I can admit that I misread the article when it comes to hearing limits. I was reacting to my perception as an audio engineer that a lot of people dismiss the importance of that frequency range.
Principle frequencies well above 20k as well as their sympathetic harmonics are pretty easily audible by me, try it. 24 bit is also extremely easy to hear. Arguably more important during the recording phase when…
192 kHz is a "bigger number = better" marketing ploy imo. Dont get me started on interpolating "240hz" TV's. The move from 16 bit to 24, however, is significant. And not only to headroom. As far as SR systems, I really…
Groove Salad has always been one of my favorite streams for coding. Lots of down-tempo stuff, tasteful choices: http://somafm.com/groovesalad/
Bootstrap rocks!!
If say 100,000 people got in for $100,000 in the first year, thats $10 billion in revenue... we accrue around $4 billion in new debt an average day. Doesn't seem significant to me?
I can admit that I misread the article when it comes to hearing limits. I was reacting to my perception as an audio engineer that a lot of people dismiss the importance of that frequency range.
Principle frequencies well above 20k as well as their sympathetic harmonics are pretty easily audible by me, try it. 24 bit is also extremely easy to hear. Arguably more important during the recording phase when…
192 kHz is a "bigger number = better" marketing ploy imo. Dont get me started on interpolating "240hz" TV's. The move from 16 bit to 24, however, is significant. And not only to headroom. As far as SR systems, I really…
Groove Salad has always been one of my favorite streams for coding. Lots of down-tempo stuff, tasteful choices: http://somafm.com/groovesalad/
Bootstrap rocks!!
If say 100,000 people got in for $100,000 in the first year, thats $10 billion in revenue... we accrue around $4 billion in new debt an average day. Doesn't seem significant to me?