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- Twain Town, USA (theamericanscholar.org)
- Why the Odyssey Keeps Defeating Filmmakers (newyorker.com)
- Where the Light Falls: Who Was Johannes Vermeer? (harpers.org)
- Jackie Gleason's Paranormal Activity (newyorker.com)
- Gordon Wood's Proust (thelampmagazine.com)
- Why are there so many canines in fine art? (theatlantic.com)
- On the nature of autobiographical memory (theamericanscholar.org)
- What Did the Hudson River School Painters See? (nytimes.com)
- The Melancholy of Slaying Monsters (thereader.mitpress.mit.edu)
- The Prophecies of the Brahan Seer (1877) (publicdomainreview.org)
- How Much of the Internet Is AI Slop? (statsignificant.com)
- Octonous Open Beta: What We've Learned and Where We're Going (blog.mozilla.ai)
- Pyramid of the Capitalist System (1911) (publicdomainreview.org)
- Wolfgang Koeppen's Structural Musicality (theparisreview.org)
- Little magazines are back (wsjfreeexpression.substack.com)
- Ben Lerner's Big Feelings (vulture.com)
- The Soviet Network (literaryreview.co.uk)
- Doing Impressions: Monet's Early Caricatures (ca. late 1850s) (publicdomainreview.org)
- The loneliness of A Room of One’s Own (newrepublic.com)
- Sekka Zusetsu: A Book of Snowflakes (1832) (publicdomainreview.org)
- Typing for Love or Money: The Hidden Labor Behind Modern Literary Masterpieces (publicdomainreview.org)
- Make Nothing That Isn't Beautiful (thepointmag.com)
- Back to Bellevue (theamericanscholar.org)