However, he doesn't address the disparity BETWEEN LABELS on Spotify. Some labels have much sweeter deals, and that's considering aggregators already, I mean at the raw-play-count level, some get a bigger portion than…
Here I was imagining actual explosives hampering repo efforts, when they merely speak of a rising rate of auto repos. OK. I fell for it.
I'm in the opposite camp. I recall great monolithic software for media production from the 90's and think our modern web-centric view is "dumbed-down". There's a time and place for minimalism, but the term "power user"…
Yeah what's up with the 20 minutes of what are basically commercials in the beginning of every cinema-shown film? We pay ticket prices to get commercials? Cinema is archaic in some ways...
Growing up with the DJ/Rave experience, after being primarily interested in MUSIC, not HOME THEATER, I basically have a stereo bias and have no interest in surround-sound formats or multichannel (beyond 2) playback. I…
However, he doesn't address the disparity BETWEEN LABELS on Spotify. Some labels have much sweeter deals, and that's considering aggregators already, I mean at the raw-play-count level, some get a bigger portion than…
Here I was imagining actual explosives hampering repo efforts, when they merely speak of a rising rate of auto repos. OK. I fell for it.
I'm in the opposite camp. I recall great monolithic software for media production from the 90's and think our modern web-centric view is "dumbed-down". There's a time and place for minimalism, but the term "power user"…
Yeah what's up with the 20 minutes of what are basically commercials in the beginning of every cinema-shown film? We pay ticket prices to get commercials? Cinema is archaic in some ways...
Growing up with the DJ/Rave experience, after being primarily interested in MUSIC, not HOME THEATER, I basically have a stereo bias and have no interest in surround-sound formats or multichannel (beyond 2) playback. I…