I come back to Inigo's site every few months to add to my appreciation of the demoscene. It isn't like stage magic, it's even more amazing when you see how the trick is done. He was hired by Pixar in 2009. I'm assuming they recruited him.
There's an article in Computer Graphics World about the procedural terrain and foliage generation in Pixar's Brave which apparently Inigo Quilez was behind:
This demo drew attention a lot in the game industry. Also, there is no mention to it in the nvidia paper but another noteworthy voxel terrain demo was the cave demo (voxlap engine) from Ken Silverman (3D realms / Duke Nukem 3D 'Build' editor) [1].
Somehow I do find that "Elevated" in 4 KB beats all these 50 bytes spreadsheet in JavaScript that have made it lately on HN! (4 KB, including the music)
I don't know what tech No Man's Sky is using, but Voxel Farm[0] does something very similar (it's being used in Everquest Next and StarForge among other things). However, instead of marching cubes it uses dual contouring which produces nicer results. Also, it was made by one guy. His blog is amazing: http://procworld.blogspot.com/
its also possible to achieve similar effects using whittaker iteration as a 'sloppy but fast' alternative to the sphere tracing/distance field approach
there is not much good reference on it though (which is why i am compelled to self link)
its less well known by far... Steven Wittens came across it, and I shamelessly nicked it, back when we were doing AVS presets for Winamp. Speaking of Winamp, back then Geiss (the author of this article) created Monkey - it used D3D and hardware acceleration iirc, but also rendered an isosurface similar to the method described in this article.
It was an interesting period of actual innovation in those days...
Very nice, but is this practical for games? What about collision detection, AI players etc? Or would you use it mainly for backgrounds, skies and such?
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[ 2.8 ms ] story [ 39.6 ms ] threadhttp://www.scratchapixel.com/
I come back to Inigo's site every few months to add to my appreciation of the demoscene. It isn't like stage magic, it's even more amazing when you see how the trick is done. He was hired by Pixar in 2009. I'm assuming they recruited him.
http://www.cgw.com/Publications/CGW/2012/Volume-35-Issue-4-J...
It's a bit light on technical details, but pretty cool to read about.
[1] http://advsys.net/ken/voxlap/voxlap03.htm
http://iquilezles.org/www/articles/morenoise/morenoise.htm
http://iquilezles.org/www/articles/fog/fog.htm
http://iquilezles.org/www/articles/compilingsmall/compilings...
and the finished product is "Elevated" on http://iquilezles.org/prods/
[0]http://voxelfarm.com/vfweb/index.html
http://www.cs.unc.edu/~marc/tutorial/node130.html
It more clearly states that marching cubes is a method of converting volumetric data into a bounding surface.
http://www.terathon.com/voxels/
there is not much good reference on it though (which is why i am compelled to self link)
http://software.intel.com/sites/billboard/article/star-chart... http://jheriko-rtw.blogspot.co.uk/2009/05/whittakers-method-...
its less well known by far... Steven Wittens came across it, and I shamelessly nicked it, back when we were doing AVS presets for Winamp. Speaking of Winamp, back then Geiss (the author of this article) created Monkey - it used D3D and hardware acceleration iirc, but also rendered an isosurface similar to the method described in this article.
It was an interesting period of actual innovation in those days...