In my head, after 'thumb-under', I think of 'skips' and 'leaps' depending on distance for whole-hand repositioning, which is descriptively accurate for fingering on the piano, guitar, and violin (etc.). Though, for the…
Astoundingly, I have never heard another source advise doing this, and this includes professors at Juilliard. I don't work on all my pieces using pure Mental Play as frequently as I should, but trying to 'play on…
The most deadly bad habits are learning shortcuts that cause you to destroy your flexibility as a musician (example on piano: practicing a piece always at the same volume, so you would be unable to change the dynamics…
I'd be happy to give you some advice to get you started.
In my head, after 'thumb-under', I think of 'skips' and 'leaps' depending on distance for whole-hand repositioning, which is descriptively accurate for fingering on the piano, guitar, and violin (etc.). Though, for the…
Astoundingly, I have never heard another source advise doing this, and this includes professors at Juilliard. I don't work on all my pieces using pure Mental Play as frequently as I should, but trying to 'play on…
The most deadly bad habits are learning shortcuts that cause you to destroy your flexibility as a musician (example on piano: practicing a piece always at the same volume, so you would be unable to change the dynamics…
I'd be happy to give you some advice to get you started.