> Thiel is not a donor to the museum and no money has been received via him or his businesses.
Yet? Seems like a pretty good way to get him to start donating?
I kinda hate this article. Yes, wealthy and powerful individuals will get special treatment over the general public. No, people who require a shit ton of private security will not be entering with the general public to see your cool tapestry, sorry to say.
I doubt it was just him, there'll have been a group. I am not surprised that some VIPs got given access. It's quite common for museums to do such things after hours.
This is strange language in the article, even for the Graun:
> and only limited viewings of the tapestry have been possible across a range of stakeholders
Weird, nonsensical corpospeak, copied from some PR drone's email perhaps.
I saw the tapestry on an exchange trip to France in the '90s. It's a deeply impressive thing, even for a teenager vastly more interested in flirting with the French girls hosting us than medieval art. Perhaps its grandeur will inspire a glimmer of humanity in the creature.
I live in Washington, DC and VIPs routinely view exhibits after-hours, in private; many years ago I arranged such an occasion. I think it depends on the situation and what is best for the museum and the exhibit. This article seems to be making much to do about nothing, or in some way wants something negative to print about Thiel.
this is very "data centres using all the water" coded. the guardian used to be above running this kind of nonsense, now every single issue has pages of prickly "ooh, not a good look!" stilletto-ing.
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[ 0.32 ms ] story [ 10.7 ms ] threadYet? Seems like a pretty good way to get him to start donating?
I kinda hate this article. Yes, wealthy and powerful individuals will get special treatment over the general public. No, people who require a shit ton of private security will not be entering with the general public to see your cool tapestry, sorry to say.
This is strange language in the article, even for the Graun:
> and only limited viewings of the tapestry have been possible across a range of stakeholders
Weird, nonsensical corpospeak, copied from some PR drone's email perhaps.
I saw the tapestry on an exchange trip to France in the '90s. It's a deeply impressive thing, even for a teenager vastly more interested in flirting with the French girls hosting us than medieval art. Perhaps its grandeur will inspire a glimmer of humanity in the creature.
This decision (moving the tapestry from France to UK for a while) was heavily criticized by literally all the experts in France.
Most the news about this were covering this decision negatively.
what does "no known interest" mean?