl Jam was outraged when, after it played a pair of charity benefit shows in Chicago, it discovered that ticket vendor Ticketmaster had added a service charge to the tickets. Pearl Jam was committed to keeping their concert ticket prices down but Fred Rosen of Ticketmaster refused to waive the service charge. Because Ticketmaster controlled most major venues, the band was forced to create from scratch its own outdoor stadiums in rural areas in order to perform. […]
> The United States Department of Justice was investigating the company's practices at the time and asked the band to create a memorandum of its experiences with the company. Band members Gossard and Ament testified at a subcommittee investigation on June 30, 1994, in Washington, D.C.[52]
What is the moat of the major ticketing companies? Is it deals with venues? It is hard to rationalize how one company can even get a stranglehold on an entire market like this.
I feel like I could ping any random HN user and build something better in a week, which means it has been done many times already... why don't alternatives gain traction?
Reagan halted antitrust enforcement and nobody fixed it, so they were allowed to own controlling stakes in several industries and freeze out competitors. They get exclusives with bands, agencies, venues, and promotions so at each point anyone who tries to do something else runs into a package they can’t compete with: a band which doesn’t play ball won’t get the big venues, a venue which acts independently won’t get the big acts, etc. It’s clearly abusive but they managed to spread enough money around to avoid action before Biden, and then Trump overturned that because he has the same mentality.
Intersting cases like this one are a good reminder that the market structure takes source directly into the pricing because when the distribution and access are concentrated then the pricing power often shows up as fees rather than headline prices ; this makes inflation harder to measure but still very real so antitrust in that sense isn’t just about competition and it’s one of the few levers that can affect price dynamics at macroeconomic level
In college I worked at a record store that had a Ticketmaster machine. At the time, it was a custom ticket printer with CRT terminal and modem that took up a lot of counter space. When you camped out and bought a ticket the moment they went on sale you got an actual ticket, with perforations. Lots of people saved their stubs as collector's items. The surcharge was: $2.50
That paid for the equipment, maintenance, the ticket stock, the central computer, but not the leased phone line (the store paid for that).
These days, you're using your computer, your paper (or phone), and afterwards you have nothing collectible. The surcharge can be $40 or more.
Why the huge difference? It can't all be inflation. I think it's primarily because of monopolistic power and collusion with the venue[0]. But also - when bands toured back then it was considered supplemental income to the sale of the album. These days they hardly make anything off album sales/streaming, and more of their income comes from touring (ticket and merchandise sales).
[0] You could buy tickets at the venue and not pay the surcharge. But now Ticketmaster gets their cut even if you do that.
Its interesting that the title has to specify that they 'illegally monopolized' rather than just saying they 'monopolized'. The implication being that there are legal ways to monopolize things. Which there shouldn't be. This is a major problem in our society/economy.
29 comments
[ 2.7 ms ] story [ 50.9 ms ] thread- https://apnews.com/article/live-nation-ticketmaster-antitrus...
- https://www.nytimes.com/2026/04/15/arts/music/live-nation-an... or https://archive.is/KA1wV
Background story by Matt Stoller https://www.thebignewsletter.com/p/monopoly-round-up-the-tic... (April 13, 2026)
I'm already planning what I'm going to do with the $0.20 refund I receive for each ticket I bought.
I think the decimal point is a few digits too many to the left here... The various "fees" routinely add up to hundreds
I don't believe a court would ever mandate this, but I'd like to see tickets sold by dutch auction: All tickets start off for sale at some very high price, like $10000, and the price declines by some amount every day until it reaches a reserve price on the day of the concert. Buyers can purchase as many tickets as they want, but professional resellers would have to guess the price that would let them clear their inventory at a profit. Under a system like this the best seats would go earliest (at the highest prices) while the nosebleed seats might still be available on day of the show, or not depending on demand.
Music festivals were a sort of guerilla attack on lack of venue contracts.
They never should've been allowed to merge. Funnily enough Ticketmaster has the only free API I've found for concert data and it has a ton of results because it is a monopoly.
But it’s easy to scare an individual artist, or make them feel like they’re locked into a contract, and fame is such a precipice. I suppose that makes it hard for them to work together for their own good.
Ironically sometimes artists complain about Ticketmaster and their stranglehold, but again, it takes some special bravery to actually do something about it.
Absolute horseshit. They were screwing consumers for more than that since the '80s. Over the last 20 years? It's 10 or 20 times that.
WTF.
* https://www.rollingstone.com/music/music-news/pearl-jam-taki...
> In May 1994, the grunge band Pearl Jam filed a complaint with the U.S. Department of Justice claiming Ticketmaster had cut the group out of venue bookings in a dispute over fees.[50] The investigation was closed without action in 1995, though the Justice Department stated it would continue to monitor the developments in the ticket industry.[51][52]
* https://en.wikipedia.org/wiki/Ticketmaster#Anti-competition_...
> By 1994, Pearl Jam was "fighting on all fronts" as its manager described the band at the time.[43] Reporter Chuck Philips broke a series of stories showing that Ticketmaster was gouging Pearl Jam's customers.[44] Pearl Jam was outraged when, after it played a pair of charity benefit shows in Chicago, it discovered that ticket vendor Ticketmaster had added a service charge to the tickets. Pearl Jam was committed to keeping their concert ticket prices down but Fred Rosen of Ticketmaster refused to waive the service charge. Because Ticketmaster controlled most major venues, the band was forced to create from scratch its own outdoor stadiums in rural areas in order to perform. […]
> The United States Department of Justice was investigating the company's practices at the time and asked the band to create a memorandum of its experiences with the company. Band members Gossard and Ament testified at a subcommittee investigation on June 30, 1994, in Washington, D.C.[52]
* https://en.wikipedia.org/wiki/Pearl_Jam#Vs.,_Vitalogy_and_de...
> Ticketmaster sells about 10 times as many tickets as its closest rival, AEG.
Yeah, that's called a monopoly, even if it wasn't Ticketmaster's intention, which of course it was.
I feel like I could ping any random HN user and build something better in a week, which means it has been done many times already... why don't alternatives gain traction?
jwz has been writing about this for years. I don’t remember if he’s playing games with the HN referrer header on dnalounge.com but you probably want to use https://tinyurl.com/yskf7ypz instead of https://www.dnalounge.com/backstage/log/2018/01/31.html.
That paid for the equipment, maintenance, the ticket stock, the central computer, but not the leased phone line (the store paid for that).
These days, you're using your computer, your paper (or phone), and afterwards you have nothing collectible. The surcharge can be $40 or more.
Why the huge difference? It can't all be inflation. I think it's primarily because of monopolistic power and collusion with the venue[0]. But also - when bands toured back then it was considered supplemental income to the sale of the album. These days they hardly make anything off album sales/streaming, and more of their income comes from touring (ticket and merchandise sales).
[0] You could buy tickets at the venue and not pay the surcharge. But now Ticketmaster gets their cut even if you do that.