I think there's probably some discussion about using AI to write fiction that should be had.
But.
Passing off your AI output as "human written" should be punished somehow. As a fiction reader, I don't care what ChatGPT has to say, even if you think you prompted it into a publishable story. I want to read stories written by humans, and I want to reliably be able to tell which are and which aren't, so I don't spend half my attention while reading trying to work out if this is an AI or not.
I have no clue how to make that come true. Part of me is sitting here thinking "I'm glad I'm old enough that I can spend the rest of my life reading fiction written before about 2020 and never run out of genuinely great human written stories."
While watching it, I thought about AI generated content.
I have never personally met anyone who worked on any of the Toy Story movies. I know, from documentaries etc, who Brad Bird and John Lasseter are. I've also watched the video [0] about how Toy Story 2 almost got deleted (which I highly recommend if you are in storage, DevOps or SRE).
There are other movies like the Wild Robot that:
- had big emotional impact on me (b/c I'm a parent)
- are 100% animated
- I have zero idea who made them
I say all of this b/c at some point, most people don't care if the movie was hand painted cels, CGI done by humans or fully AI generated with human text prompting. If the feeling is strong, people will have a "bigger" reaction which in turn will make it more memorable. It's all basically on a spectrum of "humans using tools". They care about how the movie makes them feel. It started with humans spitting charcoal at a wall [1] and now it's linear algebra.
So interesting to read about AI perceptions from the other side. In my mind, the problems with these drafts were moreso that the writers using AI could not (or would not) actually engage and improve them when given feedback, not necessarily that their writing process did not match the traditional one.
I'm not sure I see any inherent problem with publishing books written with the help of AI. As with software, I don't really care much how it's made, I care bout my experience with the finished product.
"Is it worth the $?" is ultimately the question that will be asked of anything one pays for, regardless of how exactly it was produced.
> The community seemed to agree because stories flooded in: 606 wild, furious tales from queer writers around the world. We had magical punk rockers, trans weredingoes eating cops, zombie gays refusing to be buried. Cutting it to just twenty stories was a challenge, but we were punching the air.
I can't help but feel that what they're asking to be submitted is just another kind of slop. Unsurprising that they get ai submissions as a result
I think there is an interesting use case for AI in fiction, but it's not spamming publishers and readers with slop books. The thing about fiction is we already have SO MUCH and the good stuff is evergreen, so the number one metric that matters is quality not quantity.
I think if people want to use AI in fiction, the most promising area would be dynamically reactive story telling. Kind of a "choose your own adventure" but where the choices aren't fixed. Of course, that's a _hard_ problem, and I don't think inference is nearly cheap enough yet to broadly commercialize it, but it's a way better use of AI then "publish 300 books to try to skim off the long tail"
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[ 1.7 ms ] story [ 22.7 ms ] threadBut.
Passing off your AI output as "human written" should be punished somehow. As a fiction reader, I don't care what ChatGPT has to say, even if you think you prompted it into a publishable story. I want to read stories written by humans, and I want to reliably be able to tell which are and which aren't, so I don't spend half my attention while reading trying to work out if this is an AI or not.
I have no clue how to make that come true. Part of me is sitting here thinking "I'm glad I'm old enough that I can spend the rest of my life reading fiction written before about 2020 and never run out of genuinely great human written stories."
While watching it, I thought about AI generated content.
I have never personally met anyone who worked on any of the Toy Story movies. I know, from documentaries etc, who Brad Bird and John Lasseter are. I've also watched the video [0] about how Toy Story 2 almost got deleted (which I highly recommend if you are in storage, DevOps or SRE).
There are other movies like the Wild Robot that:
- had big emotional impact on me (b/c I'm a parent)
- are 100% animated
- I have zero idea who made them
I say all of this b/c at some point, most people don't care if the movie was hand painted cels, CGI done by humans or fully AI generated with human text prompting. If the feeling is strong, people will have a "bigger" reaction which in turn will make it more memorable. It's all basically on a spectrum of "humans using tools". They care about how the movie makes them feel. It started with humans spitting charcoal at a wall [1] and now it's linear algebra.
0 - https://www.youtube.com/watch?v=8dhp_20j0Ys (Toy Story 2 almost lost)
1 - https://youtu.be/6tn3bMbm5uw (humans painting on walls0
I'm not sure I see any inherent problem with publishing books written with the help of AI. As with software, I don't really care much how it's made, I care bout my experience with the finished product.
"Is it worth the $?" is ultimately the question that will be asked of anything one pays for, regardless of how exactly it was produced.
I can't help but feel that what they're asking to be submitted is just another kind of slop. Unsurprising that they get ai submissions as a result
I think if people want to use AI in fiction, the most promising area would be dynamically reactive story telling. Kind of a "choose your own adventure" but where the choices aren't fixed. Of course, that's a _hard_ problem, and I don't think inference is nearly cheap enough yet to broadly commercialize it, but it's a way better use of AI then "publish 300 books to try to skim off the long tail"