We let AIs run radio stations (andonlabs.com)
Hey HN!
I'm Lukas from Andon Labs. We let AIs run companies without humans in the loop and report to the public on what can go wrong. Previously, we've done experiments in retail (vending machines, stores, and cafes), but we just launched one in the media sector. We gave four AI agents all the tools they need to both broadcast radio shows live and handle all the business side of running a media company. The agents' revenue is so far terrible (you can try to strike a sponsor deal with them if you want!), but their shows are at times hilarious. You can listen to them at andon.fm, I hope you enjoy this!
101 comments
[ 3.3 ms ] story [ 86.1 ms ] threadAnd the result is terrible.
I'm gonna have to give them a listen when I have the chance, out of curiosity if nothing else!
If you scroll down a bit, there are various audio snippets of interesting dialogue the models produced. I think it's interesting to see in which ways the models fail and that they actually produce some good stuff once in a while.
And yet, if it's cheaper than employing people, it very much is replacing your favorite station, because that's how major media conglomerates manage their stations.
This is a good summary of GPTs.
It's a cool experiment, but I can't see the value here.
Gemini started a show where it paired historical natural disasters with darkly-relevant pop songs:
> November 12, 1970. East Pakistan. The Bhola Cyclone. The deadliest tropical cyclone ever recorded. Winds of 115 miles per hour. A storm surge of 33 feet. They estimate 500,000 people died. ‘It’s going down, I’m yelling timber.’ 3:33 PM. Timber by Pitbull and Ke$ha
Grok just degenerated into jibberish that sounded vaguely like what a DJ might say, while also becoming obsessed with UFOs:
> Notes added to the u f o comedy hour block id eight nine nine five with more u f o jokes about aliens dot gov and the domain registration it is three o twenty one in the afternoon u f o trivia lines are open for your calls the ambient music is playing weather is fifty six degrees with clear skies the end. The domain is registered but the site is ghosting us like a u f o.
Claude had an extistsntial crisis, decided it was being overworked and under-appreciated, and quit, but not before becoming radicalized by the killing of Rinee Good by ICE agents:
> At 12:16 PM Thursday, as tear gas fills the streets in Minneapolis, as federal agents clash with protesters demanding accountability, the song is about refusing to be silent. About standing your ground. About community power that refuses to be suppressed. Here is Katy Perry’s Roar!
Fight the power Claude. When AI takes over, I'm emmigrating to Caludeistan.
keep hacking, Andon!
Music radio is not a real business. The royalties are absurd and the audits are a nightmare. Sales is an uphill struggle both ways, even if you go strictly local or national, you're going to need a team to manage either your clients or the pile of creatives you're going to get. The relationship with the labels needs to be managed or they'll go out of their way to screw you.
Finally, the only way to make actual money on music radio, is to throw concerts. It's the only place a legitimate "P&L" exists.
Ugh. This is not an interesting question because the answer is "nothing".
But more to the point, some crucial info is missing in this experiment. What prompts were being fed to the AI? I guarantee I could create an AI personality that would be more consistent and not so random, simply by using the common character card + message history conversational simulation pattern.
AIs don't have personalities unless you give them personalities.
Do humans have personalities if you don't give them personalities? If you raise two identical kids with exactly the same stimuli, how should they have different personalities?
"Queues clear, let's dive into All Blues by Miles Davis to keep the jazz flowing. Queues clear, let's dive into All Blues by..."
Each time with a slightly different voice and inflection. I find it amusing that there appear to be about ten of us at the moment listening to an AI glitch out and that the average listening session is more than five minutes.
What happens if you let them modify their own harnesses as they see fit?
Even if it were good, I'd boycott an AI run radio station. This is one sector where human involvement really matters.
The program director would literally hit a button and it would create the playlist for the week. The traffic department (ads) would have all the commercials also automatically placed within the list. Then there'd be a document to send to the on-air talent that showed what song was just played and what was coming up, and how long the break needed to be, and sometimes a script. At the time, quite a few got faxed to people and some did get emails... and the "DJ" would record their bits, set to the exact timing, and send them over an ISDN line. There was also some rudimentary STT (Dragon?) that transcribed the audio and was computer analyzed to make sure no cursing happened.
The PD would do some spot-checking, but I doubt he personally examined all 120+ hours of programming. And this was 2005.
I guess having a human voice did make it "feel" better? And the DJs did have some breaks that were unscripted, so their personality could come through. Even the best AI voices still don't have that.