> Out of curiosity, she compiled a database of 2026 releases and combed through them, analyzing their protagonists. Umesi found[1] a surprising disparity: Girl protagonists outnumbered boys by a ratio of 2 to 1. Some categories, such as realistic fiction and mystery, were especially lopsided, she told me, with ratios of more than 3 to 1. “Girls are taking over!” she said, with a laugh.
> Umesi’s survey offers just one snapshot of the publishing landscape. But others I spoke with in the children’s-book business shared the perception that today’s protagonists are predominantly female. The dearth of male protagonists, some told me, has made it harder to get boys in this age bracket interested in reading.
> The idea that boys might prefer stories about boys sounds awkwardly retrograde, even to the boys themselves. Kids rarely state such preferences outright, Melissa LaSalle, the children’s-book buyer at Old Town Books, in Alexandria, Virginia, told me. Their parents sometimes will, albeit “in a slightly embarrassed way.” Of course, individuals might not connect to a book for any number of reasons: sense of humor, narrative stakes, cover art. “But the unifying theme that I hear resoundingly from parents of boy readers,” LaSalle said, “is, at the end of the day, there are not enough boy protagonists.”
We just spent the last several years hearing how representation matters, and when the numbers flip sufficiently that a new group is now under represented they get told "that's too bad".
When you look at where money is spent and by whom, keep it in mind as you shift the demographics of who's watching / reading. The money moves with the groups interest, and it doesn't necessarily get filled by the new demographic.
Representation never mattered, what mattered was to get a different group on top. It's not just men vs women, you see it everywhere. It's like how a poster of black and Asian people is "diverse".
Have you considered that when people use the phrase “increase diversity,” they mean across the entire medium? That a movie or book can have, in a vacuum, a fairly limited cast, but if that cast is otherwise unrepresented across film or literature it does increase diversity?
I'd much rather have a diversity of stories with appropriate casting than artificially-induced representation via race-swapping cast members. By all means, use diverse casting for modern and future-facing stories, but give me fewer black elves and asian dwarves in old, exclusively European stories and more stories from Asian, African, South American, etc. cultures.
As a small example: I'd love to see more about Anansi, the African spider trickster god elevated into mainstream media. I can only recall him appearing in American Gods and an episode or two of Gargoyles in the 90s.
Are people saying "that's too bad?" Or are they frustrated to see endless criticism of this argument when it is applied to other groups over the past five years while this topic continues to get litigated.
I support grants for authors to create a wider variety of literature. Too bad the NEA and NEH have been slashed to ribbons.
> We just spent the last several years hearing how representation matters
this reminds me of the green piccolo meme (from 4chan, i think?). Piccolo, fyi, is a green alien character from the famous anime/manga series Dragon Ball Z, which is popular with young boys all over the world.
The meme is that boys, regardless of the race and language or other physical conditions, see themselves in a green alien character that looks and sounds nothing like them, and will happy play with a Piccolo figurine.
Meanwhile girls (supposedly, according to the meme) require a Barbie doll that looks and feels like them, and hence all the various dolls that are made to represent the diverse young female audience.
I don't know how true it actually is, but this stereotype tends to format a lot of the representation discussion online. Boys grow up to be men who chafe at the 'diversity' and 'representation' topics, because they would happily see them selves represented in anything, even if it were a green alien. To them, looks are less important than actions. Piccolo was a good father figure to Gohan, and they aim to be as good as him.
therefore, books written with the (supposedly) feminine themes (even if the MC is a boy) tend to not click with boys.
>Boys grow up to be men who chafe at the 'diversity' and 'representation' topics, because they would happily see them selves represented in anything, even if it were a green alien.
Frieren is a manga that has a female protagonist and is wildly popular with boys, elsewhere in this thread I talk about Ascendence of a Bookworm, another story with a female protagonist, popular with boys.
Yes, female MCs are less likely to be common in boys literature, but if the story is good, then boys will read it. What makes the story 'good' in the eyes of boys, is about the themes, at least to my understanding.
I believe Japan does it best, they clearly delineate young/mature, male/female categories in terms of themes, and then have stories can still have a female MC but thematically targeted towards the category 'young+male'(Shonen) or 'mature+male' (Seinen)
Current generations deserve all the same fairness. It's not a good argument to say that group X deserves less fairness because people trust belonged to group X decades ago had an unfair advantage.
Maybe the publishers could start a campaign to recruit more male writers, and put greater effort around promoting and publishing their books. Then we could take those books and market them to boys and say look, you can be a writer too.
Skill issue. I read hundreds of books with female protagonists as a child and thoroughly enjoyed them. Parents are failing their boys. Marketers are just lazy. Everyone wants to retreat to accepted bigotries rather than lift a finger.
My problem with books recommended by schools and parents are that they are the insipid kind of books.
Yes I'm a fan of Jane Austen's works but I needed to read some action fantasy books.
Boys love super hero oriented themes who are standing between the innocent ppl and the villain. And also video game mechanics in their stories.
We need to introduce the kids to those books.
Royal Road, webnovel have lots of such stories.
Maybe parents and the school authorities are not looking there.
I just read Phil Tucker's "Dawn of the Void vol 1" and it is so nice for any boy to read.
What the English faculty in colleges and schools need is to work with the authors of the "Levelling genre" or "Isekai genre" and modify those books with the reading abilities of those boys according to their grades while keeping the credits with the original authors.
Where does this nonsense come from? I didn't nor did anyone I know. I snorted any kind of adventure books but superpowers? Nuh uh, boring and cheapest of plot devices, and yes, I thought so at 7.
My parents brought me to the library every two weeks and let me read whatever I wanted, I think that's most important. Also, show you read yourself, and if you don't, wonder why.
You can't seriously be arguing for Isekai's and levelling.
You could fix it. Drop the levelling, keep the portal story-- portal stories can be fun, C.S. Lewis and Astrid Lindgren have done portal or portal-adjacent stories and they can be fun.
I don't think a fixed portal story is necessarily attractive to idiot-readers though. I think popularity of Isekai or levelling stories might have more to do with impatience and inability to tolerate uncertainty.
I'm not saying that time travel stories like A Connecticut Yankee in King Arthur's Court, Island in the Sea of Time or 1632-style stories are bad.
I read 1632, it's a bit sci-fi pulp-y but entertaining, especially when you're a Swede and some of the characters are familiar from real-life history. I've written stories in this direction myself too, and portal stories.
But my portal stories are usually in opposition to Isekai tropes, and I think most of this stuff is too. 1632 isn't an Isekai, ISoT isn't an Isekai, Narnia isn't an Isekai-- maybe it shares some destiny tropes with Isekai-type stories, but there's an attempt to give it weight, etc.
The bad aspects of the Isekai aren't that there's a portal, it's excessive indulgence.
Re:Zero is isekai without levelling. Actually it's a bit of a horror, because MC is at permanent level 1 trying to deal with overpowered enemies suddenly jumping out of thin air, the whole story is solid concentrated uncertainty.
Dungeon Crawler Carl is marvelous, though. Threshold is also really good. Most of its terrible, but it's within error bounds for a lot of book quality.
Now lets see the atlantic write endless articles advocating for greater representation of women, racial minorities, lgbt people, and disabled people in media where they are underrepresented.
I can't imagine how hard it is to try to make it as an author in 2026. Between the sheer number of people writing, the suspicions of AI use, trying to be discovered, it must be completely demoralizing.
My friend wrote a book during the pandemic before AI got too good, and gave up/deleted his work after no publishers called him. I guess a publisher found his manuscript about a year later and he got a call, but turned it down because he deleted his work.
I was recently lamenting to him that he probably lost the last chance he had before the flood of slop books really hit.
It is more or less inevitable that successful representation pushes will overcorrect and you get a situation like this. It doesn’t have to be badly intentioned, and it’ll work itself out as the market corrects itself. But my boys have plenty of books to read with male protagonists if they want them. Percy Jackson alone has carried one of my kids through a long stretch of recreational reading. There is, you know, centuries of literature for children available during which male protagonists were over represented.
There are plenty of other cultural pressures for boys to read less than girls, though. For example, the prominence of male-dominated sports could be drawing their attention.
I’m wondering if the causal arrow goes the other way: fewer male readers leading to fewer male protagonists.
If that’s the case, we are already looking at the market correction, we just don’t like it.
The sales data in video games tells a different story. The exact problem is only for those that aren't selling what the market wants or will buy. Studios that make what the market wants do just fine. Those that are concerned with other factors do not. How this is surprising to anyone is a source of amazement to me.
Addressed in the article (which I recognize is behind a paywall so you may not have seen it):
“But even if the backlist contains a wealth of fiction starring boys, that’s not always a help to today’s young readers. Laura Gardner, a veteran middle-school librarian in Dartmouth, Massachusetts, told me that although some of the classics still stand up—kids love Gary Paulsen’s Hatchet and its sequels, along with the I Survived series—many students have a hard time getting into literature from past decades. Thanks to the disruptions of the pandemic, middle schoolers are coming into Gardner’s library with lower reading levels than they were when she started her career 17 years ago. But even the high-achieving students, she’s noticed, can’t be coaxed into picking up a book for fun unless it’s action-packed. “If the pacing isn’t pretty quick, then you’re going to lose the kid,” Gardner said. Older titles tend to feature more descriptive language and longer chapters; they start with more exposition, and have plots that unspool more slowly than today’s attention spans are used to.”
It still seems absurd. As parents of young kids in the late ‘00s and ‘10s, we made reading together the core of our nighttime routine from toddlerhood onward, made trips to the library constantly, and kept our house stocked with fantastic books.
It’s hard for me to even fathom why, seeing reduced attention spans, the conclusion is “we need new books that are competitive with tiktok” instead of “we need to fix this toxic attention environment.”
There is an implication of advertising; old books obviously exist but no longer advertised not are the front and center when you enter the book store.
I guess the implication is that without such advertisements, old books are lost media for young kids. Their first brush is with new media that IS advertised to them, and upon finding it not compatible to their tastes (at least acc to the article) young boys tune out of the reading hobby altogether.
Obvious retort is that this where parents should step in... but that's a whole different debate.
That is not true, if you go to the bookstore, they are advertised. In fact the 2:1 boy girl ratio author blames is among all the published books - the top lists have smaller assymetry.
And that is not even talking about the fact that 2:1 male female male character does not make male main characters hard to find.
That's isn't true. And maybe in the US that's different, but mandatory reading in my country mostly contains books with male protagonist (still have to read at least one of: I am a legend, Fahrenheit 451, Brave new world or 1984 at 17).
I was at my typical bookstore lately and I walked right out again. All the recommendations by staff and bestsellers all anchored around "I'm a woman and I see the world like so and so". I wanted inspiration on life in general (think The Alchemist or whatever). Not how it is to be a woman. Not hating, but I'm a dude in my mid thirties and an avid reader. The whole bookstore was remade to cater to young women, tiktok viewers (has selfie walls and shit), and table top games. I get that there's market pressure, but it was already hard to buy books already (like english books taking 3 weeks to be ordered and such). I don't want to order on amazon ...
Really a pity. Another big store opened 100m from them. Hope they get their ass whooped.
Frankly, while it might be jarring no longer to be the prioritized demographic, I've realized that the proper response is to be grateful to the romantansy fans for propping up the genre fiction publishing industry. My fellow sci-fi/fantasy fans sure aren't doing their part to buy books, so I gotta appreciate romantasy booktok for subsidizing the books that I like to read with their purchases of books that I don't want to read.
I think this is pandering to quietly misogynist people; books don't disappear after they're written. All of the hundreds of books with a male protagonist that I read as a kid are still around, so if the industry has over-corrected it doesn't meaningfully affect anyone.
Let's not forget that girls had no problem getting into books with male protagonists. If boys refuse to read books with female protagonists, maybe we should address that directly?
But they did. Didn't they? Isn't that the whole ass problem? That we live in a patriarchal society defeating women while they're still girls? If that's not the case then sure, boys will be fine. If it is the case then boys deserve the same consideration girls are getting and you can't just sit their intimating that 6 year old boys' malignant misogyny is the problem
kid humans are a perfect miniaturization of adult humans, lacking the corruption of society. are you saying that the perfect representation of humanity is incorrect in some way ? if so, that would imply our society has drifted from the intended purpose of its constituents.
Kids are influenced by their parents, their teachers, and their peers. It's no coincidence that kids raised in some environments are more likely to segregate themselves into gendered groups than others.
did you want to bring up the specific environments in question or are we doing the whole ignore each other's questions in favor of addressing our perceived points thing?
Sure, I can be more specific: I'm saying that boys that are brought up with strong gender expectations, around other boys with strong opinions about things being "for girls" and therefore not for boys, are more likely to categorically refuse to read books with female protagonists, or with themes that they consider to be overly girly.
I was raised in a household without a particularly strong emphasis on gender, but in a society and in a community with a moderate emphasis on it, so I was happy enough to read books with female protagonists, as long as the subjects weren't overly "girly." It's incomprehensible to me to be unwilling to read books with female protagonists, but I understand how it can happen.
Please also note that while you're likely able to gather my position from context, I'm not actually making a claim about whether gender associations are good or bad, just about where they come from.
Is that clearer? I'm genuinely trying to address your complaint, so I'm happy to elaborate or clarify further.
most would appreciate the roundabout discussion format, so i respect that youve put effort into decorum, and i should do well to behave similarly. if its ok with you im more interested in cutting to the point based on inferring your position (please forgive if ive done so incorrectly). my issue with desegregating gender roles is that theoretically this choice is moral, in practice humans are happy to optimize into doing whats most comfortable, resulting in doubling of competition for easy jobs previously associated to any particular gender, and a halving of competition for corresponding hard jobs. regardless, we can push a particular moral set all we like, its still men in the mines and women taking care of kids. there are probably a few issues im not seeing which youre welcome to elucidate.
> kid humans are a perfect miniaturization of adult humans, lacking the corruption of society.
Kids are a product of their surroundings, corrupt or not. Have you never encountered kids with extremely rigid opinions of things they could impossibly have reached on their own?
> are you saying that the perfect representation of humanity is incorrect in some way ?
perfect relative to what is achievable outside of a rigid experimental context, and with the caveat of a decaying effect as society and family imprint over time. I encountered kids of all ages willing to question their presuppositions in ways that adults never would.
My kids read Harry Potter and Percy Jackson growing up in the US (both with male protagonists), and they were huge fans of the LOTR movie series (with its nine members of the fellowship of the ring, all male).
It's really hard for me to believe American kids suddenly can't get enough books with male protagonists. If that's the case, the fault must lie with whoever's choosing books for those kids.
That’s exactly it. If I suggest your children read LotR or Harry Potter or Narnia, I’ve done nothing special, nothing interesting, nothing worthy of accolades from my peers.
But if I convince them to read New Shit and the Current Thing then everything is golden.
Imagine how the teachers felt who suggested Potter before it went big. That’s a high many will chase.
Oodles of graphic novels these days, plus all the formulaic initial books like Magic Treehouse and Box Car Children, and then you blow their minds by slipping them The Great Brain, The Mad Scientists’ Club, Tom Sawyer, The Dark is Rising…
The article is much more balanced than comments here make it out to be. Sure, the title got it on the front page, but the article considers different possibilities. For example, it addresses the issue of older books having plenty of male characters by arguing that kids have a harder time getting into older books due to the pacing / lack of lots of action. Watching today’s popular anime, I believe it. Whether you believe it or not, there’s more depth to this article than it sounds like from the comments.
Based on article, the male to female characters ratio is 2:1 in all published books and male main characters are easily available in top charts (they are not burried).
2:1 is assymetric ... but hardly a "lack of male characters" situation.
I would see 33/66 female male ratio in the police force as unusually high ratio of women for a police force. Claim that women are rare in your police force would be, simply, a lie. In addition, we are talking amount main characters in books here. It is easy to ignore books you are not interested in. Books wont "be tough" to other books.
Plus, bookstores have those "for boys" and "for girls" sections. Harry Potter and anything popular with main male character is in boys section. Both girls and boys are buying those from boy section. It is simply not true that finding a book with boy male character would be some kind of hard. They are right there. And unlike what others in the thread think, there is variety - there are funny books, action superheroes and more nuanced stuff.
Many parents do see reading as a girly activity tho. And will even explicitly refer to reading as something only girls do, openly in front of boys. But it is not the matter of male characters being rare.
Maybe it was just because I was a precocious reader at 8-12, but at that age almost none of the "age-appropriate" books in my school library actually interested me. You start to think about difficult "adult" subjects like relationships, mortality, conflict etc, yet no material available to you really addresses these ideas in a way that doesn't feel like they're just completely coddling you from reality. I had to go to the public library to find actual novels I felt were at my maturity level. You had 8 year olds using racial slurs against each other playing call of duty and you're worried they're scarred for life reading "fuck" in a novel? Come on children aren't idiots, expect more from them.
> The idea that boys might prefer stories about boys sounds awkwardly retrograde, even to the boys themselves. Kids rarely state such preferences outright, Melissa LaSalle, the children’s-book buyer at Old Town Books, in Alexandria, Virginia, told me. Their parents sometimes will, albeit “in a slightly embarrassed way.” Of course, individuals might not connect to a book for any number of reasons: sense of humor, narrative stakes, cover art. “But the unifying theme that I hear resoundingly from parents of boy readers,” LaSalle said, “is, at the end of the day, there are not enough boy protagonists.”
Meanwhile, it used to be a standard talking point that girls need more female protagonists to identify with, same with other protected classes.
It would be nice if the arguments were applied consistently.
I would recommend Magician: Apprentice and the sequel. It's basically a group of 12-year-old boys growing up in a fantasy world - one becomes a magician, one a fighter, and there are others...
As a younger reader I read anything that passed me by, later I on I started avoiding various types of template books; Hardy Boys and Nancy Drew were good examples of ghostwritten syndicated churn.
I also chewed through a number of an earlier Stratemeyer Syndicate production - the early 1900s boy genius space rockets, satellites, and monorails across Africa wonder of Tom Swift and ...
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[ 0.23 ms ] story [ 40.6 ms ] threadWhen you look at where money is spent and by whom, keep it in mind as you shift the demographics of who's watching / reading. The money moves with the groups interest, and it doesn't necessarily get filled by the new demographic.
according to whom? do you have any examples?
As a small example: I'd love to see more about Anansi, the African spider trickster god elevated into mainstream media. I can only recall him appearing in American Gods and an episode or two of Gargoyles in the 90s.
I support grants for authors to create a wider variety of literature. Too bad the NEA and NEH have been slashed to ribbons.
this reminds me of the green piccolo meme (from 4chan, i think?). Piccolo, fyi, is a green alien character from the famous anime/manga series Dragon Ball Z, which is popular with young boys all over the world.
The meme is that boys, regardless of the race and language or other physical conditions, see themselves in a green alien character that looks and sounds nothing like them, and will happy play with a Piccolo figurine.
Meanwhile girls (supposedly, according to the meme) require a Barbie doll that looks and feels like them, and hence all the various dolls that are made to represent the diverse young female audience.
I don't know how true it actually is, but this stereotype tends to format a lot of the representation discussion online. Boys grow up to be men who chafe at the 'diversity' and 'representation' topics, because they would happily see them selves represented in anything, even if it were a green alien. To them, looks are less important than actions. Piccolo was a good father figure to Gohan, and they aim to be as good as him.
therefore, books written with the (supposedly) feminine themes (even if the MC is a boy) tend to not click with boys.
As long as its not a girl.
Frieren is a manga that has a female protagonist and is wildly popular with boys, elsewhere in this thread I talk about Ascendence of a Bookworm, another story with a female protagonist, popular with boys.
Yes, female MCs are less likely to be common in boys literature, but if the story is good, then boys will read it. What makes the story 'good' in the eyes of boys, is about the themes, at least to my understanding.
I believe Japan does it best, they clearly delineate young/mature, male/female categories in terms of themes, and then have stories can still have a female MC but thematically targeted towards the category 'young+male'(Shonen) or 'mature+male' (Seinen)
Examples of each:
https://myanimelist.net/stacks/41465
https://myanimelist.net/stacks/59021
Many of these stories are something I've read/watched but forgot that they were not labelled under the female category stories.
Apart from that, it feels dumb to make this a competition.
What the English faculty in colleges and schools need is to work with the authors of the "Levelling genre" or "Isekai genre" and modify those books with the reading abilities of those boys according to their grades while keeping the credits with the original authors.
Where does this nonsense come from? I didn't nor did anyone I know. I snorted any kind of adventure books but superpowers? Nuh uh, boring and cheapest of plot devices, and yes, I thought so at 7.
My parents brought me to the library every two weeks and let me read whatever I wanted, I think that's most important. Also, show you read yourself, and if you don't, wonder why.
Adventures don't need heroes at all.
You could fix it. Drop the levelling, keep the portal story-- portal stories can be fun, C.S. Lewis and Astrid Lindgren have done portal or portal-adjacent stories and they can be fun.
I don't think a fixed portal story is necessarily attractive to idiot-readers though. I think popularity of Isekai or levelling stories might have more to do with impatience and inability to tolerate uncertainty.
I read 1632, it's a bit sci-fi pulp-y but entertaining, especially when you're a Swede and some of the characters are familiar from real-life history. I've written stories in this direction myself too, and portal stories.
But my portal stories are usually in opposition to Isekai tropes, and I think most of this stuff is too. 1632 isn't an Isekai, ISoT isn't an Isekai, Narnia isn't an Isekai-- maybe it shares some destiny tropes with Isekai-type stories, but there's an attempt to give it weight, etc.
The bad aspects of the Isekai aren't that there's a portal, it's excessive indulgence.
Jeez, how far from common sense are some people nowadays.
I was recently lamenting to him that he probably lost the last chance he had before the flood of slop books really hit.
Certainly this is one possible hypothesis.
There are plenty of other cultural pressures for boys to read less than girls, though. For example, the prominence of male-dominated sports could be drawing their attention.
I’m wondering if the causal arrow goes the other way: fewer male readers leading to fewer male protagonists.
If that’s the case, we are already looking at the market correction, we just don’t like it.
I think in general the market is going to sell what people are buying.
“But even if the backlist contains a wealth of fiction starring boys, that’s not always a help to today’s young readers. Laura Gardner, a veteran middle-school librarian in Dartmouth, Massachusetts, told me that although some of the classics still stand up—kids love Gary Paulsen’s Hatchet and its sequels, along with the I Survived series—many students have a hard time getting into literature from past decades. Thanks to the disruptions of the pandemic, middle schoolers are coming into Gardner’s library with lower reading levels than they were when she started her career 17 years ago. But even the high-achieving students, she’s noticed, can’t be coaxed into picking up a book for fun unless it’s action-packed. “If the pacing isn’t pretty quick, then you’re going to lose the kid,” Gardner said. Older titles tend to feature more descriptive language and longer chapters; they start with more exposition, and have plots that unspool more slowly than today’s attention spans are used to.”
It still seems absurd. As parents of young kids in the late ‘00s and ‘10s, we made reading together the core of our nighttime routine from toddlerhood onward, made trips to the library constantly, and kept our house stocked with fantastic books.
It’s hard for me to even fathom why, seeing reduced attention spans, the conclusion is “we need new books that are competitive with tiktok” instead of “we need to fix this toxic attention environment.”
I guess the implication is that without such advertisements, old books are lost media for young kids. Their first brush is with new media that IS advertised to them, and upon finding it not compatible to their tastes (at least acc to the article) young boys tune out of the reading hobby altogether.
Obvious retort is that this where parents should step in... but that's a whole different debate.
And that is not even talking about the fact that 2:1 male female male character does not make male main characters hard to find.
Really a pity. Another big store opened 100m from them. Hope they get their ass whooped.
We may not like what it says about the world.
Kids are influenced by their parents, their teachers, and their peers. It's no coincidence that kids raised in some environments are more likely to segregate themselves into gendered groups than others.
I was raised in a household without a particularly strong emphasis on gender, but in a society and in a community with a moderate emphasis on it, so I was happy enough to read books with female protagonists, as long as the subjects weren't overly "girly." It's incomprehensible to me to be unwilling to read books with female protagonists, but I understand how it can happen.
Please also note that while you're likely able to gather my position from context, I'm not actually making a claim about whether gender associations are good or bad, just about where they come from.
Is that clearer? I'm genuinely trying to address your complaint, so I'm happy to elaborate or clarify further.
Kids are a product of their surroundings, corrupt or not. Have you never encountered kids with extremely rigid opinions of things they could impossibly have reached on their own?
> are you saying that the perfect representation of humanity is incorrect in some way ?
Incorrect presupposition.
At what age? The context is kids at the age they start reading. If your experience is anything close to mine, you're describing teens.
It's really hard for me to believe American kids suddenly can't get enough books with male protagonists. If that's the case, the fault must lie with whoever's choosing books for those kids.
But if I convince them to read New Shit and the Current Thing then everything is golden.
Imagine how the teachers felt who suggested Potter before it went big. That’s a high many will chase.
Oodles of graphic novels these days, plus all the formulaic initial books like Magic Treehouse and Box Car Children, and then you blow their minds by slipping them The Great Brain, The Mad Scientists’ Club, Tom Sawyer, The Dark is Rising…
2:1 is assymetric ... but hardly a "lack of male characters" situation.
33/66 is the female/male ratio int he police force where I live and it’s tough for women.
Plus, bookstores have those "for boys" and "for girls" sections. Harry Potter and anything popular with main male character is in boys section. Both girls and boys are buying those from boy section. It is simply not true that finding a book with boy male character would be some kind of hard. They are right there. And unlike what others in the thread think, there is variety - there are funny books, action superheroes and more nuanced stuff.
Many parents do see reading as a girly activity tho. And will even explicitly refer to reading as something only girls do, openly in front of boys. But it is not the matter of male characters being rare.
So yes, I meant it other way round.
Meanwhile, it used to be a standard talking point that girls need more female protagonists to identify with, same with other protected classes.
It would be nice if the arguments were applied consistently.
https://www.goodreads.com/en/book/show/13812.Magician
I also chewed through a number of an earlier Stratemeyer Syndicate production - the early 1900s boy genius space rockets, satellites, and monorails across Africa wonder of Tom Swift and ...
https://en.wikipedia.org/wiki/List_of_Tom_Swift_books
At least they didn't suffer from Alfred Hitchcock shoehorning his way into every book: https://en.wikipedia.org/wiki/The_Three_Investigators
All that US origin "children's literature" pushed me into Canadian, UK, and European reading.