I don't know, if Google offers a service and a contract via license and you pay the service which is the developer fee, then Google violates their own contract, isn't that fraud committed upon the client who in this case is the app developer?
Fun part is that US legislative branch did not have much say in creation of DMCA.
US executive branch back then was just lobbied by major copyright holders and they literally bypassed much of legislation process around congress by creating and signing international agreements instead.
By the time DMCA landed in congress there was very little that could be changed because US already had to honour intetnational agreements it's already created and signed.
Except, of course, Luanti holds copyright over their own assets and app. Copyright is not something you get when you file paperwork with the government, it is automatic for creative works.
DMCA is punitive to platforms who do not correctly adjudicate the law and self enforce, which is why they err on the side of the claimant rather than the accused (or the side more likely to defend their copyright in court).
So, the law doesn't really favor copyright holders, it favors extremely conservative and risk averse behavior from large platforms, regardless of who would actually win a dispute over copyright.
technically the DMCA notice is from Tracer, some AI copyright troll acting at the behest of Microsoft. Not that it actually matters, just expect to see Microsoft hide behind this fact as a way to deflect blame.
>Luanti’s Android app is currently not available on the due to a baseless DMCA notice filed on behalf of Microsoft by Tracer.AI, alleging that Luanti infringes Minecraft’s copyright.
>Luanti is a voxel game-creation platform where anyone can make, share, discover, and play blocky games.
Doubt it. Microsoft probably just sees "voxel game" and files the claim, because they don't lose anything if it fails.
you doubt what? the claim they are filing is that luanti violates the copyright. that's the point of filing a DMCA notice. that means they are alleging that luanti infringes minecraft’s copyright. what else could it be?
Yeah; notice that "on behalf of": Microsoft isn't even the one filing this, they've outsourced their enforcement and may not even have known about this before it blew up.
Most pirated game assets or code is usually naive contamination from market place re-sellers that don't have a legal right to the kit-bashing content.
Very common to find pitch shifted audio getting resold on Unity store or web, images/3D with intact watermarks/meta-data, and scraped shader code. If you are credulous enough to buy files from a shady online seller, the copyright/trademark liability almost always falls on the person that publishes the IP. You can do everything above board, and still get sued as other license holders may register the asset signature with anti-piracy/YT bots.
For example, you could buy BBC/NBC/Sony libraries off ebay/web for a few bucks, but they will 100% still sue you into bankruptcy if you ever publish content with their media IP.
"AI" vector search can produce similar results of existing scraped works, and almost every LLM knows Disney Mickey Mouse. How LLM are trained means isomorphic plagiarism will occur regardless of data granularity. Just like how mp3 were a lousy highly compressed versions of CD audio, the output does not have to be a verbatim copy to trip copyright and trademark IP laws.
Isomorphic plagiarism becomes less obfuscated when compiled into standard executable code. However, some firms actually used human session chat admins for data labeling/edits.
People may still lose even if they are right. If you resell something you didn't actually make yourself or purchased royalty free perpetual rights from the authorized holder, than the liability still falls on you when content rights change.
This is why fun indie games sometimes disappear. Some may not like these rules, but most play by them to survive as a business. =3
Minecraft looks very similar to original Wolfenstien or Ultima Online. Probably a bunch of earlier games that used blocks of simple textures. It's not an original art style, and it's not gonna stand up in any fair court. Notch never claimed that he invented the graphical style of Minecraft. He deliberately used low complexity graphics for ease-of-use and the ability to create large, performant maps.
Also Luanti probably could doge all this if they just ditched all the blatant minecraft clone mods. A mining game with blocks is totally fine. If you look back at infiniminer, it's clearly a different vibe of the same concept.
You're confusing copyright with patents, and you cannot patent a game design. Well, you couldn't. I'm not sure about these days. In any case, this isn't a patent claim. It's a copyright claim, and copyright protects expression, not the idea.
That'll all become glaringly obvious when this is reinstated, because the copyright claim is bogus.
The design or gameplay isn't the issue, the aesthetic is clearly Minecraft.
You can't take Minecraft assets, mix the pixels around a little bit, and then be legally free and clear. If the public looks at pictures of your game, and they say "100% it's Minecraft", you're gonna have a bad time.
What are you talking about? There are no Minecraft assets in that screenshot, even with "pixels mixed around". I play both games and can tell you that screenshot is easily distinguished from Minecraft.
I'll be honest, you sound like someone's grandma who calls every game console a "Nintendo" and every game character "Mario". So what if the public can't tell the difference between Samus and Mario? That doesn't mean we ban Metroid. These two games are the same genre, but obviously not the same game.
Is only one voxel sandbox game allowed to exist in the world? What's next, only one platformer can exist? Only one action movie is allowed to exist?
"IP" is not a legal term - instead there are copyright, patents and trademarks. If you want to argue that copying an art style violates some law then be specific what laws you think it violates and why.
Correction: half of the pictures are not from mods, but from Luanti games; Luanti is a platform for voxel games.
And there's no screenshot of the two Luanti games that come the closest to Minecraft, both in terms of looks and gameplay. None of them are included in the standard Luanti distribution.
One can download games and mods from ContentDB (or directly from Luanti itself); ContentDB administrators are looking closely at the content users submit, from experience they will refuse your submission if everything is not properly licensed, even when the asserts are obviously FOSS (creators often include each other's stuff). They even were cautious about generative AI because the copyright assignment was unclear for them. They also have a DMCA page [1].
Long story short, Luanti is a respectable platform. They respect copyright and licensing (even for FOSS code and assets, unlike some private organizations). They also organize game jams and promote original content.
In general DMCA notices are actually very cheap to fight. You just submit a counter notice. The lawsuit that can follow (but very unlikely here) can be expensive to fight.
> We received a similar notice from the same company in 2023 and successfully appealed against it. This company also filed a similar notice this year against an indie game with similar voxel art style by the name of Allumeria.
They'll backtrack and apologize - again.
At some point, the pathway for Microsoft to regain some of the goodwill associated with Minecraft is to fire the senior lawyer most responsible for sending out these notices.
> At some point, the pathway for Microsoft to regain some of the goodwill associated with Minecraft is to fire the senior lawyer most responsible for sending out these notices.
Why would anyone with brain give them any good will for that? I might believe them if they would give Luanti 2x the damages and gave in writing that they will pay 10x damages the next time this happens.
Minecraft does indeed have a lot of knockoffs that sometimes even use official imagery (e.g. the creeper). It seems Microsoft is using this AI tool to automatically detect these and submit DMCA requests
If anything, this problem would be fixed by hiring MORE lawyers. Not firing them.
They're likely using this copyright tool as it's cheaper than paying lawyers to scour the internet for infringing content. They're probably right, as long as the externalities of the AI tool's false positives fall on others, like the Allumeria and Luanti devs. There really should be a system to push the burden back on Microsoft - they can save the lawyer costs, but then they are as responsible for the AI decisions as they are for a human employee's actions.
If there are no consequences for filing a false DMCA takedown, what stops people or companies filing them all the time to take apps from Apple or Microsoft offline?
You will notice that DMCA claims are often against smaller parties. You rarely see those DMCA claiming companies go after somebody like Microsoft because those companies can fight back.
Its a system that mostly benefits large companies. Just about everybody else hates the system.
These de-facto monopolies such as "Google Play", must be
forced open by governments. It can not be that they continue
to turn a blind eye to these vile, ruthless and - most
importantly - extremely evil action by the giant that was
formerly known as Google (now known as adMonster).
the DMCA would still apply. they could file a DMCA against f-droid too. while f-droid is more likely to fight back, if the DMCA is upheld, they would have to comply.
you are not wrong, and that's why apple is being forced to allow alternative app stores. forcing them to abandon checks is not what the majority would want. instead eventually there should be ab appstore choice just like the browser choice that was pushed for some time.
What should be forced is allowing device owners to install software without the say of Google or Apple. This has been possible on Android for ages, but Google recently decided that they need to collect the ID of any dev that wants to build an apk, independent of distributing it through Google's own store.
Google and Apple can have whatever app storefronts they want, but they shouldn't have a say in what software I can run.
Someone should copyright the American flag and popular advertised variants of blue/white/red and something alike and start DMCA'ing politicians, maybe that would wake them up to how bad the law is?
That's not how you get copyright, the creator of a work automatically gets the copyright. You can sue someone for violating your copyright, but if you tried to claim copyright of the US flag your case would get thrown out immediately.
That's...straight-up false. Unless you have some source for this, you're just lying here.
Yes, it's inspired by Minecraft. The screenshots are of voxel-based survival crafter games you can build with their platform. The textures are not Minecraft textures. They are similar in style, sure, but that's not remotely the same thing. You can't copyright a general visual style, nor can you copyright a game genre.
To call this anything but "baseless" would be hilarious.
Well no, Minecraft was already wildly popular while it was in beta. Luanti was explicitly inspired by Minecraft, as stated in the article it was named Minetest up until a few years ago.
> The screenshots are literally Minecraft screenshots.
Irrelevant to the DMCA claim.
> It's a clone, and not a subtle one either.
You are incorrect. Luanti is not a minecraft clone. It's more akin to Godot. I can import Minecraft assets into Godot, but it does not make Godot a copyright violator because of my actions.
Being block based doesn't mean it is using Minecraft assets. Minecraft does not own the idea of having a block based world, and there are quite a few popular (and many unpopular) block-based games. If you played Minecraft you should be able to tell that none of the assets are Minecraft assets.
The things/concepts that those screenshots have that infiniminer (a voxel game made before minecraft) doesn't is... grass, trees, glass. I hate to bring it to you, but minecraft didn't invent those. And it certainly didn't invent the concept of a voxel world (not that it could even copyright that if it did).
Never mind that the things in those in-game screenshots aren't even in the play store app, they're separately downloadable things.
Any voxel game looks like this... Look at Veloren. Another open source voxel game that doesn't even have mining or anything in common w MC. Still has that look
I'm confused why the DMCA sender, Tracer AI, claims Vanuatu jurisdiction in the linked DMCA claim[0]. In separate recent claims, they have claimed US jurisdiction[1]. Is this possibly fraud?
The problem with DMCA claims is that there are no consequences on misuse.
It places all the work on the affected parties to prove their innocence.
And suing the fake claim, is years of work and cost. This is why companies like Tracer.AI, ... get away with it. And how the system even gets misused to remove competitors or flat out blackmail.
Even worse is when we have hosting companies in Europe, who simply take American DMCA claims for granted because investigating them costs time and money.
I mean there definitely are penalties, but they only exist if you actually go to court. DMCA essentially serves as game of chicken with no one actually wanting to go to court.
Penalties and counter-suits require intentional misrepresentation by the claimant, which is so painfully unprovable that the existence of penalties for malicious claims may as well not exist. I mean I suppose it can stop some rando guy from sending out claims for lols, but stuff like what Microsoft and a number of other corps do is extremely predictable and certainly malicious in nature.
My cynical view is that the half-measure (punishments for impersonation rather than spurious claims) just prevents well-intentioned protestors from highlighting the insanity of the whole system.
DMCA seems like an ideal place to have the winner pay all parties' attorney's fees, plus damages. It's usually pretty objective and easy to see whether something infringes.
The subsection requires that the person "knowingly materially misrepresent [...] that material or activity is infringing". Proving that the misrepresentation was made knowingly can be extremely difficult.
Yeah how are we ever gonna possibly prove that against an AI-powered tool. It's the same with why police so readily embraced bad AI tech. It's all about shifting the liability and diffusing individual responsibility
In this case, you know who claimed it. In most cases, you don't, because Google does not verify identity.
It's currently the rage in blackhat SEO: just say you're John Doe from Doeville and competitorsite.com is infringing on your copyright. Google will remove that specific URL from the SERPs and there's a 50/50 chance whether the target gets a notification from google or not.
If they do, they can counter claim directly and it takes 12-48 hours to be reinstated.
If they don't, they have to figure out what's going on by using the Lumen Database (the only way to receive that information because Google is horribly bad at basic legal matters) and finding the notice, which will contain the exact URL (because fun fact: the claim and counter-claim are case-sensitive, the removal-from-serp is case-insensitive), and then do manual counter-claim, and it takes anywhere from 3 to 30 days.
During that time, your competitor will just be gone from the SERPs.
I know this isn't the point but this post is a master class in how to inform readers when you expect people from outside your community to read it.
It explains what every element is, concisely but clearly. I now know exactly what Luanti is, who all the actors are in this conflict, and what the conflict is about. It clearly conveys the who, what, when, where and why of the situation.
Also, DMCA is a damned mess, with the worst people in the world profiting from it and bullying small creators. There really should be better mechanisms to defend oneself from spurious claims.
One of the issues is that these aren't proper DMCA claims, instead Google/Youtube do a weird pseudo-DMCA thing where they just agree to take down your content and make you argue about it.
But the DMCA allows immediate countersuit for false notice with damages. If Google/Youtube actually just forwarded strict DMCA notices and no longer did takedowns once you counter-claimed, you could sue the trolls and collect damages. At that point it's just a free lunch for some bored lawyers willing to publish public domain works, covers, etc that are protected.
One of the loopholes of the counter-claim, is that you accept whatever random jurisdiction of the original claimer as your jurisdiction, pulling you usually into US Sphere.
It's a rigged game, its better not to engage with.
the specific laws and consequences from ai:
> Under 17 U.S.C. § 512(g)(3)(D), for a DMCA counter-notice to be legally valid, the person filing it must explicitly state in writing that they consent to the jurisdiction of a US Federal District Court.
> If you live in the US, you consent to the federal court in your local district.
> If you live outside the US, you must consent to the judicial district where the service provider (YouTube/Google) is located—which means the Northern District of California.
> For a creator living in Europe, Asia, or South America, filing a counter-notice means signing a document that legally exposes them to a federal copyright lawsuit in California. Even if the creator is 100% in the right (e.g., they used public domain footage or have clear Fair Use), the sheer financial threat of having to hire a US federal defense attorney to fight a lawsuit in California is often enough to make them abandon the dispute.
Yes. However, there are a lot of attorneys who do not want to take on the risk of representing a small client[0] and advise them to just settle - that's why copyright trolling works.
In addition, some platforms have their own parallel dispute resolution processes that have to be navigated first before you can make a formal DMCA complaint or counter-complaint. The reason for this is because those platforms have a lot of user piracy, and having their own system to ID and takedown work their users are reuploading makes it easier for them to negotiate their own licenses to the work. These systems are unregulated and often biased in favor of the legacy media companies who are selling them these rights in ways the DMCA process isn't.
The average attorney is not an expert platform Kremlinologist, and law schools don't teach how to fight YouTube Content ID - mainly because the things that actually work against Content ID are things that would get you punished harder in a real court of law.
Finally, the actual case we're talking about - Luanti - is a lot more involved than typical piracy cases or DMCA abuse cases. They are, after all, trying to make a game engine for Minecraft-like voxel games, and the screenshots they're showing off of those games are not entirely dissimilar to Minecraft. This is not "Luanti is an infringing copy of Minecraft", but "There is enough similarity to survive a motion to dismiss and require an actual trial". At which point the actual cost to defend goes from 4-5 figures to 6-7.
[0] The massive payments attorneys get for representation are priced into the cost of education and testing required to become a licensed attorney. As a result, every minute you spend representing someone who can't afford you is time not being spent paying back student loans.
This isn't DMCA. The DMCA process provides for immediate restoration of contested content upon issuance of a counter notice. At that point the internet service is absolved of any responsibility until a court orders the removal. Google has never implemented that process.
And that's because the DMCA lets Google exploit its position. It's still a DMCA problem until the DMCA is either repealed or fixed to produce a comprehensively good situation.
Google made an arrangement to keep YouTube afloat. The copyright cartels can't use their automated libel machines if the fraudulently accused have the means to exercise their full rights. That would incur untenable operational expenses when people are permitted a low friction path to nullify the takedowns and then advance to the courts if the libeler wants carry on with their lies.
With intentional bias built into the system, Google gets favorable treatment on remuneration for the commercial copyrighted content that they host. The fix is a revision that revokes safe harbor protection when an accused party is disenfranchised by omission of the counter notice process.
A major problem with closed mobile platforms is that if you have an App Store monopoly, why do you need to care? It's why all the app stores are absolute trash.
Not sure how Apple handles DMCA but I know they're known for capricious arbitrary actions and being impossible to talk to. Their search and navigation is also total trash.
That hasn’t been my experience. The first couple of layers are sort of “inflexible bureaucrat,” but it doesn’t take long to get to an actual human, with authority to act. In my experience, I’m usually on the phone with someone, within a day or so.
This is DMCA. DMCA does not absolve hosts if they "receive a financial benefit directly attributable to the infringing activity". So if google hosts an app and makes money off of that app, they can't claim safe harbor if that app is infringing. Hence, under the DMCA, they need to take down the app as soon as they have even a suggestion that it might infringe somebody's copyright, and not put it back up until they are certain it doesn't.
> Also, DMCA is a damned mess, with the worst people in the world profiting from it and bullying small creators. There really should be better mechanisms to defend oneself from spurious claims.
Im pretty sure this is by design. The big players need to stifle small creators to maintain monopolies, google helps them do this because they benefit in some way.
Most of all, there need to be serious consequences for wanton DMCA abuse. As in lawyers disbarred and the company that hired them having to pay significant fines level.
Where do you read that description? Luanti has been around for many years (previously called Minetest). It's entirely built from scratch and a true FLOSS project.
It's also not really a "game" so much as a "game engine" so it's not even a direct competitor to Mojang
This is in the source article of this post:
"While Luanti is popular as an open-source alternative to Minecraft (as its roots are in blocky sandbox games), it also lowers barriers to bringing creative ideas to life."
The answer here is simple: If you submit a content strike you must provide a bond. If the content strike is reversed the bond is used to pay damages. The argument of 'people must review' is really just an argument of cost. The amount of content on the web makes it impractical to pay that upfront but a bond makes it manageable.
Looks like some interest in this idea so I will refine it a little. The core question is about the bond value. There are some competing things here: A small time creator should be able to defend themselves against DMCA attacks on them (they get a bond on a reversed claim) and still be able to send notices against others without undue cost. Similarly, big content creators should be able to defend their work. I think the answer here is that the bond goes up the more content strikes you submit. Small creators essentially operate for free with just a few sent out, large troll farms have to post very big bonds. This works for small creators, they could receive big bonds if someone like MS incorrectly smacks them. Of course the bond rate could also go up by number of successful reversals too but that would just lead to account churn.
The essential idea here is that there is a real cost per DMCA notice that turns into a reward for those incorrectly accused. As the total number of DMCA notices go up the more bond money is floating around ready to pay those harmed by the system. DMCA takedown agents now have a real incentive to get it right. The better they are the more money they save. The trick is to set the bond high enough to turn it into a real value prop. The only thing missing, I think, is the upward pressure on the base bond. I think that should be set by the global ratio of successful to reversed takedowns. If the industry is spamming the bond goes up and payments go up. If the industry is policing itself the bond goes down.
It is not a legal process. It is Google's process designed to minimize their involvement to the maximum degree possible.
When some random person copyright strikes your YT account you have no rights because it isn't based on the law. Its the equivalent of someone going to the manager of Starbucks and falsely saying you are harassing them, then the manager tells you to leave or they'll call the police. One private party told another private party you are a bad person and the private party in control punished you.
If memory serves the whole system came about way back because the big media companies and record companies got together to sue YT after google acquired them. So you might say the system was designed to let purported copyright holders act arbitrarily on purpose.
Yes that is technically true. In theory you might be able to get some damages from them and even from Starbucks. But Starbucks would be within their rights to ban you permanently.
You could try to go after YouTube but expect to be permabanned from all of Google. You probably signed away your right to sue anyhow with some YT/Google TOS update.
The situation is absurd. The fact that an AI bot from Tracer.AI filed a complaint without any real review just because Luanti uses a similar visual style to Minecraft, and Google just accepted it and removed the app is a problem of automation without oversight
And installing it from there instead of the play store actually gives you some assurance that it isn't full of spyware or will be full of spyware in the next silent update.
119 comments
[ 0.18 ms ] story [ 8.7 ms ] thread1) open source project publishes source
2) AI scrapes source
3) AI generates code for proprietary game similar to that of the source
4) AI tool scans jar files and finds similar code, triggers copyright violation
The sequence of events is:
1) US votes a law that is hilariously favourable to copyright holders
2) Copyright holders abuse it for a while with non-AI bots
3) Copyright holders abuse it with AI-bots
4) Copyright holders will continue to abuse it until the law is amended.
US executive branch back then was just lobbied by major copyright holders and they literally bypassed much of legislation process around congress by creating and signing international agreements instead.
By the time DMCA landed in congress there was very little that could be changed because US already had to honour intetnational agreements it's already created and signed.
Louis Rossman have a video on it:
https://www.youtube.com/watch?v=O0-j89LJysY
Congress could obviously not pass ratificarion, but you know how its usually going.
DMCA is punitive to platforms who do not correctly adjudicate the law and self enforce, which is why they err on the side of the claimant rather than the accused (or the side more likely to defend their copyright in court).
So, the law doesn't really favor copyright holders, it favors extremely conservative and risk averse behavior from large platforms, regardless of who would actually win a dispute over copyright.
>Luanti is a voxel game-creation platform where anyone can make, share, discover, and play blocky games.
Doubt it. Microsoft probably just sees "voxel game" and files the claim, because they don't lose anything if it fails.
Very common to find pitch shifted audio getting resold on Unity store or web, images/3D with intact watermarks/meta-data, and scraped shader code. If you are credulous enough to buy files from a shady online seller, the copyright/trademark liability almost always falls on the person that publishes the IP. You can do everything above board, and still get sued as other license holders may register the asset signature with anti-piracy/YT bots.
For example, you could buy BBC/NBC/Sony libraries off ebay/web for a few bucks, but they will 100% still sue you into bankruptcy if you ever publish content with their media IP.
"AI" vector search can produce similar results of existing scraped works, and almost every LLM knows Disney Mickey Mouse. How LLM are trained means isomorphic plagiarism will occur regardless of data granularity. Just like how mp3 were a lousy highly compressed versions of CD audio, the output does not have to be a verbatim copy to trip copyright and trademark IP laws.
Isomorphic plagiarism becomes less obfuscated when compiled into standard executable code. However, some firms actually used human session chat admins for data labeling/edits.
https://www.youtube.com/watch?v=o1iLPxwgV4E
People may still lose even if they are right. If you resell something you didn't actually make yourself or purchased royalty free perpetual rights from the authorized holder, than the liability still falls on you when content rights change.
This is why fun indie games sometimes disappear. Some may not like these rules, but most play by them to survive as a business. =3
https://www.luanti.org/en/#gallery
Even though those are mods, it's a bad look to be holding those up as reference game images.
If your whole shtick is creating blocky games with retro-easy-to-recreate 8x8 or 16x16 textures it's not really weird people easily imitate it.
Even if they were similar, artistic style is not protected under copyright.
So with a straight face, you think a jury wouldn't call this Minecraft?
https://www.luanti.org/media/gallery/5.jpg
Also Luanti probably could doge all this if they just ditched all the blatant minecraft clone mods. A mining game with blocks is totally fine. If you look back at infiniminer, it's clearly a different vibe of the same concept.
That'll all become glaringly obvious when this is reinstated, because the copyright claim is bogus.
You can't take Minecraft assets, mix the pixels around a little bit, and then be legally free and clear. If the public looks at pictures of your game, and they say "100% it's Minecraft", you're gonna have a bad time.
IP protection is about reasonable confusion in the public. Not experts in field getting confused.
Is only one voxel sandbox game allowed to exist in the world? What's next, only one platformer can exist? Only one action movie is allowed to exist?
Again, aesthetic is not copyrightable.
And there's no screenshot of the two Luanti games that come the closest to Minecraft, both in terms of looks and gameplay. None of them are included in the standard Luanti distribution.
One can download games and mods from ContentDB (or directly from Luanti itself); ContentDB administrators are looking closely at the content users submit, from experience they will refuse your submission if everything is not properly licensed, even when the asserts are obviously FOSS (creators often include each other's stuff). They even were cautious about generative AI because the copyright assignment was unclear for them. They also have a DMCA page [1].
Long story short, Luanti is a respectable platform. They respect copyright and licensing (even for FOSS code and assets, unlike some private organizations). They also organize game jams and promote original content.
[1] https://content.luanti.org/copyright_dmca/
Just saying. It's great little tool to teach coding.
They'll backtrack and apologize - again.
At some point, the pathway for Microsoft to regain some of the goodwill associated with Minecraft is to fire the senior lawyer most responsible for sending out these notices.
Why would anyone with brain give them any good will for that? I might believe them if they would give Luanti 2x the damages and gave in writing that they will pay 10x damages the next time this happens.
I am not a lawyer, but this seems like harassment on a matter that has been previously settled.
Minecraft does indeed have a lot of knockoffs that sometimes even use official imagery (e.g. the creeper). It seems Microsoft is using this AI tool to automatically detect these and submit DMCA requests
If anything, this problem would be fixed by hiring MORE lawyers. Not firing them.
There is a cost to them for false negatives, if only just lost revenue.
The beatings will persist until morale improves.
Its a system that mostly benefits large companies. Just about everybody else hates the system.
you are not wrong, and that's why apple is being forced to allow alternative app stores. forcing them to abandon checks is not what the majority would want. instead eventually there should be ab appstore choice just like the browser choice that was pushed for some time.
Google and Apple can have whatever app storefronts they want, but they shouldn't have a say in what software I can run.
You're someone
The screenshots are literally Minecraft screenshots. It's a clone, and not a subtle one either.
To call this "Baseless" is hilarious.
Yes, it's inspired by Minecraft. The screenshots are of voxel-based survival crafter games you can build with their platform. The textures are not Minecraft textures. They are similar in style, sure, but that's not remotely the same thing. You can't copyright a general visual style, nor can you copyright a game genre.
To call this anything but "baseless" would be hilarious.
More likely that Minecraft was inspired by Luanti since Luanti was released first. (at least, formally released)
> The screenshots are literally Minecraft screenshots.
Irrelevant to the DMCA claim.
> It's a clone, and not a subtle one either.
You are incorrect. Luanti is not a minecraft clone. It's more akin to Godot. I can import Minecraft assets into Godot, but it does not make Godot a copyright violator because of my actions.
> To call this "Baseless" is hilarious.
I would say it's justified.
They're not. It's a voxel game engine with an open source history dating back a year (October 2010) before Minecraft 1.0 was released (November 2011).
There are plenty of games for Luanti that have different textures and objectives.
It's all open source. Download it and try some of the different games.
Never mind that the things in those in-game screenshots aren't even in the play store app, they're separately downloadable things.
They are literally not Minecraft screenshots. Your statement is a lie.
[0] https://lumendatabase.org/notices/93778051
[1] https://lumendatabase.org/notices/80387573
It places all the work on the affected parties to prove their innocence.
And suing the fake claim, is years of work and cost. This is why companies like Tracer.AI, ... get away with it. And how the system even gets misused to remove competitors or flat out blackmail.
Even worse is when we have hosting companies in Europe, who simply take American DMCA claims for granted because investigating them costs time and money.
The entire system is broken (by design?).
It's currently the rage in blackhat SEO: just say you're John Doe from Doeville and competitorsite.com is infringing on your copyright. Google will remove that specific URL from the SERPs and there's a 50/50 chance whether the target gets a notification from google or not.
If they do, they can counter claim directly and it takes 12-48 hours to be reinstated.
If they don't, they have to figure out what's going on by using the Lumen Database (the only way to receive that information because Google is horribly bad at basic legal matters) and finding the notice, which will contain the exact URL (because fun fact: the claim and counter-claim are case-sensitive, the removal-from-serp is case-insensitive), and then do manual counter-claim, and it takes anywhere from 3 to 30 days.
During that time, your competitor will just be gone from the SERPs.
It explains what every element is, concisely but clearly. I now know exactly what Luanti is, who all the actors are in this conflict, and what the conflict is about. It clearly conveys the who, what, when, where and why of the situation.
Also, DMCA is a damned mess, with the worst people in the world profiting from it and bullying small creators. There really should be better mechanisms to defend oneself from spurious claims.
But the DMCA allows immediate countersuit for false notice with damages. If Google/Youtube actually just forwarded strict DMCA notices and no longer did takedowns once you counter-claimed, you could sue the trolls and collect damages. At that point it's just a free lunch for some bored lawyers willing to publish public domain works, covers, etc that are protected.
It's a rigged game, its better not to engage with.
the specific laws and consequences from ai:
> Under 17 U.S.C. § 512(g)(3)(D), for a DMCA counter-notice to be legally valid, the person filing it must explicitly state in writing that they consent to the jurisdiction of a US Federal District Court.
> If you live in the US, you consent to the federal court in your local district.
> If you live outside the US, you must consent to the judicial district where the service provider (YouTube/Google) is located—which means the Northern District of California.
> For a creator living in Europe, Asia, or South America, filing a counter-notice means signing a document that legally exposes them to a federal copyright lawsuit in California. Even if the creator is 100% in the right (e.g., they used public domain footage or have clear Fair Use), the sheer financial threat of having to hire a US federal defense attorney to fight a lawsuit in California is often enough to make them abandon the dispute.
Yes it is absolutely a dumb game and an unfair process, but playing dumb games and using unfair tactics to inflict pain go both ways.
In addition, some platforms have their own parallel dispute resolution processes that have to be navigated first before you can make a formal DMCA complaint or counter-complaint. The reason for this is because those platforms have a lot of user piracy, and having their own system to ID and takedown work their users are reuploading makes it easier for them to negotiate their own licenses to the work. These systems are unregulated and often biased in favor of the legacy media companies who are selling them these rights in ways the DMCA process isn't.
The average attorney is not an expert platform Kremlinologist, and law schools don't teach how to fight YouTube Content ID - mainly because the things that actually work against Content ID are things that would get you punished harder in a real court of law.
Finally, the actual case we're talking about - Luanti - is a lot more involved than typical piracy cases or DMCA abuse cases. They are, after all, trying to make a game engine for Minecraft-like voxel games, and the screenshots they're showing off of those games are not entirely dissimilar to Minecraft. This is not "Luanti is an infringing copy of Minecraft", but "There is enough similarity to survive a motion to dismiss and require an actual trial". At which point the actual cost to defend goes from 4-5 figures to 6-7.
[0] The massive payments attorneys get for representation are priced into the cost of education and testing required to become a licensed attorney. As a result, every minute you spend representing someone who can't afford you is time not being spent paying back student loans.
Trending on HN: Blog post: Sneed now helps with your blargs
Then I go to their homepage and it's like https://knowyourmeme.com/photos/3219377-curtains-for-zoosha
With intentional bias built into the system, Google gets favorable treatment on remuneration for the commercial copyrighted content that they host. The fix is a revision that revokes safe harbor protection when an accused party is disenfranchised by omission of the counter notice process.
Not sure how Apple handles DMCA but I know they're known for capricious arbitrary actions and being impossible to talk to. Their search and navigation is also total trash.
That hasn’t been my experience. The first couple of layers are sort of “inflexible bureaucrat,” but it doesn’t take long to get to an actual human, with authority to act. In my experience, I’m usually on the phone with someone, within a day or so.
Im pretty sure this is by design. The big players need to stifle small creators to maintain monopolies, google helps them do this because they benefit in some way.
Frivolous or not, MS has financial incentive to try to keep this game offline. I think this is going as intended from MS's POV.
It's also not really a "game" so much as a "game engine" so it's not even a direct competitor to Mojang
The essential idea here is that there is a real cost per DMCA notice that turns into a reward for those incorrectly accused. As the total number of DMCA notices go up the more bond money is floating around ready to pay those harmed by the system. DMCA takedown agents now have a real incentive to get it right. The better they are the more money they save. The trick is to set the bond high enough to turn it into a real value prop. The only thing missing, I think, is the upward pressure on the base bond. I think that should be set by the global ratio of successful to reversed takedowns. If the industry is spamming the bond goes up and payments go up. If the industry is policing itself the bond goes down.
When some random person copyright strikes your YT account you have no rights because it isn't based on the law. Its the equivalent of someone going to the manager of Starbucks and falsely saying you are harassing them, then the manager tells you to leave or they'll call the police. One private party told another private party you are a bad person and the private party in control punished you.
If memory serves the whole system came about way back because the big media companies and record companies got together to sue YT after google acquired them. So you might say the system was designed to let purported copyright holders act arbitrarily on purpose.
You could try to go after YouTube but expect to be permabanned from all of Google. You probably signed away your right to sue anyhow with some YT/Google TOS update.
The only sustainable solution to these kinds of problems is to diversify away from Google Play Store.
And installing it from there instead of the play store actually gives you some assurance that it isn't full of spyware or will be full of spyware in the next silent update.