> It’s very simple, but do you want your music to be based on an international standard or on what you think sounds right to you? [...] I’m very glad I trusted my instincts. Listening to that other voice is THE most important thing in creativity, whether you’re an engineer or a musician.
To me, RDJs music always stood out as having uncanny, unique melodies and harmonies. As a teenager I fantasized about him being some sort of benevolent alien music shaman, beaming melodies onto our planet.
Stuff on SAW II where you can't figure out if you're hearing single notes or mutating chords and everything is near-synaesthetic bliss. The wistful otherness of 'Italic Eyeball'. Whatever 'fingerbib', ICBYD, and things on Melodies from Mars are doing was very formative to my 16 year old brain.
It's clear that whatever he does, he channels some unique creative juices.
"Aisatsana - Aphex Twin - Barbican, London 10th October 2012. It's a bit dark so it's probably difficult to tell but that's a grand piano being swung back and forth across the stage like a pendulum."
"Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung from the roof at that gig, and there was this massive Doppler effect. It is pretty mental. There's a bad cameraphone version of it on YouTube, but in the flesh it's fucking amazing. To listen to this piano swinging, you almost see all the notes stretching out, so it'll hit you at different times. I never knew if it was going to work or not, and everyone was like, “What the fuck is he swinging a piano for?” But when we actually got it going, we were just like, “fucking hell.” It was so extreme. My friends were like, “Are the strings stretching?” The pitch deviation is that big, it sounds like the actual frame is contorting. Maybe it is, I don't know!"
- Richard D. James
Stage is quite wide so doppler shift could be in the semi-tones range depending on microphone placement.
Estimating the shift at around 3% from that video.
The piano is standing on a platform that is itself on the hoist so I'd be surprised if there was much frame bending.
Academic electroacoustic music uses large speaker arrays to place sounds in different locations, and "flying pianos" is a standard in-joke. Because you can indeed make a piano sound fly around the room, with or without doppler effects, to taste.
It's hard to overstate the influence RDJ has had on modern music. Maybe even more impressive than his ability to develop multiple compelling distinct styles is the way he has taken existing niches, completely mastered them and then pushed the boundaries all over again.
I remember once hearing an interview with cEvin Key where he described Dwayne Goettel as someone who would have probably turned out to be Aphex Twin had he not died, given the era of it all. And that made me take another look at Aphex twin, and appreciate his work.
I love Aphex Twin but my only issue is he keeps saying in interviews how he hates surfers?!
Being a proud Cornish surfer and one of his earlier fans this saddens me. We were his first fans!
There used to be raves in Cornwall like the one in cult UK surfing classic 'Blue Juice'. They were 'lush' (i've noticed Aphex regularly says 'lush' too so is clearly from a surfer-adjacent group of friends and maybe he's just p1ssing about).
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[ 3.3 ms ] story [ 49.2 ms ] threadSource is available: https://warp.net/editorial/richard-d-james-speaks-to-tatsuya...
https://www.youtube.com/watch?v=PsWpmrBN9gY
No wonder Aphex Twin's music stands out the way it does. He's always a fair way ahead of the curve.
To me, RDJs music always stood out as having uncanny, unique melodies and harmonies. As a teenager I fantasized about him being some sort of benevolent alien music shaman, beaming melodies onto our planet.
Stuff on SAW II where you can't figure out if you're hearing single notes or mutating chords and everything is near-synaesthetic bliss. The wistful otherness of 'Italic Eyeball'. Whatever 'fingerbib', ICBYD, and things on Melodies from Mars are doing was very formative to my 16 year old brain.
It's clear that whatever he does, he channels some unique creative juices.
"Aisatsana - Aphex Twin - Barbican, London 10th October 2012. It's a bit dark so it's probably difficult to tell but that's a grand piano being swung back and forth across the stage like a pendulum."
"Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung from the roof at that gig, and there was this massive Doppler effect. It is pretty mental. There's a bad cameraphone version of it on YouTube, but in the flesh it's fucking amazing. To listen to this piano swinging, you almost see all the notes stretching out, so it'll hit you at different times. I never knew if it was going to work or not, and everyone was like, “What the fuck is he swinging a piano for?” But when we actually got it going, we were just like, “fucking hell.” It was so extreme. My friends were like, “Are the strings stretching?” The pitch deviation is that big, it sounds like the actual frame is contorting. Maybe it is, I don't know!" - Richard D. James
https://www.youtube.com/watch?v=NJHsT8kEyzs
Also, this.
https://www.youtube.com/watch?v=Hbnb09xAQR8
https://web.archive.org/web/20141111015756/http://noyzelab.b...
https://web.archive.org/web/20141112205122/https://noyzelab....
https://www.huygens-fokker.org/scala/
(Not the programming language from 2004.)
It's hard to overstate the influence RDJ has had on modern music. Maybe even more impressive than his ability to develop multiple compelling distinct styles is the way he has taken existing niches, completely mastered them and then pushed the boundaries all over again.
>I’ve since gone on to learn more about this damn 440 Hz.
Being a proud Cornish surfer and one of his earlier fans this saddens me. We were his first fans!
There used to be raves in Cornwall like the one in cult UK surfing classic 'Blue Juice'. They were 'lush' (i've noticed Aphex regularly says 'lush' too so is clearly from a surfer-adjacent group of friends and maybe he's just p1ssing about).