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NetBSD has a very reasonable stance: If you commit code that was not written by yourself, double check that the license on that code permits import into the NetBSD source repository, and permits free distribution. Check…
The most salient difference is that it's impossible to tell if an LLM is plagiarizing, whereas Xeroxing something implies specific intent to copy. It makes no sense to push liability onto LLM users.
The big difference between people reading code and LLMs reading code is that people have legal liability and LLMs do not. You can't sue an LLM for copyright infringement, and it's almost impossible for users to tell…
One problem with this is that there isn't really a "current prompt" that completely describes the current source code; each source file is accompanied by a full chat log, including false starts and misunderstandings.…
I am a jazz guitarist and am sympathetic to this comment: the way I tune my guitar these days is hitting an E tuning fork, playing a particular E7 chord, and deciding if it sounds good: e —0– B —0– G —7– D —6– A —7– E…
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NetBSD has a very reasonable stance: If you commit code that was not written by yourself, double check that the license on that code permits import into the NetBSD source repository, and permits free distribution. Check…
[dead]
The most salient difference is that it's impossible to tell if an LLM is plagiarizing, whereas Xeroxing something implies specific intent to copy. It makes no sense to push liability onto LLM users.
The big difference between people reading code and LLMs reading code is that people have legal liability and LLMs do not. You can't sue an LLM for copyright infringement, and it's almost impossible for users to tell…
[dead]
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One problem with this is that there isn't really a "current prompt" that completely describes the current source code; each source file is accompanied by a full chat log, including false starts and misunderstandings.…
[dead]
I am a jazz guitarist and am sympathetic to this comment: the way I tune my guitar these days is hitting an E tuning fork, playing a particular E7 chord, and deciding if it sounds good: e —0– B —0– G —7– D —6– A —7– E…
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