Article from 2014, which looks at people engaging in digital book piracy not as thieves but as modern-day librarians or collectors, who are focused more on preservation than providing easy access to the materials. Mainly, the authors write about various online libraries and how they're organized, with a small amount of technical details.
I found it a somewhat interesting article, but I'd hoped they'd go a little more into the ethics of it, and also give more of a view from the perspective of the various stakeholders they mention (publishers, authors, etc.).
The biggest thing I'd like to see, is fine, DRM everything you want, but file an unencrypted digital master with something long-lasting like the Library of Congress, along with a firm public release date. So much software, media, and books today are not readily available anymore, without a lot of good reason for it. And if it's temporary while copyrights run out, I guess I have to understand that. But my biggest fear is how much of our culture may be lost entirely a few decades from now.
Games should store their source code in similar locations, along with MMO server software and the like. Someday these developers and publishers will be long gone. But hopefully their creations won't be.
It's definitely even worse for games, as copyright law and the nature of the industry can mean that a game might not be legally obtained again for over a century. Nintendo, for example, goes out of its way to punish people for distributing games that they no longer publish or license, even despite their abandonware status.
In Nintendo's case, the interesting thing is that they do resell a lot of their titles. Virtual Console is a big market for them now, with NES and SNES titles especially. They at least demonstrate a clear desire to monetize their old properties. The biggest thing we often lose is access to third party titles on Nintendo platforms.
There was a very nice spanish community that would scan/ocr books and convert them into epubs. They had very high standards and their forums were full with epub documentation, best practices, boilerplate/skeleton files, scripts, etc. To the point their curated epubs were better than those of some publishers.
It all died when one of the founders was arrested.
Edit: it seems my information was incorrect, the site's owner sold it and the new owners wrapped the download links with malware and closed the forum. Users left and the site closed.
On the front page it shows a warning about how applications for editor are closed due to having too many. So it seems the community is still alive and well. Here's their documentation as an epub (in Spanish): https://www.epublibre.org/libro/detalle/2398
One sees this kind of thing within niche P2P communities. For example, on a popular BitTorrent tracker dedicated to music, one often sees indie artists "leak" their content. Consequently, the artists receive more recognition and appreciation for their work. I'm not claiming that piracy is victimless, nor that P2P sharing is more beneficial to the preservation of arts/academia than it is harmful. There is, however, some degree of promotion and conservation that occurs through sharing.
I have a friend who doesn't only preserve media, but also makes it more accessible. Specifically DVDs of the non-english sort are digitized, translated, and subtitles added, without removing any of the existing content. If there are space limitations, existing content is slightly compressed (for example audio commentary tracks). Additionally great care is taken to strictly adhere to (or even make adherent to) industry standards, so the resulting files, when burned to any dvd, will work with any player regardless of age or compatibility.
Some would call it piracy.
But effectively media from the 80s and earlier, that would otherwise become completely unavailable, or rot, becomes preserved and available for many generations to come.
I absolutely love that, and hope that I can one day contribute in a similar way. It's a shame that these people get clumped in the same camp as that college kid who watches bootleg theatre films just so they don't have to pay for an admission ticket. There is a community that attracts these people: https://www.reddit.com/r/datahoarder
Yeah, said friend has long overtaken those and is working with way more professional and safe storage solutions than anything i see browsing over that reddit. :)
Though that's secondary to the focus on quality and value of the material.
Going off of that, it'd be really cool to have a wiki for movie transcripts that covers multiple languages. I just searched real quick for a wiki for transcripts and found transcripts.wikia [0] but it doesn't seem to have transcripts translated in other languages. Would such a wiki for transcripts be legal anyway ?
https://subscene.com/ are pretty good. Lots of spam and duplicates, but you can find most anything. They probably don't get much trouble since they don't distribute actual movies.
I believe it, this reminds me of this rapper called Benefit that got popular using Napster:
'Benefit is up there with MF Doom when it comes to being mysterious. He popped onto the scene in the early 2000's when Napster first blew up, when (by a longshot) he won a rap contest out of over 1000 MC's put on by Napster. This made him the first MC to truly use the internet to blow up (seems like forever ago, huh?). He never really put an album together, just happened to make enough tracks out of his $18 setup to release 2002's Benefit, which is filled with too many dope tracks. ' [0]
I can see how even without the help of a contest, indie artists could use sharring platforms to get traction.
There's a huge amount of books/music/movies/games that I have no means of obtaining legally. There's also tons of stuff I don't have convenient way to buy (e.g. no way I'm paying full HBO NOW subscription for watching a single TV show).
We are 16 years into 21st century now, it's about time for big-name producers to stop calling people "thieves" and offer them an acceptable service instead.
It is theft whether you like it or not. They don't have to provide you with the service if they don't think you're not the right customer or if you can't afford it. You are in no way entitled to watching that single TV show if you don't have the subscription.
Theft deprives the owner of something. Making a copy leaves the original intact. Technically HBO would not be providing them with the service. HBO provided the service to someone who paid for it. That person then made a digital copy and gave it to someone else. HBO is not involved in the second transaction. After I purchase something, am I not entitled to do what I wish with it, including giving it away?
The victim of identity theft is deprived of their credit rating, reputation, etc. Credit is a resource that gets used up as you use more of it or take out loans and don't pay them back. Making a copy of a digital file has no similar effect on the original owner of the file.
That is the common rebuttal, but if someone illegally downloads a film he or she never intended to purchase or rent anyway, then that argument does not hold. Even if the choice is between buying something legally and downloading it for free illegally, that word does not apply.
Loss of income does not equal theft.
Whether you have then been wronged or not is another discussion with valid arguments on both sides.
If you did not want "to purchase or rent " legally why is it ok to do it illegally? Is it that you did not purchase or rent it because you knew that you could simply steal it?
I am neither condemning nor condoning illegal downloading when you had no intention of paying for it — merely stating that it is not theft; the differences are just too great due to the nature of digital content (i.e., being able to effortlessly copy an item without incurring more than trivial costs).
Why not call it copyright infringement if you want a more neutral term?
Even if, you leave the original in a pristine state, the fact that multiple copies are available and can be used (for good or nefarious purpose), dilutes or erodes the value of the original.
And this is true for both digital content or something as intangible as an identity.
So I am not really convinced by the simple argument that since the original still exists untouched, everything is fine. Yes, this is surely convenient and better for the original author/owner/creator, but not enough to say nothing harmful happened.
Your identity may be intangible, but you can certainly be deprived of its proper use by someone successfully impersonating you. So unlike digital piracy (for want of a better term) something is taken from you in a manner that precludes your own use of it.
More to the point though, labelling the act of downloading the latest film as theft is not conductive to a discussion about the moral justification of piracy, because you are using loaded language to condemn it even before presenting an argument. That is, there appears to be no strong consensus that piracy falls under what is commonly referred to as theft.
(I am under the impression that the term digital piracy did stick regardless of one's position in that debate.)
There really is no such thing as identity theft. Rather, some organizations occasionally fail at authenticating people (that is: they fail to correctly determine the identity of people). Usually because they use obviously unreliable methods for doing so (like, asking for information that is semi-public, like date of birth or SSNs, which obviously cannot be used to reliably determine your identity). Then, after they failed at that, and believed some random person's unsubstantiated claim that they were you, and as a result gave that person access to something that they shouldn't have, they try to deflect their responsibility for that failure by claiming some bullshit about "identity theft".
> After I purchase something, am I not entitled to do what I wish with it, including giving it away?
There is clear precedent that you are not.
In this case, HBO is a business trying to make profit. It spends enormous amounts of money producing shows. Giving away a copy of their product for free arguably reduces their ability to stay solvent. Thus, theft.
Reducing a business's ability to remain solvent does not constitute theft. If a competitor emerged and offered better shows for less money, that would also reduce HBO's ability to remain solvent, but is obviously not theft. HBO does not "own" expected profits from their business.
Spending an enormous amount of money does not entitle anyone to a profit, just ask Webvan.
So if I start a pizza place across the street from another pizza place I'm a thief? Or even worse gave away free pizza!? The horror. Didn't realize it was a basic human right for a business to make a profit. Nor did I realize it was the governments responsibility to ensure a business makes a profit. Enlightening stuff I'm learning today.
Sarcasm aside, I think you missed the point of my statement.
If you illegally take away income from a business, it can be classified as theft. If you do something else illegal that doesn't take away income, it would be hard to classify it as theft. Apologies if I was cryptic.
The answer is no, you are not entitled to do that. Whether or not you agree with them, laws were brought in that stop you from doing that for the sole purpose of protecting the copyright owners.
The laws were brought in, because people were abusing the ability to copy digital media and profiting off of it. Essentially making money off of someone else's hard work. That is what the laws are there to stop.
The unfortunate side effect is that even legitimate copying of digital media is being restricted, and while that is a bummer, it also isn't the end of the world.
But in some ways, you are just trying to shift the entitlement from the person wanting a free ride back onto yourself, suggesting that you should be able to do whatever you want with someone else's work (which it still is, even though you have a copy of it). That simply isn't true.
It is no different to Intellectual Property. If you started photo copying and distributing Pokemon cards, you and others would be benefiting from someone elses work, without them getting compensation for it. Even if you're not profiting monetarily, those other people are certainly profiting in some way.
I am in no way a copyright evangelist, but the argument that just because you didn't deprive them of it means that it is okay just doesn't reside in reality. I agree that in most cases, torrenting or streaming something for free when you should be paying is not a big deal. But to pretend it's ethical is a stretch.
I don't think there is anything wrong with that and I don't think that is what we are discussing here. Maybe I read the parent post wrong, but my argument is against distribution of many copies not just handing the one copy around.
The laws you are referring to were basically just Autodesk enforcing a monopoly position, and these laws directly harmed consumers.
The big elephant in the room is that distribution and maybe even production do not require publishers anymore...and so instead of changing to adapt to the market they are out cracking down on supposed pirates.
It takes a lot of ignorance of the business model of publishers to defend their status as on par with artists.
I wasn't defending publishers, I was defending the artists. The publishers are the (often unfair and exploitive) proxy to the artists. I wish they weren't and I wish publishing would catch up with the digital world too. That doesn't change anything about my post though.
>Theft deprives the owner of something. Making a copy leaves the original intact.
When you create that original you estimate that you have to sell X-number of copies to get back your money that you put into creating the original. If you want to watch/listen to/read that work you at least partially agree with the author that it's worth something. It may be in your opinion worth less then the price, but it's not up to you to set that price, as you have no idea how much work and resources did the author put into creating it. You have only one right - agree or disagree with the author and either pay him for this work or look for something else that was priced in your range.
I don't have the right to punch someone in the face, but that doesn't make it stealing. Reusing that word is just attempting emotional manipulation, in my opinion.
While you're not stealing in a sense that you're taking something physical, you are stealing in a sense that you are not compensating author for their work. Let's say you are graphics designer. You are hired to create logo for a company. Company likes your work and they just copy the file you've sent to them but they decided they are not going to pay you. Are they stealing from you or is it "just" copyright infringement ?
That would be a breach of the contract between designer and the company. If you quote someone a rate, they agree, you do the work, but they don't pay you, then you can sue them regardless of whether a copyrightable work was created.
Copyright infringement without breach of contract is more like people stealing the Transmit logo https://panic.com/extras/ripoff/
Isn't it breach of contract when you copy tv show, when it clearly states that copying of that show is prohibited? When you buy that dvd, book or whatever it is, you agree to the 'terms' which usually say - copy in any form shape or size prohibited.
Actually, when you buy a dvd or book, you usually aren't bound by any terms in any booklet acompanying it or printed in the book or whatever. If at all, you are bound by any terms that you agreed to (which in particular would require you to be aware of them and to have had the opportunity to read them and all that). Which in the case of a typical sales contract that's the result of buying something in a shop means that pretty much the only thing you are bound by is your agreement to pay the price that you agreed to. Stuff that you get to read afterwards cannot become part of the contract that you previously agreed to unless you explicitly were to agree to adding those additional terms afterwards. Also, that sales contract is between you and the shop.
So, no, actually, whatever you do with that book or dvd, if you paid the price you agreed to, you almost always can do with it whatever you like, unless it is illegal. But just as using a chainsaw you bought and paid for to murder someone is not a breach of contract, so is not copying a book you bought.
And in any case, a breach of contract is not theft. It's a breach of contract. That's why we have a separate term for it. Just as destruction of property is not theft. It's destruction of property.
Plus, if you download an unauthorized copy somewhere, you most likely don't have a contract with anyone regarding the thing that you are downloading, so you could not possibly be in violation of the terms of that non-existent contract.
Apples and oranges, that comparison makes no sense. On the topic of media copying your example would be more like another company re-using the same logo after the creator was paid.
Calling copyright infringement "stealing" is not much different then calling it "theft".
If a graphic designer is hired to do something for someone, it is usually agreed beforehand how much money he will get for the job. If he doesn't get the money, it is simply a breach of agreement.
Sure, and when I don't hire you, that means that you won't have money to buy food, so you will starve. So, I am not murdering you in the sense that I am shooting you, but I am murdering you in the sense that I am not hiring you.
Words have commonly accepted definitions, and copyright or contract violation simply does not fall under theft. "I think it's bad, theft is bad, therefore, it's theft" just is an incoherent argument. Just as not hiring you is not murder, even if it in the end were to somehow contribute to you dying.
Oh, so if you go to a dealer and took the car that you never wanted to buy because it's too expensive, only for a one drive, without asking anyone you were not stealing because this would not deprive anyone of any money?
If you use someone's property without authorization, but don't intend to deprive them of it permanently, that indeed in most jurisdictions is not theft, that is criminal conversion.
It's really not that difficult, you can simply look up what these terms mean instead of inventing your own definitions. "Depriving someone of money" is not the definition of theft. And it not only isn't, it would be a braindead definition if it were. Suddenly, buying from your competitor would be theft. Accidentally dropping your dishes would be theft. Pretty much everything would be theft under that definition.
Is it still "criminal conversion" when you decide after that one ride that you want to keep that car in your garage, but not drive it anymore? You will return it some other day.. Maybe in 2020. After all it's just a copy of that prototype that the manufacturer created. It's a copy, and you did not intend to buy it anyway so it's all right, and it's not a theft right?
> Is it still "criminal conversion" when you decide after that one ride that you want to keep that car in your garage, but not drive it anymore? You will return it some other day..
Technically, you still haven't committed theft, since the intent must be present at the time of the taking.
OTOH, in practical terms (aside from the fact that its still a crime either way), the fact that you did keep it is something that a prosecutor will often have very little trouble convincing a jury is clear evidence that you intended to keep it when you took it.
> It's a copy, and you did not intend to buy it anyway so it's all right
Criminal conversion (in the general case) or joyriding (sometimes a separate offense in the automotive case) is not "all right"; just because it is a different criminal offense than (general or auto) theft, its still a crime, which is kind of the opposite of "all right" from the perspective of the legal system.
> Oh, so if you go to a dealer and took the car that you never wanted to buy because it's too expensive, only for a one drive, without asking anyone you were not stealing
Well, sure, that would be joyriding rather than vehicular theft. Still a crime. [0]
1) If you are hired by a company and did not get paid it has nothing to do with copyright.
2) If you hired by a company and created some work you never owned a copyright.
In case of movies, i didn't hire anyone to create the movie. Also, i would never buy that movie so they lost nothing.
Let's say I made a video. If I wanted to sell you a performance of that video and not your brother, and your brother manages to watch it anyway, fine, an offense has been committed.
But what if I sold the publishing rights to that video to a corporation who is bound by law to maximize revenue for my benefit? I've declared by releasing my video for public consumption that my interest is purely commercial.
That corporation does not generally have the legal ability to restrict who buys the rights to watch my video. Let's say the corporation decides to price viewings at $100 a pop. Your brother pirating my video and sharing it with his friends would arguably be doing more good for me than the alternative of fewer people watching it and me making a somewhat smaller amount of money.
Now the ethics are way more muddled. I'm not saying copyright is a bad thing or that infringement is a good thing. What I'm saying is that technological, cultural, and legal hurdles have made the content distribution market non-efficient and therefore non-optimal for content producers. It's virtually impossible for pricing mechanisms to maximize revenue, so there's always going to be situations where piracy makes sense because the content creators won't be able to make money on every viewing, but still derives a benefit from broader consumption anyway.
Listen, you have no right to someone's else own work. If you don't want to pay HBO NOW to watch a single TV show. No problem. If you do however pirate their show, then that's stealing and the owner has a right to call you a thief. If HBO decides to charge $1,000 per episode, that would be very outrageous, but that still doesn't give anyone the right to steal their show. BTW, I know the pain, I really want to watch Showtime's "Billions" but I'm not willing to pay $12.95 for one month to watch it. I pay for Netflix and all my shows is restricted to Netflix, youtube and what's on TV.
Copyright only prevents producing and distributing unlicensed copies, i.e. uploading or sharing.
Downloading, streaming, or attending an unlicensed performance is not copyright infringement.
Without Copyright, and when it expires, the natural state of culture is to be copied, that is how it evolves - all works exist naturally in the public domain.
Copyright is a limited right to encourage the arts by providing a temporary monopoly.
The word theft is entirely out of place in discussions of copyright.
You only have the right to view something if someone who created that wants you to view it. If they say that you can view it after you pay, that's their right. If you pay and are allowed to view it you can describe it in any way you want to other people, but you are not allowed to spend that time you had for viewing it to make a copy of it and show it to some other people that did not pay the original author. If you at the same time use your copy to make money, taking that potential income from the original owner how is that not a theft?
It is legal to view something, regardless of whether the source is licensed.
Copyright only prevents producing and distributing unlicensed copies, i.e. uploading or sharing - it does not cover viewing or downloading.
You may not agree with the law but nonetheless there is no prohibition against viewing an unauthorised copy.
-- can't reply below ? So replying here.
> as legal as buying a stolen tv.
Buying stolen goods is an offense in law. Buying an unauthorised copy is not.
> How is downloading not creating a copy? There was one file before you downloaded it, now there are two.
Yes, but it is not copyright infringement. Making a local copy for the purposes of viewing a web page, a picture or other digital media is not copyright infringement, this is well established by precedent.
I don't think this is a good analogy either: Since at a knockoff TV the seller deceives the buyer that the TV is an original. So it's a clear case of fraud.
> but you are not allowed to spend that time you had for viewing it to make a copy of it and show it to some other people that did not pay the original author
I clearly said that making an unlicensed copy and distributing it infringes copyright so we agree.
> You only have the right to view something if someone who created that wants you to view it.
Here we disagree, copyright does not prevent many things like borrowing a friends book or downloading a movie.
Do you have any sources where someone was prosecuted for unlicensed viewing or downloading - this would substantiate your argument.
Uploading and sharing is what copyright prevents, not downloading.
> how is that not a theft?
It is not theft, theft means depriving someone of something actual - copyright infringement is against the law but no-one is charged with theft for it.
Damages are awarded against uploaders but potential income and stolen money are not equivalent.
Copyright is a time limited monopoly, possesion is not - trying to conflate copying with theft does not further the discussion, it only muddies the discourse.
> You only have the right to view something if someone who created that wants you to view it.
There are a number of ways I can view something against the wishes of the copyright holder, thus reducing their monetary income. Are all of these wrong?
You already mentioned the case of me describing something to other people. The NFL has a (probably unenforceable) disclaimer for the Super Bowl that says, "any pictures, descriptions, or accounts of the game without the NFL's consent is prohibited."
Buying used is often quite cheap. The creator doesn't see a dime. There's no guarantee that the seller of the used item won't use that money to buy something else used instead of new. Is that wrong? Is the creator entitled to a large market of new buyers?
Format shifting is convenient for the customer but not the creator. For example, I bought Advance Wars on the Game Boy around 15 years ago. I've since backed up my copy (trivial to make your own backup with a flashcart). Now, Nintendo sells it on the Virtual Console for 8 bucks. If I play my backed up copy on a hacked Wii U, they're out 8 bucks. Is that wrong? Is the creator entitled to have every customer re-buy media for every new platform they want to consume on? The RIAA says that backing up a CD to an iPod is wrong: https://www.eff.org/deeplinks/2006/02/riaa-says-ripping-cds-...
Buying in other countries is often cheaper. Look at textbooks for a prime example. When I was in college, I paid $20 for a legit copy of my physics textbook from India printed on poor-quality paper with a cheap binding; the content was exactly the same as the American textbook. Was that wrong? Some people even buy books in bulk in cheap countries and sell them in America for profit. Wiley sued a Thai guy for doing this, made it to the Supreme Court, and LOST. Are creators entitled to segment markets in this way? http://arstechnica.com/tech-policy/2014/11/how-an-ebay-books...
Renting something instead of buying it reduces profit. Did you know that video game rental is illegal in Japan? Should it be illegal in the US too? https://www.youtube.com/watch?v=J3xuy5YALl0
Lots of people watch stuff with a friend. I had a friend with HBO Go, and we had Game of Thrones night where three or four of us would watch it together. Should we have bought individual accounts?
Some media is paid for by ads. I use an adblocker in my browser. My grandma mutes the TV and goes to the fridge during commercials. Is that wrong?
Some works don't get published in foreign markets. Lots of old video games, TV shows, movies, and books are only officially released in one language, and are never translated by the creator for any number of reasons: lack of interest in the market, lack of money for translation, attachment to the "integrity" of the original work, etc. Unofficial translation violates copyright law, at least in the US. Say a work is only available in Japan, and in Japanese. Is it wrong for someone to translate it to English? Is it wrong for someone from the US to pirate the translated work, when that person would never have bought the work in its original translation and is region-locked from buying it anyway?
Then why are you labelling it with the negative moral qualifier wrong? It may be illegal or considered reprehensible by the society you live in (i.e, someone else may call it wrong), but why would you do it if you consider it wrong?
"Free Software Foundation founder Richard Stallman argues that, although the term intellectual property is in wide use, it should be rejected altogether, because it "systematically distorts and confuses these issues, and its use was and is promoted by those who gain from this confusion". He claims that the term "operates as a catch-all to lump together disparate laws [which] originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues" and that it creates a "bias" by confusing these monopolies with ownership of limited physical things, likening them to "property rights""
Economists Boldrin and Levine prefer to use the term "intellectual monopoly" as a more appropriate and clear definition of the concept, which they argue, is very dissimilar from property rights
Please stop posting unsubstantive comments. Discussions on HN are to be in the spirit of intellectual curiosity and not ideological warfare. Comments that predictably derail conversation ruin these threads for everyone.
No, it isn't "stealing". You're not depriving them of the content, you're copying it. And you're not even depriving them of the price they charge to access that content, unless you would've bought it had it not been available through piracy. And that's I think really the exception, not the rule.
I know I download a hell of a lot of movies, tv shows, etc. that I would definitely never watch if they were not available easily like that.
As for the moral aspect of this, I personally consider that the advantages to society provided by the free, widespread availability of cultural material far outweighs the inconvenience to content distributors & creators; moreover, I consider downloading content 'illegaly' like that to be a form of social protest; to be practiced until their outdated, absurd model changes. Part of this is certainly me rationalizing my behaviour, but I genuinely believe that most of it is not.
And when content is available without any form of DRM and with a minimal amount of intermediaries, I always pay for it (a good example is games through gog.com). Personally, I'll stop downloading illegaly when all content is available like that. And no, netflix doesn't cut it; I want the same, convenient service I get through piracy: a mkv/mp4/whatever without any form of DRM that I can store, read on any of my devices, copy, backup, etc.
Sure, it's all virtual, you're not actually 'stealing' their money since you weren't actually going to pay for it anyways, but if we're pedantic about it you are depriving them their rights. As the owner, they can copyright it, they can specify the terms by which you're allowed to view it or not view it. They can decide to not let you view it. You are taking that right from them. You are saying your right to access the content is more important than their rights, it's pretty simple.
Sure, it's a big faceless corporation that already has billions of dollars, so it's as offensive. but it's basically the same thing as a GPL violation. Whenever a big corporation steals, err, I mean 'copies,' GPL code and refuses to give the output away, they aren't actually stealing, they were never going to contribute anything anyways...
"You are saying your right to access the content is more important than their rights, it's pretty simple."
Not exactly; I'm saying the benefits to society as a whole offered by the post-scarcity nature of data on the Internet (infinitely copiable with negligible cost) is so large that, in my opinion, their right to decide who should access the content is far less important and so should be ignored.
It certainly sucks for them; and it certainly means that we need to think about new models to finance content creation (since we are living in a definitely scarcity-based society in real life, for now at least); but there you go.
And you say they are the "owner" of the content; given the current laws, yes, "they" usually posess the content. But the "they" in question is very often great industry behemoths constructed on the old, physical model of distribution; regularly offering incredibly bad deals to content creators.
As I said, when a content creator distributes its content directly or with a non-DRM intermediary (such as GoG) - and I consider, for example, both netflix and steam as little more than new forms of DRM - then I always pay for it. I pay for it because we still don't have a new model allowing free distribution of data while providing incentives for content creators (a global licence mechanism or something similar - easier said than done), and so I see it as a compromise in the meantime. It also encourages those new means of distribution.
I run a software training company. We provide streaming access to recordings made of the live session for which a student purchased a seat. Pay for a four day class, and you can stream the recording of that four day class for, at the least, 18 months. Why 18 months? That's all we promise, ideas end up being available for longer - five years and counting now - and in 18 months the class tends to have changed enough that we'd rather you just attend again (for free, if it's online).
Do you have the right to pirate the videos that my students paid for? Do they have the right to share it with people who didn't attend the course, and are thus missing the context of the classroom experience (and the web site where updated materials/code samples are dispensed)?
So if I have a different opinion than you on copyright and intellectual property, it means I'm immature, right ?
You don't really give arguments to counter beyond the ad hominem attack, but let me try to explain why I think this way.
We have the capability to copy and distribute at negligible cost most of the cultural & educational content (books, scientific articles, movies, music, etc.) ever produced by humanity to our entire species; and because we don't have the same capability for physical things, we impose an artificial scarcity on this. Think of the enormous amounts of money and man hours spent on intellectual property: lawyers, consulting firms, etc... entire industries dedicated to limit our capability as a species to distribute knowledge and cultural content.
Now, if only a portion of these efforts had been spent towards spreading network infrastructure and creating, spreading and supporting educational material to the widest amount of people possible, where would we be right now as a species ? Given that, I can help but think that yes, copyright and intellectual property is more of an issue globally than a solution to the problem of incentivizing content production.
So no, it's not only rationalization of my "wrong" behavior (part of it probably is, sure); I genuinely believe this, and I genuinely believe that ignoring those laws and downloading content illegally is a form of non-violent (and massively followed) social protest; the mass reaction of the individuals in society to absurd laws.
As I said above, some sort of new economic model should have to be found for this to be viable; hence why compromise is necessary in the meantime (and hence why yes, I also pay for content when it is distributed in a way that in my view helps to go towards that direction).
You do make some convincing arguments. I think, though, that you may be overlooking that it's not just ancillary participants that spend man hours on intellectual property matters. In a broad sense, artists of all kinds (that is, the authors of the copyrighted works) do the same thing. It seems undeniable that if it isn't possible to make a living as an artist or author, we'll have a lot less art to consume as a society. So even accepting your arguments, the decision to pirate a given piece of content is not one that is unambiguously virtuous.
I apologize for being rude earlier. I remember once feeling very self-righteous about my own disregard for copyright, and as my feelings have now switched to the opposite side of the issue I think I may have projected my own hang-ups onto you. It's a complicated topic, and I certainly don't think that always complying with copyright law makes anyone a saint either.
I make no such assumption, I'm just pointing out that it's the current framework that we have and that with it content creators are given actual rights and among those rights is the right to significant control over distribution and consumption of their content.
You responded to a comment arguing that piracy could be considered a form of social protest. As such appealing to copyright seems a poor counter since copyright could be the very thing being protested.
It's anecdotal at this point but also worth noting that the earliest conception of copyright in the colonial era had nothing to do with protecting creators and everything to do with allowing distributors and regulators get a piece of the pie.
And the current framework hands out almost no punishments at all. Given the theory that social norms and laws are not what is written but what is enforced, then the current framework only supports limited cases of copyrights that apply generally between financially very well endowed entities.
If the current framework written was fully applied, it would not last two full election cycles.
Whenever a big corporation steals, err, I mean 'copies,' GPL code and refuses to give the output away, they aren't actually stealing, they were never going to contribute anything anyways...
Why would you think people would disagree with that?
"[...] if we're pedantic about it you are depriving them their rights"
Don't confuse the economic and moral rights in copyright. When you copy something you aren't necessarily depriving someone of their rights so much as disregarding their awarded monopoly. Just like you usually do if you make moonshine or take a unlicensed taxi.
Curious that this argument only ever applies to the intangible bit patterns that define creative works, but never to the equally intangible bit patterns that define money.
If I copy the numbers in a very rich person's bank account to my bank account, I haven't stolen anything from them. All I've done is made a copy of some information.
And yet one kind of copying generates rants about the cultural value of free distribution, while the other generates nothing but fear and horror.
It's all very strange. And not particularly thoughtful or consistent.
IMO either you have a free economy, in which case you make every damn thing free, or you accept that rules of ownership are necessary and that the output of labour has value independent of the ease with which it can be copied.
Claiming that rules of ownership are irrelevant for IP you personally want from others, but very important for IP you personally want to monopolise, is the very worst kind of special pleading.
I have no idea what you're talking about. The bit patterns in someone's bank account aren't money, they're just a record of money. If someone has 1000000 dollars, they will have a given bit pattern in their database row. But if two people have the same number of dollars, they aren't sharing money; they just happen to have the same amount at that moment.
Money is the agreement that a given person has a given amount of money. That's why blockchains, which allow distributed consensus, can be used to establish currencies.
If, by "intangible bit patterns", you mean the credentials for someone's bank account, this is also not the same as a copy of a creative work. By having a copy of credentials you have the ability to change how much money the person has. This is very illegal to do without consent. Analogously, nobody is suggesting we should be able to legally break into the author's computer and modify their copies of their book.
Ownership is about control over things. The author has control over their copy, and I have control over mine.
either you have a free economy, in which case you make every damn thing free, or you accept that rules of ownership are necessary and that the output of labour has value independent of the ease with which it can be copied.
Rules of ownership are necessary for rivalrous goods, and not for others. Citing Thomas Jefferson,
"He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper [(candle)] at mine, receives light without darkening me.
That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation."
Jefferson's talking about memetics -- about the spread of ideas and ways of thinking. I don't see how IP law interferes with meme competition; and I don't see how meme competition justifies pirating entertainment (which requires large investments in visuals, audio, acting or voice-acting, computer programming, and so on, all of which the spread of ideas doesn't need).
You're comparing two very different types of values. The number in your bank account has no informational value to people outside of describing what you are allowed to spend it on. Nobody will gain much value by just looking at it unless they want to know how much they can sell or collect from you. If you're copying someone else's bank account, it's a matter of fraud, misrepresenting yourself. If you copied someone else's album and released it as your own, it would cause the same problem.
When we're talking about copying information, the issue isn't fraud, it's that you copied somebody else's recipe and made your own version. Now if you were selling this thing and representing it as your own, that would be one thing, but if you're just using it for personal reasons, people might look at it differently. It's as if you found the recipe for a Big Mac and made your own in your own kitchen for your family using your own materials. McDonalds might not like that because you aren't buying theirs, but I don't think they have any legal way to stop you from cooking a Big Mac copy. You could even sell it as long as you don't use their trademark.
Media companies, however, can stop you from "cooking your own Big Mac," even when you make that copy with your own equipment in your own home for personal use. You aren't allowed to use the recipe for a copyrighted media file, in some cases, even if you bought the original (because of having to circumvent DRM). Lawrence Lessig used an example of an ebook of a public domain work that contains the stipulation "this book may not be read aloud." The only justification for this distinction between rights to these recipes is that the law doesn't consider a recipe for food or flavors to be substantial original works but does consider a recipe for sounds or text to be original works of authorship. Some people would see this as an arbitrary distinction. We simply made computers too good at copying things to work within a traditional publishing framework.
None of this automatically makes any of these things ethical, but it's entirely possible and not hypocritical to have differing opinions about fraud and copying. Some people are concerned about the ethics of restricting copying in the way we do. It gives big advantages to those who have been first to file patents and copyrights, companies like Disney who have made their fortune by adapting public domain works and then copyrighting their versions and extending them perpetually. Some people see this as a movement toward a world where no creativity is allowed because somebody owns all of the foundational ideas, stories, and sounds on which we base our culture, which is always derivative of the past. It's already difficult to create anything without being assaulted by lawsuits, and this problem is only getting increasingly worse. To some people, avoiding this dystopia of a ban on creative works is much more important than protecting the profits of established companies with large legal departments. As the world is joining the global economy, they're increasingly being forced to adopt the intellectual property laws of the same countries that have been exploiting them and appropriating their best ideas for generations. Now they're finding it increasingly difficult to compete with the information economies of the already rich. This is a serious problem that needs to be addressed.
If you create money in the banking system without creating corresponding value in the world, you have simply depressed the value of money a little bit, effectively "stealing" purchasing power from everyone else (though their balances remain untouched).
Do we have to do this song and dance every single time there's a discussion about copyright?
This is yet another example of a semantic argument as a proxy for values. What matters is not whether piracy "is theft", it's how bad we think it is. But by framing the argument as a semantic one, it ensures that people will focus on technicalities and constantly talk past each other, all the while ignoring what actually matters.
Agreeing to either definition of the word "theft" is not going to make either side suddenly change their opinion of piracy.
So can we all just agree that copying a file without consent and taking a physical object without consent are qualitatively different acts, and have a direct discussion of their relative morality instead?
One takeaway from his words is brutally practical: if access to information (including entertainment) is not cheap and plentiful, people will pirate. All that attempts to prevent piracy (i.e. enforce rent-extracting monopolies)accomplish is encourage it, and create not just sympathy, but public acceptance and encouragement of it.
"We are creating a world that all may enter without privilege or prejudice accorded by race, economic power, military force, or station of birth.
We are creating a world where anyone, anywhere may express his or her beliefs, no matter how singular, without fear of being coerced into silence or conformity.
Your legal concepts of property, expression, identity, movement, and context do not apply to us. They are all based on matter. There is no matter here."[1]
When I read comments like yours I can't help missing the early visionaries of the cyberspace.
You make me think about that commercial you couldn't skip on DVD. "YOU WOULDN'T STEAL A CAR" Bitch if I could copy a car on street for free I would do it.
Not to mention the only people seeing that fucking clip were the ones that bought the DVD. Way to ensure returning customers, well done.
Historically speaking, the only reason anyone "owns" media is due to literally hundreds of years of lobbying. Books, stories, and songs were all once free to copy. This is the nature of religious books, fairy tales, and folk songs.
Ethically speaking, "ownership" has a tenuous position. I find it easier to argue that ownership is a construct of society than it is an innate part of anything. That means it's flexible to what society decides. Right now, on this issue, that's definitely in flux.
From a utilitarian perspective, it's really pretty weird too. Ignoring economics for a second (that's my next point), it is probably better for all society to have information free of barriers. A lot more people can enjoy it if more people have access, particularly when the cost of copy and distrubution is so cheap.
Economically it costs a LOT of money though. HBO would not produce game of thrones without being able to get said money back. And they're only going to put as much money into it as they expect to get back. Why don't we have more CGI dragons? because HBO, while rich, is not an endless supply of money. and CGI dragons are really expensive. Yes, to reiterate the point, if HBO had enough money we'd have more dragons.
And as for the cost? $15/month for one show is actually VERY reasonable. Remember it costs millions of dollars to produce - just that one show. Even if you don't watch any other show you are still getting more than your money's worth. If you do watch other shows (And I highly recommend it), it's still easily worth your money. BTW, Netflix, HuluPlus, etc are also all worth their relative costs relative to what you get out of them.
I'd argue that the lack of scaricity makes owning a work of art less problematic. Someone can always make a new one.
I was born into a world where every peace of land I could use to survive on is owned. But there are an unlimited number of songs or books that can be written. What's the harm in letting a person own the book they created. There are an unlimited number left.
That's not how it works. New ideas are scarce, in that they require effort (and ultimately energy) to create. There are not "an unlimited number left", someone has to actually create them.
However, ideas are not rivalrous. Once they are created, everyone in the world can benefit from them simultaneously at no additional cost. Therefore, the immediate opportunity cost of allowing people to own ideas is far greater than for physical property.
It's not like the person would have oome up with whatever without their environment. He is in a constant flow of input and draws his art from that. This goes for every kind of art so the product in the end is as well a product of the environment as by the guy who decided to fix it on the medium.
The owner has the right sure. It's given to him by another product of the environment a certain portion of people agreed upon some time ago.
It doesn't make it right or some kind of physics law. Especially not in the digital world where there is no "stealing". There is more of it after the act.
So you want an 'acceptable service', despite admitting you're not willing to pay for multitude available to you already (iTunes/Play/Amazon for one offs and then all the Sub ones for library access)?
I'm not opposing the subscription model in general. It's just that I don't find the particular implementation appealing. I am currently subscribed to iTunes, iCloud, and several other services.
If I would rather not be tracked and profiled by these companies, which service would you suggest? In the terms of service of iTunes, Play store, and Amazon it appears those three do track and profile users. Is it too much to ask? How much more would digital copies cost for the 'privilege' of not being tracked and profiled?
There is no law prohibiting 'watching infringing material'. One may think downloading is immoral or should be illegal, I am simply stating there is no law against it.
Thus you can and do obtain it legally, so long as you don't publish or share the work.
The original uploader or unlicensed streaming site or seller of unlicensed DVD copies is commiting copyright infringement - the downloader or viewer is not.
Drug users are punished with posession, not as smugglers or distributors. Equivalenty downloaders are not infringing copyright.
That's a counter-example. Drug punishments aren't related to this at all, but we do charge people for possession AND we charge people for distribution.
HBO puts their shows on iTunes as one off downloads a couple months after premiere. If you aren't willing to wait that long you should be willing to pay full price to subscribe.
HBO now is an acceptable service. One pirates demanded for years. The lack of which they used to justify piracy. And now I see pirates have now decided it's too much. Let's face it, your piracy is due to be cheap ass.
When you say "convenient" you're really saying "inexpensive". At least in the US, HBO NOW is only $14.99, which for a season of a TV show is not ridiculous (by comparison to what other shows cost on DVD or streaming through Amazon), made less ridiculous by the fact that you actually have access to all seasons of that show.
As for whether it's stealing or not, it seems difficult to rationalize it. Is sneaking in to see a movie stealing? Is stealing perishable food stealing (or is it only stealing if all of the rest of the food is purchased before it spoils)?
Legalities aside, ethically it seems pretty clear; if everyone acted as you propose to act, then there would either be no reward for producing content, or content producers would need to physically lock down the ability to view the content (like having movies or TV shows only available in theaters).
I think you are confusing HBO GO (the TV subscription companion streaming app) with HBO Now (the independent-of-TV-subscription streaming service); it is more accurate to say "HBO Now is not available in Canada".
I think the most fascinating aspect of this article is the conflict between preservation and curation. The world of books is no different than the world of content online: it's mostly low-quality and not worth the reader's time. The authors' observe that for book preservation, building a curated library of high-quality texts demands a certain amount of exclusivity in who's doing the curation. At the same time, this exclusivity increases the centralization of the repository and makes it more prone to being taken down if hosting copyrighted content. Whereas a distributed library reduces the exclusivity, but also reduces the overall quality of the library because anyone can contribute to it.
They cite Wikipedia as an example of these competing qualities, where user-contributions declined as stricter quality controls were put in place. I've watched this debate over what qualifies as "notable" for Wikipedia rage for years now, as the community tries to strike a balance between hosting an expansive encyclopedia with one that hosts relevant content that isn't watered-down with too much trivia.
I'm curious what others think about this conflict? Will algorithms and machine learning one day curate out the literary gems for us?
To me it depends on the meaning of where they are applying quality.
For content to be preserved I would personally hope that the direction is more on the preservation angle, personally.. There is very little cost for storing information these days, so there's no real reason to me not to cast a wide net on exactly what content is archived. There is no single good definition of "quality content" after all; even the works considered "top quality" can shift over time, plus there are people out there who really get into niches that a group of curators seeking "top quality content" might miss. (Some of these niches after all deliberately include kitschy or trashy "low quality" content.)
From what I gather from the article, the barrier was more on the technical side of preservation. This is easier to see: the "barrier to entry" is more making sure an e-book isn't fuzzy low-resolution junk, or making sure the e-book has correct title, author, etc.
I was struck by the use of "shadow library". It makes me sad to think of a world where the library experience is analogous to the buy drugs experience.
This is a really big problem in Australia and not just for written media but also digital content such as TV/Film/eBooks/Audiobooks
I WANT to obtain ebooks / to series etc... in a way where the authors get paid but they're either inflated in price due to the USD, not available outside of the USA, not available without some sort of awful DRM that prevents me from using a device or my choosing to read / play them on or are low quality.
IMO Amazon are the worst offenders for this, they make ebooks far more expensive then physical books and yet still plaster them with their restrictive DRM on top. A lot of their library is unavailable outside the USA or if it is - comes at a great cost. On top of this, while their ebooks readers are great I've found I really need the higher end models with the high DPI screens which are /really/ expensive outside the USA and reading on a LCD screen is just too hard.
HBO go isn't available in Australia so that's our.
I currently pay for and subscribe to:
- Audible (highly overpriced, limited content available in Australia, about to cancel)
- Netflix (well priced, good quality, poor interface and limited content available in Australia)
- Apple Music (well priced, good quality, poor interface although the latest betas on iOS 10 and iTunes are much, much better)
- Spotify (Overpriced, medium quality, good playlists / sharing features)
The cost of all these services plus the devices to use them with and the connections for them really adds up. I wish someone / the govt could just act as an international media aggregate and you pay a subscription based on what kinds / levels of content you want and they provide it from various upstream sources in standard formats (never going to happen I know).
In the past I've tried:
- Safari books online - cancelled due to extremely high costs and very restrictive DRM
- Paktpub subscription (Can't remember the name) - overpriced and quality varied greatly
- Scribd - overpriced and very hard to get what you want in Australia
- Stan - overpriced, poor interface, no 4K support
- Quickflicks - overpriced, poor interface, no 4K support
... and many others
After all this, just like with licenses software, it would actually be easier for me just to torrent (or whatever) the thing I wanted, but as I said I want to give money to the people that create and maintain the content.
The only media provider that does his well in my opinion is Bandcamp, ok they have no subscription model because that's not their thing, but I have spent more money on bandcamp than I ever did on CDs or Vinyl, and the artists get more of a cut.
In my country you can download any pirated game, movie, tv show, ebook or music legally and store it for 48 hours but you can't share it/upload it. And i am doing it with one exception. There is a company CD Project RED that made Witcher series and even that their games are without DRM (that is their choice - "we can't force you to buy our game but we can convince you") i am buying their games and i will buy them in future also. I could just download and do not pay for it but their product is so good, their policies, customer care is just great. I can see they have put their heart and souls into this games, they don't force you to buy with DRM that's why they get my money. They sold 10 mil copies of Witcher 3 without having any DRM. If you make good product you don't need to worry about piracy.
I have family members who are writers. By association, we know many writers. They are in a dilemma. From talking to them, I think they agree, in principle, that books ought to be "distributed, [...], spread abroad, given to all, given cheaply, given at cost price, given for nothing." They are book-lovers in essence.
In reality, most writers can hardly make a living from writing. Their book deals are essentially decided by if the book will sell. For published writers, the biggest factor in publishers' minds is the selling history of her/his previous books. So writers are trying all the means to boost the sale of their books. As far as I know, most writers hate book tours, public readings, etc. They will, however, fly 10 hours to another city, give two readings, each of which may have only 10 people show up, so as to sell several copy of their books, as long as the publishers can cover the travel costs. Most writers are poor and can't afford the travels at their own expense.
So writers really want people to buy their books, not to become rich, simply as a way to support, so that they can afford to write. Writer friends buy each other's books once they are published, as a means to support, both in spirit and in finance. I remember once my family member gave a reading to promote her newly published book. After the reading, a writer friend came to say bye to us, empty-handed. She didn't say anything, but with a very apologetically expression. We know she was having a hard time financially. That expression really hurts.
The financial burden hits hard when writers have family and children. The majority of writers hate teaching, as far as I know. Whenever there is an opening position in a college's writing program, there would be hundreds of applications, including some well-known writers, even although they are aware that teaching will take a big part of their time, their energy from them to work on their own novels, their own books. It seems the cost of context switch between teaching and writing are very high for most writers. A well-known writer, whom I believe most educated people should at least have heard of, can't work on his own books at all when he is teaching. So he has to negotiate with the college to teach only one semester per year, so he can write in the other semester without teaching obligations. I wish his books have higher sale number, so that he can get higher book deals. Thus he doesn't have to teach.
Today must be a golden age for writers. Many local libraries are struggling. With the historical source of free books in peril, writers can once again prosper!
Most fiction writers don't face a piracy problem, they face a marketing problem (nobody knows their book exists) and an economic problem (there is an abundance of supply of novels).
Every new novel has to compete not just with novels released that year, but with all novels still in print. In that way it is unlike most other markets. If you make soap, you only have to compete with the soap manufacturers of today.
I understand perfectly what you're trying to say here. As someone who published some papers, wrote a simple book, and write software, I really wished I did not have to participate in this market economy and could build things and give them for free.. That is why I understand the reason for things such as the Universal Basic Income..
However, it is not as the world currently works, unfortunately.
I don't think yesteryear's industry where only a few people could get published, or even find the time, knowledge and/or motivation to write, was particularly fair. We're in the information age, a lot of people can write, you can distribute things to almost anyone.
It's not good enough to just have the skills anymore you need to have context that an audience can relate to. It used to be that you either wrote quality and let the audience find you, as with books, or you wrote quantity and convinced the audience that you were relevant, like in news papers. Today you need both.
I used an App on my old iPod to BUY and read the first in a series of books.
I then tried to purchase the second volume, only to have the transaction declined because I don't live in North America.
I wrote to Penguin USA to complain about this, pointing out that the book I wished to purchase was freely available on download sites so Why were they refusing to sell it to me?
Their response was that I should find a US book store online, place an order for a physical copy and then either wait around 4 weeks for it to be delivered via surface mail or pay a premium price (more than the cost of the book) to have it delivered by airmail.
The fact that I actually specifically wanted an electronic copy for its convenience and immediacy was just ignored.
A downloaded copy does not deprive anyone of the original possession. The only issue in these cases is the legitimate right to be recompensed for that copy. However, if the owner refuses to exercise that right, how can downloading a copy still be considered "theft"?
Ah, but I wanted to give them my money. I do recognise their right to be recompensed for their work. However if they then decline to exercise that right....
Shouldn't they get to determine the nature of the compensation? They did not decline to exercise the right, they exercised it in a way that was not convenient for you so you chose to ignore their right to be compensated. Doesn't seem like much of a principled stand to me.
"I wanted to buy copy a famous painting from the museum for the market price but they did not agree to sell it to me because they don't ship to my state. So I drove there and took it when nobody was watching. How is that not a theft?"
Don't be ridiculous. A better analogy would be that the museum sold JPEGs of a work of art you wanted to use as a desktop background, but refused to sell one to a different state. So instead you downloaded a copy of the photograph.
And you think JPEGS are free? It takes hardware, software and some skills. Someone needs to spend time creating them. They have the right to refuse to sell you whatever they created. That refusal does not negate their right to their work.
They were happy for me to buy the work second-hand and ship it at great expense (and environmental damage) across the world to my home where I could have then scanned it into an electronic format.
All with NO further recompense for the author.
All I wanted to do was pay the author for their work in return for a downloaded copy of the next volume, just like I had bought the first volume, and just like they were happily selling it to other people.
Instead I was redlined on the basis of my nationality.
One possibility is that the digital copyright of the second volume you are interested in was not granted in your country. The person you talked to might not know the details.
I disagree to this statement, though. "A downloaded copy does not deprive anyone of the original possession. The only issue in these cases is the legitimate right to be recompensed for that copy. However, if the owner refuses to exercise that right, how can downloading a copy still be considered "theft"?"
Book piracy as a way to get free stuff instead of paying for it.
These rationalizations for ripping people off are pathetic; just admit you do it because it's quick, easy and there's little chance of getting caught.
You aren't a freedom fighter, and if you actually paused the trackers long enough to think about what you're doing, you'd have to admit to yourself that what you're doing is simply wrong. At least be honest enough with yourself to admit that.
Doom, has Denuvo DRM, a very heavy-handed DRM, that is a bit buggy, and has been locking legitimate costumers out of the product, and also blocks many common uses of PC games (Denuvo blocks running the game with custom DLLs, including using Wine, and graphics-altering wrappers, and also blocks any modding that affect the game in-memory binary in any way)
I made a post on Steam, about it, avoiding commenting on piracy, saying only about the problems Denuvo creates for legitimate costumers.
Quickly, got accused of being a pirate.
So I just went ahead, and admitted that I actually own pirated copies of Doom 1 and 2, and explained why, and how I got them (it was very expensive and hard actually), got piled-up by people using many of the most absurd arguments I ever saw, but that I guess are result of never seeing how life in the third world works.
For example, many people asked me if I would steal a car, I replied that yes, if I needed one urgently, I would, gave for example if my mother needed to go to the hospital immediately, I would happily steal a car and drive her there.
Lots of people then replied I am evil, because they would just call 911... and that any argument about third-world emergency services was a lie. (while today we have on the headlines, Brazillian police kidnapped New Zealand Jiu Jitsu champion in Rio de Janeiro and stole 2000 BRL from him, and now he is requesting protection from the NZ embassy).
Also another argument I saw a lot, is that "if you really want it, you work to get it", I mentioned for example a poor kid that might work reselling trash from landfill would want pirated photoshop, and pirated photoshop books, to get a better life working with photoshop.
Lots of people told me that this kid should just get a better job and buy photoshop, or that should work harder to get money to buy photoshop with the current job...
I concluded that many people that defend DRM and is very strongly anti-piracy, don't know how the rest of the world works, that people that are strongly anti-piracy, lived lives where their suggestions: "just move out of the shitty country", or "just get better job", or "just save money", or "just ask help of the government", as things that work, and don't know how it is to be stuck in a country where calling 911 is a good way to get killed, instead of getting help.
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[ 4.5 ms ] story [ 213 ms ] threadI found it a somewhat interesting article, but I'd hoped they'd go a little more into the ethics of it, and also give more of a view from the perspective of the various stakeholders they mention (publishers, authors, etc.).
Games should store their source code in similar locations, along with MMO server software and the like. Someday these developers and publishers will be long gone. But hopefully their creations won't be.
It all died when one of the founders was arrested.
Edit: it seems my information was incorrect, the site's owner sold it and the new owners wrapped the download links with malware and closed the forum. Users left and the site closed.
On the front page it shows a warning about how applications for editor are closed due to having too many. So it seems the community is still alive and well. Here's their documentation as an epub (in Spanish): https://www.epublibre.org/libro/detalle/2398
Some would call it piracy.
But effectively media from the 80s and earlier, that would otherwise become completely unavailable, or rot, becomes preserved and available for many generations to come.
Though that's secondary to the focus on quality and value of the material.
[0] http://transcripts.wikia.com/wiki/Star_Wars_Episode_VI:_Retu...
'Benefit is up there with MF Doom when it comes to being mysterious. He popped onto the scene in the early 2000's when Napster first blew up, when (by a longshot) he won a rap contest out of over 1000 MC's put on by Napster. This made him the first MC to truly use the internet to blow up (seems like forever ago, huh?). He never really put an album together, just happened to make enough tracks out of his $18 setup to release 2002's Benefit, which is filled with too many dope tracks. ' [0]
I can see how even without the help of a contest, indie artists could use sharring platforms to get traction.
[0] http://djbooth.net/news/entry/underground-rappers-vol-3
You're paying for the creator's time and labor. Taking the product of that time and labor without compensation is theft.
Loss of income does not equal theft.
Whether you have then been wronged or not is another discussion with valid arguments on both sides.
Why not call it copyright infringement if you want a more neutral term?
And this is true for both digital content or something as intangible as an identity.
So I am not really convinced by the simple argument that since the original still exists untouched, everything is fine. Yes, this is surely convenient and better for the original author/owner/creator, but not enough to say nothing harmful happened.
This is also a inconvenient word, though for different reasons.
More to the point though, labelling the act of downloading the latest film as theft is not conductive to a discussion about the moral justification of piracy, because you are using loaded language to condemn it even before presenting an argument. That is, there appears to be no strong consensus that piracy falls under what is commonly referred to as theft.
(I am under the impression that the term digital piracy did stick regardless of one's position in that debate.)
There is clear precedent that you are not.
In this case, HBO is a business trying to make profit. It spends enormous amounts of money producing shows. Giving away a copy of their product for free arguably reduces their ability to stay solvent. Thus, theft.
Spending an enormous amount of money does not entitle anyone to a profit, just ask Webvan.
If you illegally take away income from a business, it can be classified as theft. If you do something else illegal that doesn't take away income, it would be hard to classify it as theft. Apologies if I was cryptic.
The laws were brought in, because people were abusing the ability to copy digital media and profiting off of it. Essentially making money off of someone else's hard work. That is what the laws are there to stop.
The unfortunate side effect is that even legitimate copying of digital media is being restricted, and while that is a bummer, it also isn't the end of the world.
But in some ways, you are just trying to shift the entitlement from the person wanting a free ride back onto yourself, suggesting that you should be able to do whatever you want with someone else's work (which it still is, even though you have a copy of it). That simply isn't true.
It is no different to Intellectual Property. If you started photo copying and distributing Pokemon cards, you and others would be benefiting from someone elses work, without them getting compensation for it. Even if you're not profiting monetarily, those other people are certainly profiting in some way.
I am in no way a copyright evangelist, but the argument that just because you didn't deprive them of it means that it is okay just doesn't reside in reality. I agree that in most cases, torrenting or streaming something for free when you should be paying is not a big deal. But to pretend it's ethical is a stretch.
The big elephant in the room is that distribution and maybe even production do not require publishers anymore...and so instead of changing to adapt to the market they are out cracking down on supposed pirates.
It takes a lot of ignorance of the business model of publishers to defend their status as on par with artists.
When you create that original you estimate that you have to sell X-number of copies to get back your money that you put into creating the original. If you want to watch/listen to/read that work you at least partially agree with the author that it's worth something. It may be in your opinion worth less then the price, but it's not up to you to set that price, as you have no idea how much work and resources did the author put into creating it. You have only one right - agree or disagree with the author and either pay him for this work or look for something else that was priced in your range.
Copyright infringement without breach of contract is more like people stealing the Transmit logo https://panic.com/extras/ripoff/
So, no, actually, whatever you do with that book or dvd, if you paid the price you agreed to, you almost always can do with it whatever you like, unless it is illegal. But just as using a chainsaw you bought and paid for to murder someone is not a breach of contract, so is not copying a book you bought.
And in any case, a breach of contract is not theft. It's a breach of contract. That's why we have a separate term for it. Just as destruction of property is not theft. It's destruction of property.
Plus, if you download an unauthorized copy somewhere, you most likely don't have a contract with anyone regarding the thing that you are downloading, so you could not possibly be in violation of the terms of that non-existent contract.
Yes! And breach of contract is not theft.
Calling copyright infringement "stealing" is not much different then calling it "theft".
Words have commonly accepted definitions, and copyright or contract violation simply does not fall under theft. "I think it's bad, theft is bad, therefore, it's theft" just is an incoherent argument. Just as not hiring you is not murder, even if it in the end were to somehow contribute to you dying.
It's really not that difficult, you can simply look up what these terms mean instead of inventing your own definitions. "Depriving someone of money" is not the definition of theft. And it not only isn't, it would be a braindead definition if it were. Suddenly, buying from your competitor would be theft. Accidentally dropping your dishes would be theft. Pretty much everything would be theft under that definition.
And not dropping them would be, as well!
Technically, you still haven't committed theft, since the intent must be present at the time of the taking.
OTOH, in practical terms (aside from the fact that its still a crime either way), the fact that you did keep it is something that a prosecutor will often have very little trouble convincing a jury is clear evidence that you intended to keep it when you took it.
> It's a copy, and you did not intend to buy it anyway so it's all right
Criminal conversion (in the general case) or joyriding (sometimes a separate offense in the automotive case) is not "all right"; just because it is a different criminal offense than (general or auto) theft, its still a crime, which is kind of the opposite of "all right" from the perspective of the legal system.
WTF?
"It's not theft, therefore it's alright" ... where did you pick up that logic?
Except you're not actually being sued by the manufacturer either, you're actually being sued by the manufacturer's delivery company.
Well, sure, that would be joyriding rather than vehicular theft. Still a crime. [0]
[0] http://www.criminaldefenselawyer.com/crime-penalties/federal...
In case of movies, i didn't hire anyone to create the movie. Also, i would never buy that movie so they lost nothing.
But what if I sold the publishing rights to that video to a corporation who is bound by law to maximize revenue for my benefit? I've declared by releasing my video for public consumption that my interest is purely commercial.
That corporation does not generally have the legal ability to restrict who buys the rights to watch my video. Let's say the corporation decides to price viewings at $100 a pop. Your brother pirating my video and sharing it with his friends would arguably be doing more good for me than the alternative of fewer people watching it and me making a somewhat smaller amount of money.
Now the ethics are way more muddled. I'm not saying copyright is a bad thing or that infringement is a good thing. What I'm saying is that technological, cultural, and legal hurdles have made the content distribution market non-efficient and therefore non-optimal for content producers. It's virtually impossible for pricing mechanisms to maximize revenue, so there's always going to be situations where piracy makes sense because the content creators won't be able to make money on every viewing, but still derives a benefit from broader consumption anyway.
Copyright only prevents producing and distributing unlicensed copies, i.e. uploading or sharing.
Downloading, streaming, or attending an unlicensed performance is not copyright infringement.
Without Copyright, and when it expires, the natural state of culture is to be copied, that is how it evolves - all works exist naturally in the public domain.
Copyright is a limited right to encourage the arts by providing a temporary monopoly.
The word theft is entirely out of place in discussions of copyright.
Copyright only prevents producing and distributing unlicensed copies, i.e. uploading or sharing - it does not cover viewing or downloading.
You may not agree with the law but nonetheless there is no prohibition against viewing an unauthorised copy.
-- can't reply below ? So replying here.
> as legal as buying a stolen tv.
Buying stolen goods is an offense in law. Buying an unauthorised copy is not.
> How is downloading not creating a copy? There was one file before you downloaded it, now there are two.
Yes, but it is not copyright infringement. Making a local copy for the purposes of viewing a web page, a picture or other digital media is not copyright infringement, this is well established by precedent.
I clearly said that making an unlicensed copy and distributing it infringes copyright so we agree.
> You only have the right to view something if someone who created that wants you to view it.
Here we disagree, copyright does not prevent many things like borrowing a friends book or downloading a movie.
Do you have any sources where someone was prosecuted for unlicensed viewing or downloading - this would substantiate your argument.
Uploading and sharing is what copyright prevents, not downloading.
> how is that not a theft?
It is not theft, theft means depriving someone of something actual - copyright infringement is against the law but no-one is charged with theft for it.
Damages are awarded against uploaders but potential income and stolen money are not equivalent.
Copyright is a time limited monopoly, possesion is not - trying to conflate copying with theft does not further the discussion, it only muddies the discourse.
There are a number of ways I can view something against the wishes of the copyright holder, thus reducing their monetary income. Are all of these wrong?
You already mentioned the case of me describing something to other people. The NFL has a (probably unenforceable) disclaimer for the Super Bowl that says, "any pictures, descriptions, or accounts of the game without the NFL's consent is prohibited."
Buying used is often quite cheap. The creator doesn't see a dime. There's no guarantee that the seller of the used item won't use that money to buy something else used instead of new. Is that wrong? Is the creator entitled to a large market of new buyers?
Format shifting is convenient for the customer but not the creator. For example, I bought Advance Wars on the Game Boy around 15 years ago. I've since backed up my copy (trivial to make your own backup with a flashcart). Now, Nintendo sells it on the Virtual Console for 8 bucks. If I play my backed up copy on a hacked Wii U, they're out 8 bucks. Is that wrong? Is the creator entitled to have every customer re-buy media for every new platform they want to consume on? The RIAA says that backing up a CD to an iPod is wrong: https://www.eff.org/deeplinks/2006/02/riaa-says-ripping-cds-...
Buying in other countries is often cheaper. Look at textbooks for a prime example. When I was in college, I paid $20 for a legit copy of my physics textbook from India printed on poor-quality paper with a cheap binding; the content was exactly the same as the American textbook. Was that wrong? Some people even buy books in bulk in cheap countries and sell them in America for profit. Wiley sued a Thai guy for doing this, made it to the Supreme Court, and LOST. Are creators entitled to segment markets in this way? http://arstechnica.com/tech-policy/2014/11/how-an-ebay-books...
Renting something instead of buying it reduces profit. Did you know that video game rental is illegal in Japan? Should it be illegal in the US too? https://www.youtube.com/watch?v=J3xuy5YALl0
Lots of people watch stuff with a friend. I had a friend with HBO Go, and we had Game of Thrones night where three or four of us would watch it together. Should we have bought individual accounts?
Some media is paid for by ads. I use an adblocker in my browser. My grandma mutes the TV and goes to the fridge during commercials. Is that wrong?
Some works don't get published in foreign markets. Lots of old video games, TV shows, movies, and books are only officially released in one language, and are never translated by the creator for any number of reasons: lack of interest in the market, lack of money for translation, attachment to the "integrity" of the original work, etc. Unofficial translation violates copyright law, at least in the US. Say a work is only available in Japan, and in Japanese. Is it wrong for someone to translate it to English? Is it wrong for someone from the US to pirate the translated work, when that person would never have bought the work in its original translation and is region-locked from buying it anyway?
Pirating is wrong, but I do it because I don't have the money to spend.
For people that believe something written can be property, then theft is an appropriate word (theft : the act or crime of stealing).
If, OTOH, you believe intellectual creations should not be treated like physical property, then theft is not the correct word.
Definitely not clear-cut.
http://www.merriam-webster.com/dictionary/theft
https://en.wikipedia.org/wiki/Intellectual_property#The_term...
"Free Software Foundation founder Richard Stallman argues that, although the term intellectual property is in wide use, it should be rejected altogether, because it "systematically distorts and confuses these issues, and its use was and is promoted by those who gain from this confusion". He claims that the term "operates as a catch-all to lump together disparate laws [which] originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues" and that it creates a "bias" by confusing these monopolies with ownership of limited physical things, likening them to "property rights""
Economists Boldrin and Levine prefer to use the term "intellectual monopoly" as a more appropriate and clear definition of the concept, which they argue, is very dissimilar from property rights
I know I download a hell of a lot of movies, tv shows, etc. that I would definitely never watch if they were not available easily like that.
As for the moral aspect of this, I personally consider that the advantages to society provided by the free, widespread availability of cultural material far outweighs the inconvenience to content distributors & creators; moreover, I consider downloading content 'illegaly' like that to be a form of social protest; to be practiced until their outdated, absurd model changes. Part of this is certainly me rationalizing my behaviour, but I genuinely believe that most of it is not.
And when content is available without any form of DRM and with a minimal amount of intermediaries, I always pay for it (a good example is games through gog.com). Personally, I'll stop downloading illegaly when all content is available like that. And no, netflix doesn't cut it; I want the same, convenient service I get through piracy: a mkv/mp4/whatever without any form of DRM that I can store, read on any of my devices, copy, backup, etc.
Sure, it's a big faceless corporation that already has billions of dollars, so it's as offensive. but it's basically the same thing as a GPL violation. Whenever a big corporation steals, err, I mean 'copies,' GPL code and refuses to give the output away, they aren't actually stealing, they were never going to contribute anything anyways...
Not exactly; I'm saying the benefits to society as a whole offered by the post-scarcity nature of data on the Internet (infinitely copiable with negligible cost) is so large that, in my opinion, their right to decide who should access the content is far less important and so should be ignored.
It certainly sucks for them; and it certainly means that we need to think about new models to finance content creation (since we are living in a definitely scarcity-based society in real life, for now at least); but there you go.
And you say they are the "owner" of the content; given the current laws, yes, "they" usually posess the content. But the "they" in question is very often great industry behemoths constructed on the old, physical model of distribution; regularly offering incredibly bad deals to content creators.
As I said, when a content creator distributes its content directly or with a non-DRM intermediary (such as GoG) - and I consider, for example, both netflix and steam as little more than new forms of DRM - then I always pay for it. I pay for it because we still don't have a new model allowing free distribution of data while providing incentives for content creators (a global licence mechanism or something similar - easier said than done), and so I see it as a compromise in the meantime. It also encourages those new means of distribution.
I run a software training company. We provide streaming access to recordings made of the live session for which a student purchased a seat. Pay for a four day class, and you can stream the recording of that four day class for, at the least, 18 months. Why 18 months? That's all we promise, ideas end up being available for longer - five years and counting now - and in 18 months the class tends to have changed enough that we'd rather you just attend again (for free, if it's online).
Do you have the right to pirate the videos that my students paid for? Do they have the right to share it with people who didn't attend the course, and are thus missing the context of the classroom experience (and the web site where updated materials/code samples are dispensed)?
Thinking that everything you do, even selfishly, is somehow ethically laudable is not a sign of maturity.
You don't really give arguments to counter beyond the ad hominem attack, but let me try to explain why I think this way.
We have the capability to copy and distribute at negligible cost most of the cultural & educational content (books, scientific articles, movies, music, etc.) ever produced by humanity to our entire species; and because we don't have the same capability for physical things, we impose an artificial scarcity on this. Think of the enormous amounts of money and man hours spent on intellectual property: lawyers, consulting firms, etc... entire industries dedicated to limit our capability as a species to distribute knowledge and cultural content.
Now, if only a portion of these efforts had been spent towards spreading network infrastructure and creating, spreading and supporting educational material to the widest amount of people possible, where would we be right now as a species ? Given that, I can help but think that yes, copyright and intellectual property is more of an issue globally than a solution to the problem of incentivizing content production.
So no, it's not only rationalization of my "wrong" behavior (part of it probably is, sure); I genuinely believe this, and I genuinely believe that ignoring those laws and downloading content illegally is a form of non-violent (and massively followed) social protest; the mass reaction of the individuals in society to absurd laws.
As I said above, some sort of new economic model should have to be found for this to be viable; hence why compromise is necessary in the meantime (and hence why yes, I also pay for content when it is distributed in a way that in my view helps to go towards that direction).
I apologize for being rude earlier. I remember once feeling very self-righteous about my own disregard for copyright, and as my feelings have now switched to the opposite side of the issue I think I may have projected my own hang-ups onto you. It's a complicated topic, and I certainly don't think that always complying with copyright law makes anyone a saint either.
It's anecdotal at this point but also worth noting that the earliest conception of copyright in the colonial era had nothing to do with protecting creators and everything to do with allowing distributors and regulators get a piece of the pie.
If the current framework written was fully applied, it would not last two full election cycles.
Why would you think people would disagree with that?
Don't confuse the economic and moral rights in copyright. When you copy something you aren't necessarily depriving someone of their rights so much as disregarding their awarded monopoly. Just like you usually do if you make moonshine or take a unlicensed taxi.
If I copy the numbers in a very rich person's bank account to my bank account, I haven't stolen anything from them. All I've done is made a copy of some information.
And yet one kind of copying generates rants about the cultural value of free distribution, while the other generates nothing but fear and horror.
It's all very strange. And not particularly thoughtful or consistent.
IMO either you have a free economy, in which case you make every damn thing free, or you accept that rules of ownership are necessary and that the output of labour has value independent of the ease with which it can be copied.
Claiming that rules of ownership are irrelevant for IP you personally want from others, but very important for IP you personally want to monopolise, is the very worst kind of special pleading.
Money is the agreement that a given person has a given amount of money. That's why blockchains, which allow distributed consensus, can be used to establish currencies.
If, by "intangible bit patterns", you mean the credentials for someone's bank account, this is also not the same as a copy of a creative work. By having a copy of credentials you have the ability to change how much money the person has. This is very illegal to do without consent. Analogously, nobody is suggesting we should be able to legally break into the author's computer and modify their copies of their book.
Ownership is about control over things. The author has control over their copy, and I have control over mine.
Rules of ownership are necessary for rivalrous goods, and not for others. Citing Thomas Jefferson,
"He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper [(candle)] at mine, receives light without darkening me.
That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation."
When we're talking about copying information, the issue isn't fraud, it's that you copied somebody else's recipe and made your own version. Now if you were selling this thing and representing it as your own, that would be one thing, but if you're just using it for personal reasons, people might look at it differently. It's as if you found the recipe for a Big Mac and made your own in your own kitchen for your family using your own materials. McDonalds might not like that because you aren't buying theirs, but I don't think they have any legal way to stop you from cooking a Big Mac copy. You could even sell it as long as you don't use their trademark.
Media companies, however, can stop you from "cooking your own Big Mac," even when you make that copy with your own equipment in your own home for personal use. You aren't allowed to use the recipe for a copyrighted media file, in some cases, even if you bought the original (because of having to circumvent DRM). Lawrence Lessig used an example of an ebook of a public domain work that contains the stipulation "this book may not be read aloud." The only justification for this distinction between rights to these recipes is that the law doesn't consider a recipe for food or flavors to be substantial original works but does consider a recipe for sounds or text to be original works of authorship. Some people would see this as an arbitrary distinction. We simply made computers too good at copying things to work within a traditional publishing framework.
None of this automatically makes any of these things ethical, but it's entirely possible and not hypocritical to have differing opinions about fraud and copying. Some people are concerned about the ethics of restricting copying in the way we do. It gives big advantages to those who have been first to file patents and copyrights, companies like Disney who have made their fortune by adapting public domain works and then copyrighting their versions and extending them perpetually. Some people see this as a movement toward a world where no creativity is allowed because somebody owns all of the foundational ideas, stories, and sounds on which we base our culture, which is always derivative of the past. It's already difficult to create anything without being assaulted by lawsuits, and this problem is only getting increasingly worse. To some people, avoiding this dystopia of a ban on creative works is much more important than protecting the profits of established companies with large legal departments. As the world is joining the global economy, they're increasingly being forced to adopt the intellectual property laws of the same countries that have been exploiting them and appropriating their best ideas for generations. Now they're finding it increasingly difficult to compete with the information economies of the already rich. This is a serious problem that needs to be addressed.
This is yet another example of a semantic argument as a proxy for values. What matters is not whether piracy "is theft", it's how bad we think it is. But by framing the argument as a semantic one, it ensures that people will focus on technicalities and constantly talk past each other, all the while ignoring what actually matters.
Agreeing to either definition of the word "theft" is not going to make either side suddenly change their opinion of piracy.
So can we all just agree that copying a file without consent and taking a physical object without consent are qualitatively different acts, and have a direct discussion of their relative morality instead?
This rather shows how hardened the fronts between the positions already are.
One takeaway from his words is brutally practical: if access to information (including entertainment) is not cheap and plentiful, people will pirate. All that attempts to prevent piracy (i.e. enforce rent-extracting monopolies)accomplish is encourage it, and create not just sympathy, but public acceptance and encouragement of it.
We are creating a world where anyone, anywhere may express his or her beliefs, no matter how singular, without fear of being coerced into silence or conformity.
Your legal concepts of property, expression, identity, movement, and context do not apply to us. They are all based on matter. There is no matter here."[1]
When I read comments like yours I can't help missing the early visionaries of the cyberspace.
[1] https://www.eff.org/cyberspace-independence
Not to mention the only people seeing that fucking clip were the ones that bought the DVD. Way to ensure returning customers, well done.
Ethically speaking, "ownership" has a tenuous position. I find it easier to argue that ownership is a construct of society than it is an innate part of anything. That means it's flexible to what society decides. Right now, on this issue, that's definitely in flux.
From a utilitarian perspective, it's really pretty weird too. Ignoring economics for a second (that's my next point), it is probably better for all society to have information free of barriers. A lot more people can enjoy it if more people have access, particularly when the cost of copy and distrubution is so cheap.
Economically it costs a LOT of money though. HBO would not produce game of thrones without being able to get said money back. And they're only going to put as much money into it as they expect to get back. Why don't we have more CGI dragons? because HBO, while rich, is not an endless supply of money. and CGI dragons are really expensive. Yes, to reiterate the point, if HBO had enough money we'd have more dragons.
And as for the cost? $15/month for one show is actually VERY reasonable. Remember it costs millions of dollars to produce - just that one show. Even if you don't watch any other show you are still getting more than your money's worth. If you do watch other shows (And I highly recommend it), it's still easily worth your money. BTW, Netflix, HuluPlus, etc are also all worth their relative costs relative to what you get out of them.
I was born into a world where every peace of land I could use to survive on is owned. But there are an unlimited number of songs or books that can be written. What's the harm in letting a person own the book they created. There are an unlimited number left.
However, ideas are not rivalrous. Once they are created, everyone in the world can benefit from them simultaneously at no additional cost. Therefore, the immediate opportunity cost of allowing people to own ideas is far greater than for physical property.
It's not like the person would have oome up with whatever without their environment. He is in a constant flow of input and draws his art from that. This goes for every kind of art so the product in the end is as well a product of the environment as by the guy who decided to fix it on the medium.
The owner has the right sure. It's given to him by another product of the environment a certain portion of people agreed upon some time ago.
It doesn't make it right or some kind of physics law. Especially not in the digital world where there is no "stealing". There is more of it after the act.
Thus you can and do obtain it legally, so long as you don't publish or share the work.
The original uploader or unlicensed streaming site or seller of unlicensed DVD copies is commiting copyright infringement - the downloader or viewer is not.
Drug users are punished with posession, not as smugglers or distributors. Equivalenty downloaders are not infringing copyright.
That's a counter-example. Drug punishments aren't related to this at all, but we do charge people for possession AND we charge people for distribution.
I have received a lot of emotive disagreement and conflation of terms but where is the statute or precedent that says downloading is illegal ?
There is none. Sadly or happily depending on ones position.
Yet I don't understand all this disagreement with the facts.
Please if you believe I am wrong it would be quite easy to substantiate the argument by a citation of statute or precedent.
I have looked into this matter quite extensively and there is no such legal prohibition.
HBO now is an acceptable service. One pirates demanded for years. The lack of which they used to justify piracy. And now I see pirates have now decided it's too much. Let's face it, your piracy is due to be cheap ass.
Arrr, but ye shall remember...pirates will be pirates matey!!
As for whether it's stealing or not, it seems difficult to rationalize it. Is sneaking in to see a movie stealing? Is stealing perishable food stealing (or is it only stealing if all of the rest of the food is purchased before it spoils)?
Legalities aside, ethically it seems pretty clear; if everyone acted as you propose to act, then there would either be no reward for producing content, or content producers would need to physically lock down the ability to view the content (like having movies or TV shows only available in theaters).
[0] https://en.wikipedia.org/wiki/HBO_Now
They cite Wikipedia as an example of these competing qualities, where user-contributions declined as stricter quality controls were put in place. I've watched this debate over what qualifies as "notable" for Wikipedia rage for years now, as the community tries to strike a balance between hosting an expansive encyclopedia with one that hosts relevant content that isn't watered-down with too much trivia.
I'm curious what others think about this conflict? Will algorithms and machine learning one day curate out the literary gems for us?
For content to be preserved I would personally hope that the direction is more on the preservation angle, personally.. There is very little cost for storing information these days, so there's no real reason to me not to cast a wide net on exactly what content is archived. There is no single good definition of "quality content" after all; even the works considered "top quality" can shift over time, plus there are people out there who really get into niches that a group of curators seeking "top quality content" might miss. (Some of these niches after all deliberately include kitschy or trashy "low quality" content.)
From what I gather from the article, the barrier was more on the technical side of preservation. This is easier to see: the "barrier to entry" is more making sure an e-book isn't fuzzy low-resolution junk, or making sure the e-book has correct title, author, etc.
I WANT to obtain ebooks / to series etc... in a way where the authors get paid but they're either inflated in price due to the USD, not available outside of the USA, not available without some sort of awful DRM that prevents me from using a device or my choosing to read / play them on or are low quality.
IMO Amazon are the worst offenders for this, they make ebooks far more expensive then physical books and yet still plaster them with their restrictive DRM on top. A lot of their library is unavailable outside the USA or if it is - comes at a great cost. On top of this, while their ebooks readers are great I've found I really need the higher end models with the high DPI screens which are /really/ expensive outside the USA and reading on a LCD screen is just too hard.
HBO go isn't available in Australia so that's our.
I currently pay for and subscribe to:
- Audible (highly overpriced, limited content available in Australia, about to cancel)
- Netflix (well priced, good quality, poor interface and limited content available in Australia)
- Apple Music (well priced, good quality, poor interface although the latest betas on iOS 10 and iTunes are much, much better)
- Spotify (Overpriced, medium quality, good playlists / sharing features)
The cost of all these services plus the devices to use them with and the connections for them really adds up. I wish someone / the govt could just act as an international media aggregate and you pay a subscription based on what kinds / levels of content you want and they provide it from various upstream sources in standard formats (never going to happen I know).
In the past I've tried:
- Safari books online - cancelled due to extremely high costs and very restrictive DRM
- Paktpub subscription (Can't remember the name) - overpriced and quality varied greatly
- Scribd - overpriced and very hard to get what you want in Australia
- Stan - overpriced, poor interface, no 4K support
- Quickflicks - overpriced, poor interface, no 4K support
... and many others
After all this, just like with licenses software, it would actually be easier for me just to torrent (or whatever) the thing I wanted, but as I said I want to give money to the people that create and maintain the content.
The only media provider that does his well in my opinion is Bandcamp, ok they have no subscription model because that's not their thing, but I have spent more money on bandcamp than I ever did on CDs or Vinyl, and the artists get more of a cut.
</end rant>
In reality, most writers can hardly make a living from writing. Their book deals are essentially decided by if the book will sell. For published writers, the biggest factor in publishers' minds is the selling history of her/his previous books. So writers are trying all the means to boost the sale of their books. As far as I know, most writers hate book tours, public readings, etc. They will, however, fly 10 hours to another city, give two readings, each of which may have only 10 people show up, so as to sell several copy of their books, as long as the publishers can cover the travel costs. Most writers are poor and can't afford the travels at their own expense.
So writers really want people to buy their books, not to become rich, simply as a way to support, so that they can afford to write. Writer friends buy each other's books once they are published, as a means to support, both in spirit and in finance. I remember once my family member gave a reading to promote her newly published book. After the reading, a writer friend came to say bye to us, empty-handed. She didn't say anything, but with a very apologetically expression. We know she was having a hard time financially. That expression really hurts.
The financial burden hits hard when writers have family and children. The majority of writers hate teaching, as far as I know. Whenever there is an opening position in a college's writing program, there would be hundreds of applications, including some well-known writers, even although they are aware that teaching will take a big part of their time, their energy from them to work on their own novels, their own books. It seems the cost of context switch between teaching and writing are very high for most writers. A well-known writer, whom I believe most educated people should at least have heard of, can't work on his own books at all when he is teaching. So he has to negotiate with the college to teach only one semester per year, so he can write in the other semester without teaching obligations. I wish his books have higher sale number, so that he can get higher book deals. Thus he doesn't have to teach.
Most fiction writers don't face a piracy problem, they face a marketing problem (nobody knows their book exists) and an economic problem (there is an abundance of supply of novels).
Every new novel has to compete not just with novels released that year, but with all novels still in print. In that way it is unlike most other markets. If you make soap, you only have to compete with the soap manufacturers of today.
However, it is not as the world currently works, unfortunately.
It's not good enough to just have the skills anymore you need to have context that an audience can relate to. It used to be that you either wrote quality and let the audience find you, as with books, or you wrote quantity and convinced the audience that you were relevant, like in news papers. Today you need both.
I then tried to purchase the second volume, only to have the transaction declined because I don't live in North America.
I wrote to Penguin USA to complain about this, pointing out that the book I wished to purchase was freely available on download sites so Why were they refusing to sell it to me?
Their response was that I should find a US book store online, place an order for a physical copy and then either wait around 4 weeks for it to be delivered via surface mail or pay a premium price (more than the cost of the book) to have it delivered by airmail.
The fact that I actually specifically wanted an electronic copy for its convenience and immediacy was just ignored.
A downloaded copy does not deprive anyone of the original possession. The only issue in these cases is the legitimate right to be recompensed for that copy. However, if the owner refuses to exercise that right, how can downloading a copy still be considered "theft"?
(I do agree that the situation is ridiculous though)
That's pretty much what it boils down to.
They refused my money.
They were happy for me to buy the work second-hand and ship it at great expense (and environmental damage) across the world to my home where I could have then scanned it into an electronic format.
All with NO further recompense for the author.
All I wanted to do was pay the author for their work in return for a downloaded copy of the next volume, just like I had bought the first volume, and just like they were happily selling it to other people.
Instead I was redlined on the basis of my nationality.
I disagree to this statement, though. "A downloaded copy does not deprive anyone of the original possession. The only issue in these cases is the legitimate right to be recompensed for that copy. However, if the owner refuses to exercise that right, how can downloading a copy still be considered "theft"?"
These rationalizations for ripping people off are pathetic; just admit you do it because it's quick, easy and there's little chance of getting caught.
You aren't a freedom fighter, and if you actually paused the trackers long enough to think about what you're doing, you'd have to admit to yourself that what you're doing is simply wrong. At least be honest enough with yourself to admit that.
I made a post on Steam, about it, avoiding commenting on piracy, saying only about the problems Denuvo creates for legitimate costumers.
Quickly, got accused of being a pirate.
So I just went ahead, and admitted that I actually own pirated copies of Doom 1 and 2, and explained why, and how I got them (it was very expensive and hard actually), got piled-up by people using many of the most absurd arguments I ever saw, but that I guess are result of never seeing how life in the third world works.
For example, many people asked me if I would steal a car, I replied that yes, if I needed one urgently, I would, gave for example if my mother needed to go to the hospital immediately, I would happily steal a car and drive her there.
Lots of people then replied I am evil, because they would just call 911... and that any argument about third-world emergency services was a lie. (while today we have on the headlines, Brazillian police kidnapped New Zealand Jiu Jitsu champion in Rio de Janeiro and stole 2000 BRL from him, and now he is requesting protection from the NZ embassy).
Also another argument I saw a lot, is that "if you really want it, you work to get it", I mentioned for example a poor kid that might work reselling trash from landfill would want pirated photoshop, and pirated photoshop books, to get a better life working with photoshop.
Lots of people told me that this kid should just get a better job and buy photoshop, or that should work harder to get money to buy photoshop with the current job...
I concluded that many people that defend DRM and is very strongly anti-piracy, don't know how the rest of the world works, that people that are strongly anti-piracy, lived lives where their suggestions: "just move out of the shitty country", or "just get better job", or "just save money", or "just ask help of the government", as things that work, and don't know how it is to be stuck in a country where calling 911 is a good way to get killed, instead of getting help.