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The sky should have been the color of television tuned to a dead channel.

(Incidentally: which one could have been Ratz?)

It was so in the trailer’s opening shot. One assumes this to be intentional.
I really like the cheezy 80's-style depiction of interacting with cyberspace, especially juxtaposed with the high-budget aesthetic. I hope it's not needlessly violent, like so many made-for-streaming series are nowadays. Foundation and Silo weren't bad at all, and they were made for Apple TV, so maybe they're bucking the trend.