I'm not arguing for a digital "raw" mode but as an analogy: what is actually in the voxels/pixels, I think "now render it for cinema, for daylight, for soft focus, for old school video tube, for black-and-white silent movie projector" would be a lot clearer.
Downstream of whatever encoding is used, you can do all of these with post processing (obv. more or less artifacts, noise and ruination of the directors intent)
This would however mean the release of "no Mexico filter" editions of a lot of content. On the upside, the old Spaghetti western trick of a 3 colour filter overlay over a B&W TV might work again (its a joke: 3 strips of brown for ground, pink for flesh, blue for sky, it's all shot widescreen)
1 comment
[ 3.3 ms ] story [ 12.8 ms ] threadDownstream of whatever encoding is used, you can do all of these with post processing (obv. more or less artifacts, noise and ruination of the directors intent)
This would however mean the release of "no Mexico filter" editions of a lot of content. On the upside, the old Spaghetti western trick of a 3 colour filter overlay over a B&W TV might work again (its a joke: 3 strips of brown for ground, pink for flesh, blue for sky, it's all shot widescreen)