You need one if you think engineers have automated the artists.
Just a little more effort and STEM people will discover the social sciences. Cute.
I believe you are in team 'haven't found my true talent/calling yet' and it won't necessarily be artistic. You can have talent for many things and you don't have to call anything art. Regarding Leonardo, and big brains…
I actually agree. But art (as in "great art") and craft are two different things.
Users and designers should unite and beat engineers into submission.
DJs routinely change the playback speed to match tempos. It’s easier if a track’s tempo stays the same throughout its duration, but even if it changes, DJs will adjust the playback speed on the fly. As far as syncing is…
"Harder, Better, Faster, Stronger" was built around a one- or two-bar loop sampled from Edwin Birdsong's "Cola Bottle Baby." Daft Punk determined that this loop had a tempo of 116.527 BPM and played it a semitone…
You need one if you think engineers have automated the artists.
Just a little more effort and STEM people will discover the social sciences. Cute.
I believe you are in team 'haven't found my true talent/calling yet' and it won't necessarily be artistic. You can have talent for many things and you don't have to call anything art. Regarding Leonardo, and big brains…
I actually agree. But art (as in "great art") and craft are two different things.
Users and designers should unite and beat engineers into submission.
DJs routinely change the playback speed to match tempos. It’s easier if a track’s tempo stays the same throughout its duration, but even if it changes, DJs will adjust the playback speed on the fly. As far as syncing is…
"Harder, Better, Faster, Stronger" was built around a one- or two-bar loop sampled from Edwin Birdsong's "Cola Bottle Baby." Daft Punk determined that this loop had a tempo of 116.527 BPM and played it a semitone…